Emma Amos Action Lines Time: 15 minutes Study Guide

Similar documents
VISUAL AND PERFORMING ARTS, MFA

Multiple Intelligence Teaching Strategy Response Groups

Beyond The Forest Jewish Presence In Eastern Europe, by Loli Kantor

Primary Years Programme. Arts scope and sequence

MARY MCLEOD BETHUNE. A Dedicated Teacher

been each get other TASK #1 Fry Words TASK #2 Fry Words Write the following words in ABC order: Write the following words in ABC order:

Proudly Presents. The 36 th ANNUAL JURIED SPRING ART SHOW & SALE. April 7 15, 2018

Bharatanatyam. Introduction. Dancing for the Gods. Instructional Time GRADE Welcome. Age Group: (US Grades: 9-12)

Classroom Assessment Techniques (CATs; Angelo & Cross, 1993)

Common Core Exemplar for English Language Arts and Social Studies: GRADE 1

PART C: ENERGIZERS & TEAM-BUILDING ACTIVITIES TO SUPPORT YOUTH-ADULT PARTNERSHIPS

172_Primary 4 Comprehension & Vocabulary-7th Pass 07/11/14. Practice. Practice. Study the flyer carefully and then answer questions 1 8.

Local Artists in Yuma, AZ

IMPORTANT: PLEASE READ THE FOLLOWING DIRECTIONS CAREFULLY PRIOR TO PREPARING YOUR APPLICATION PACKAGE.

University of Phoenix - Office of Student Services and Admissions - Course Transfer Guide. Fashion Institute of Design & Merchandising

Story Problems with. Missing Parts. s e s s i o n 1. 8 A. Story Problems with. More Story Problems with. Missing Parts

Fall Classes At A Glance

3D DIGITAL ANIMATION TECHNIQUES (3DAT)

EXPERIENCE UGA Outstanding Process Improvement: Increase Service to Students

KATIE E. DIETER CURRICULUM VITAE. CONTACT INFORMATION 416 Somersbe Place Bloomington, IN

DO YOUR PART FOR ART!

Providence Spring Elementary's Character Trait of APRIL is Perseverance

SMUMN.edu Art & Design Department

The suffix -able means "able to be." Adding the suffix -able to verbs turns the verbs into adjectives. chewable enjoyable

Lesson Plan Art: Painting Techniques

Fountas-Pinnell Level P Informational Text

The Gestalt. ROOTS an exhibition Art Installations by Artist, Ron Bechet, Professor of Art, Rontherin Ratliff, & Patrick Waldemar

Art and Art History Department: Overview

Let s Meet the Presidents

Close Up. washington & Williamsburg High School Programs

Artist: Emily Carr,

MCAD Course Catalog. Last Updated 10/26/2017

Growing Gifted Readers. with Lisa Pagano & Marie Deegan Charlotte-Mecklenburg Schools

COMMUNITY RESOURCES, INC.

Enduring Understandings: Students will understand that

St Mary s Diocesan School. Junior Options Book

Gwen John and Celia Paul: Press preview

Take a Loupe at That! : The Private Eye Jeweler s Loupes in Afterschool Programming

Table of Contents. Introduction Choral Reading How to Use This Book...5. Cloze Activities Correlation to TESOL Standards...

Shaping the History of Photography

Seventh Grade Course Catalog

The Life & Work of Winslow Homer NAPOLEON SARONY, PHOTOGRAPH: WINSLOW HOMER TAKEN IN N.Y., 1880, 1880, BOWDOIN COLLEGE MUSEUM OF ART

Gifted/Challenge Program Descriptions Summer 2016

EXAMPLES OF SPEAKING PERFORMANCES AT CEF LEVELS A2 TO C2. (Taken from Cambridge ESOL s Main Suite exams)

An In-Depth Study in Fine Arts. by: St. Anthony of Padua School 5680 North Maroa Avenue Fresno, CA 93704

ARTS IMPACT INSTITUTE LESSON PLAN Core Program Year 1 Arts Foundations VISUAL ARTS LESSON Unity and Variety in a Textural Collage

Job Explorer: My Dream Job-Lesson 5

EVERY PICTURE TELLS A STORY

Stimulation for Interaction. 1. Is your character old or young? He/She is old/young/in-between OR a child/a teenager/a grown-up/an old person

ASTEN Fellowship report Priscilla Gaff Program Coordinator Life Science

Faculty Meetings. From Dissemination. To Engagement. Jessica Lyons MaryBeth Scullion Rachel Wagner City of Tonawanda School District, NY

ABET Criteria for Accrediting Computer Science Programs

Art: Digital Arts Major (ARDA)-BFA degree

1. Locate and describe major physical features and analyze how they influenced cultures/civilizations studied.

FOR TEACHERS ONLY RATING GUIDE BOOKLET 1 OBJECTIVE AND CONSTRUCTED RESPONSE JUNE 1 2, 2005

THE RO L E O F IMAGES IN


Learning to Think Mathematically with the Rekenrek Supplemental Activities

Dangerous. He s got more medical student saves than anybody doing this kind of work, Bradley said. He s tremendous.

Close Up. washington, Dc High School Programs

30 Day Unit Plan: Greetings & Self-intro.

Bebop Books Page 1. Guided Reading with SPLASH! written by Dinah Johnson photographed by Maria Victoria Torrey

Authentically embedding Aboriginal & Torres Strait Islander peoples, cultures and histories in learning programs.

TEKS Resource System. Effective Planning from the IFD & Assessment. Presented by: Kristin Arterbury, ESC Region 12

use different techniques and equipment with guidance

Bold resourcefulness: redefining employability and entrepreneurial learning

Results In. Planning Questions. Tony Frontier Five Levers to Improve Learning 1

New York People and Places

Bitstrips for Schools: A How-To Guide

International Business BADM 455, Section 2 Spring 2008

Prewriting: Drafting: Revising: Editing: Publishing:

Project-based learning... How does it work and where do I begin?

MARY GATES ENDOWMENT FOR STUDENTS

JOURNALISM 250 Visual Communication Spring 2014

CREATE YOUR OWN INFOMERCIAL

2018 ELO Handbook Year 7

THE UNIVERSITY OF TEXAS RIO GRANDE VALLEY GRAPHIC IDENTITY GUIDELINES

Characteristics of the Text Genre Informational Text Text Structure

"Be who you are and say what you feel, because those who mind don't matter and

Principal s Newsletter

Kindergarten - Unit One - Connecting Themes

Urban Analysis Exercise: GIS, Residential Development and Service Availability in Hillsborough County, Florida

Workshop 5 Teaching Writing as a Process

MASTER SYLLABUS. Course Title: History of American Art Course Number: 1045

Johnny Appleseed. Retrieved from JohnnyAppleseedBiography.com. A WebQuest for 3rd Grade Early Childhood. Designed by

Title Ai Weiwei: A Closer Look

UDL AND LANGUAGE ARTS LESSON OVERVIEW

Personal Project. IB Guide: Project Aims and Objectives 2 Project Components... 3 Assessment Criteria.. 4 External Moderation.. 5

Helping Students Get to Where Ideas Can Find Them

Scholarship Application For current University, Community College or Transfer Students

The St. Marylebone Church of England Bridge School

Atlanta Police Study Guide

African American Male Achievement Update

Fashion Design Program Articulation

Between. Art freak. and. school freak. Lupes Facilitator : A magic teacher

Notetaking Directions

DIGITAL GAMING & INTERACTIVE MEDIA BACHELOR S DEGREE. Junior Year. Summer (Bridge Quarter) Fall Winter Spring GAME Credits.

Visual Arts International. ECTS files

Renae Townsend G21 PBL Project

SPRUCE PEAK PRESENTS In Association with the Flynn Center Student Matinee Series LEO. The Anti-Gravity Show

Transcription:

Emma Amos Action Lines Time: 15 minutes Study Guide INTRODUCTION Emma Amos: Action Lines is a film about a dynamic artist that moves between the past and the present, between the personal and political and between family and society to present a penetrating vision of the world. Above all she seems to question -- what happened, why, what does it mean - and she puts feelingful answers into her art. Her work is large and highly saturated with color and texture to create an ambiguous space for her to arrange and re-arrange images of black and white people and their interrelationships. Filled with double meanings, her paintings throb with movement that is kept within bounds by frames of woven and printed African cloth, symbolic of her heritage. Although many of her paintings are autobiographical, there is a recurrent theme of history as a basis for identity. She wants her work to prevent the vanishing of history, art and art-making in a prejudiced, uncertain world. Her goal is to remember, witness and retrieve history by targeting issues such as domination, racism and sexism and articulating them on canvas. Emma Amos expresses her ideas about African American history, family memories and women's lives and achievements. In this way, she empowers herself to combine dreams and reality to create a new world and a new presence. TO THE TEACHER: This video is appropriate for students from upper elementary (Grade 3) to adult learners. However, the student guide is targeted for Grades 3-8. The objectives of the guide are to: stimulate active viewing that engages students' minds; provide questions for reflection; suggest experiential activities that involve many areas of the curriculum. 1

The intent is to give students an opportunity to interpret the artist's work, understand the social and historical context of the artist's life and to make connections to their own lives and learning. SHARE INFORMATION ABOUT THE ARTIST You may want to begin by sharing some information about the artist and her accomplishments with the students. Adapt the language to the appropriate age level of the class. BIOGRAPHY Emma Amos (1938 - ) printmaker, weaver and painter, grew up in Atlanta, GA near the drugstore owned by her parents. She started painting and drawing when she was six. She loved reading the magazines at the drugstore and she copied the glamorous pictures she saw. At age 12 her parents wanted her to study with the famous African American artist, Hale Woodruff, at Atlanta University, but he told them she was too young. Later he became her mentor and advisor at New York University. After attending segregated public schools in Atlanta, she entered the five-year program at Antioch University in Yellow Springs, Ohio. She spent her fourth year abroad at the London Central School of Art, studying printmaking, painting and weaving. After graduating from Antioch, she returned to the London school for a diploma in etching in 1959. Her first solo exhibition was in an Atlanta gallery, but she moved to New York in 1960. She developed close relationships with family members and friends of her parents, as well as artists. She taught at the Dalton School and continued her work as an artist by making prints. Then she was employed as a designer/weaver, creating rugs for a major textile manufacturer. In 1964 she entered a masters program in Art Education at New York University. During this time she studied with excellent artists and began her association with Hale Woodruff. He invited her to become a member of Spiral, a group of serious black artists which included such notables as Romare Bearden and Charles Alston. It took a great deal of courage for her to join Spiral as she was the youngest and only woman member. 2

She married Bobby Levine in 1965 and received an M.A. in Art from NYU in 1967. Two small children and no studio made painting difficult, so the versatile and inventive artist focused on sewing, weaving, quilting and doing illustrations for Sesame Street magazine. She developed a television how to crafts series which was produced on WGBH in Boston. Amos joined the art faculty at the Mason Gross School of Art, Rutgers University, and is now a full professor. From this point on, her career blossomed with numerous solo and group exhibitions, fellowships, awards, lectures, writing and videotapes. Whatever her choice of media - painting, drawing, photographs, weaving, printmaking, collage, quilting - her work is exciting, dramatic and provocative. She is especially noted for her series on black athletes, women runners, swimmers and falling. WHAT TO WATCH FOR Help students actively view the video by giving them things to watch for and questions to think about, as appropriate for their age and grade level. Watch for photos of the artist as a child. Watch for examples of energy and movement in the artwork. Watch for how she uses color. Watch for symbols, like KKK, police, family, American flag. Watch for frames of African cloth and how she attaches them to the artwork. Watch for how the artist works. Watch for a picture of the artist in costume. Watch for how she describes learning to draw. Watch for figures tumbling through space 3

Watch for a photograph of artists in the Spiral Group working together. Watch for a present she gives to her daughter. QUESTION FOR STUDENTS Begin by reviewing selected items from What to Watch For as preparation for interpretative questions about Emma Amos and her work.? Why do you think the title of this video is called Action Lines? What does it tell you about the artist?? What qualities does Emma Amos think are most important in learning to be an artist? Do you agree that these are more important than talent?? Emma Amos was considered a prodigy. Did she agree? Her parents wanted her to study with the famous artist Hale Woodruff. What did he tell her?? What did Emma learn at her father s drugstore?? Why was it important to the artist that she was invited to join the group called Spiral at New York University?? What process does the artist use in making her work? (Carefully worked out sketches, grid system, rotating between projects.)? Emma Amos art is compared to theater. Why do you think this is a good comparison?? Name some of the artist's series you saw in the film. (sports, animals, falling, water, gifts for daughter.) Which one do you like the best? Why? Which one do you think is the best work of art? Why? (Emphasize the difference between preference and judgment.) 4

? What great feat does she use as a metaphor for being an artist? (walking on a high wire.)? What was the inspiration for the Falling Series? (all the problems in the world.)? What can you learn from Emma Amos? EXPERIENCES FOR STUDENTS The following suggestions are designed to help students express ideas and interpretations about the meaning of Emma Amos message and work to their own lives. Feel free to select from the curriculum applications that follow or adapt to meet the needs of your students and learning goals. 1. Paint a background using wet on wet techniques. Draw action figures over the background in ink adding lines to show movement. Remember to start with a sketch and consider placement. 2. Do a storyboard of animated figures or a flip-book which shows actions. 3. Look at cartoons and comic strips. How do they show movement? Compare these to the artist's work. 4. Choose a class or group theme and create a series that shows action. Experiment with individual sketches, before "laying out" the final drawing on a grid. Have people, animals and objects moving freely about. 5. Do line drawings of repeated horizontal, diagonal, vertical lines; make them broken, connected, wavy, zig-zag, curved, angular. 6. Choose a partner and decide which one of you will be a model and which one will be an artist. Do quick sketches of each other in different poses and motions, inspired by runners, swimmers and other images in Emma Amos work. 5

7. Emma Amos Falling Series is based on problems in the world. Write down the problems that concern you and decide what you would do about them. 8. Imagine you are a gallery owner who wants to sell a customer one of Emma Amos works? What would you say to convince a buyer? Write a persuasive speech. 9. Create a costume for yourself like Emma Amos does for her subjects. Ask a classmate to draw your portrait. When all the portraits are complete, make up dialogue or write a play using the characters in the artworks. 10. Emma Amos did a painting of her friends for her daughter. Who would you choose as the subject of a painting to give someone in your family or a friend? Why? Write a letter to the recipient of your gift explaining your choice. VIDEO SERIES Emma Amos: Action Lines, created and produced by Linda Freeman, is one of a series of videos that provide an intimate look at both the lives and work of famous African American artists. Art history is being made on film, as the artists create right before our eyes. These documentaries profile the personal relationships, joys and struggles of these extraordinary human beings - and give them the recognition they richly deserve. The goal of the series is to teach students about the artmaking process and to inspire them to reach their own life goals. For more information about Emma Amos: Action Lines and the other videos, contact Linda Freeman at L & S Video, Inc., Tel: 914-238-9366; Fax: 914-238-6324. This video study guide is by Nancy Roucher, an arts education consultant, who specializes in interdisciplinary curriculum. She lives in Sarasota, Florida, and can be reached at nancyhr@home.com or at 941-349-3439. 6