DANCE III. September 2011

Similar documents
DANCE (DANC) Courses. Dance (DANC) 1

Bharatanatyam. Introduction. Dancing for the Gods. Instructional Time GRADE Welcome. Age Group: (US Grades: 9-12)

Jazz Dance. Module Descriptor.

Colorado Academic. Drama & Theatre Arts. Drama & Theatre Arts

COURSE NUMBER: COURSE NUMBER: SECTION: 01 SECTION: 01. Office Location: WSQ 104. (preferred contact)

PAGE(S) WHERE TAUGHT If sub mission ins not a book, cite appropriate location(s))

VISUAL AND PERFORMING ARTS, MFA

Teachers Guide Chair Study

Class Descriptions 9 TH 12 TH

Ohio s New Learning Standards: K-12 World Languages

Santiago Canyon College 8045 East Chapman Avenue, Orange, CA AGENDA CURRICULUM AND INSTRUCTION COUNCIL Monday, October 30, :30pm B-104

Carolina Course Evaluation Item Bank Last Revised Fall 2009

2 Higher National Unit credits at SCQF level 8: (16 SCQF credit points at SCQF level 8)

PROCEDURES FOR SELECTION OF INSTRUCTIONAL MATERIALS FOR THE SCHOOL DISTRICT OF LODI

Exemplar 6 th Grade Math Unit: Prime Factorization, Greatest Common Factor, and Least Common Multiple

Primary Years Programme. Arts scope and sequence

TRANSFER APPLICATION: Sophomore Junior Senior

University of Arkansas at Little Rock Graduate Social Work Program Course Outline Spring 2014

Curriculum and Assessment Guide (CAG) Elementary California Treasures First Grade

GERMAN STUDIES (GRMN)

Davidson College Library Strategic Plan

Prentice Hall Literature: Timeless Voices, Timeless Themes Gold 2000 Correlated to Nebraska Reading/Writing Standards, (Grade 9)

Classroom Connections Examining the Intersection of the Standards for Mathematical Content and the Standards for Mathematical Practice

PROGRAMME SPECIFICATION UWE UWE. Taught course. JACS code. Ongoing

NATIONAL SURVEY OF STUDENT ENGAGEMENT

Course Law Enforcement II. Unit I Careers in Law Enforcement

ARH 390 Survey of Decorative Arts & Design: The Ancient World to Present Online, Sec. 01, 03 Credit Hours Summer 2017

CROSS COUNTRY CERTIFICATION STANDARDS

MADERA SCIENCE FAIR 2013 Grades 4 th 6 th Project due date: Tuesday, April 9, 8:15 am Parent Night: Tuesday, April 16, 6:00 8:00 pm

Dublin City Schools Broadcast Video I Graded Course of Study GRADES 9-12

It is therefore both a practical AND theoretical subject so you will need to want to dance practically AND write.

RED 3313 Language and Literacy Development course syllabus Dr. Nancy Marshall Associate Professor Reading and Elementary Education

Florida Reading for College Success

Piano Safari Sight Reading & Rhythm Cards for Book 1

Austin Community College SYLLABUS

Maximizing Learning Through Course Alignment and Experience with Different Types of Knowledge

Fashion Design Program Articulation

Prentice Hall Literature: Timeless Voices, Timeless Themes, Platinum 2000 Correlated to Nebraska Reading/Writing Standards (Grade 10)

2006 Mississippi Language Arts Framework-Revised Grade 12

ABET Criteria for Accrediting Computer Science Programs

Unit 3. Design Activity. Overview. Purpose. Profile

SOFTWARE EVALUATION TOOL

Grade 11 Language Arts (2 Semester Course) CURRICULUM. Course Description ENGLISH 11 (2 Semester Course) Duration: 2 Semesters Prerequisite: None

Language Acquisition Chart

NATIONAL SURVEY OF STUDENT ENGAGEMENT (NSSE)

Slam Poetry-Theater Lesson. 4/19/2012 dfghjklzxcvbnmqwertyuiopasdfghjklzx. Lindsay Jag Jagodowski

CORRELATION FLORIDA DEPARTMENT OF EDUCATION INSTRUCTIONAL MATERIALS CORRELATION COURSE STANDARDS / BENCHMARKS. 1 of 16

ACCREDITATION STANDARDS

Kentucky s Standards for Teaching and Learning. Kentucky s Learning Goals and Academic Expectations

eportfolio Guide Missouri State University

Textbook Evalyation:

Statistical Analysis of Climate Change, Renewable Energies, and Sustainability An Independent Investigation for Introduction to Statistics

Faculty of Health and Behavioural Sciences School of Health Sciences Subject Outline SHS222 Foundations of Biomechanics - AUTUMN 2013

EDIT 576 (2 credits) Mobile Learning and Applications Fall Semester 2015 August 31 October 18, 2015 Fully Online Course

Topic: Making A Colorado Brochure Grade : 4 to adult An integrated lesson plan covering three sessions of approximately 50 minutes each.

Maintaining Resilience in Teaching: Navigating Common Core and More Site-based Participant Syllabus

BUS 4040, Communication Skills for Leaders Course Syllabus. Course Description. Course Textbook. Course Learning Outcomes. Credits. Academic Integrity

MASTER OF EDUCATION (M.ED), MAJOR IN PHYSICAL EDUCATION

If you are searched for the book London Art Schools in pdf form, in that case you come on to the faithful site. We presented the complete variation

EDIT 576 DL1 (2 credits) Mobile Learning and Applications Fall Semester 2014 August 25 October 12, 2014 Fully Online Course

COMMUNICATION AND JOURNALISM Introduction to Communication Spring 2010

The College Board Redesigned SAT Grade 12

George Mason University Graduate School of Education Program: Special Education

Course Outline for Honors Spanish II Mrs. Sharon Koller

Class meetings: Time: Monday & Wednesday 7:00 PM to 8:20 PM Place: TCC NTAB 2222

MASON GROSS SCHOOL OF THE ARTS

Are You a Left- or Right-Brain Thinker?

Theatre & Dance. Handbook for graduate dance.

Indicators Teacher understands the active nature of student learning and attains information about levels of development for groups of students.

SYLLABUS. or by appointment MGM Theatre Room 216, Rich Bldg.

St Mary s Diocesan School. Junior Options Book

Stimulating Techniques in Micro Teaching. Puan Ng Swee Teng Ketua Program Kursus Lanjutan U48 Kolej Sains Kesihatan Bersekutu, SAS, Ulu Kinta

MOTION PICTURE ANALYSIS FIRST READING (VIEWING)

CONTRACT TENURED FACULTY

g to onsultant t Learners rkshop o W tional C ces.net I Appealin eren Nancy Mikhail esour Educa Diff Curriculum Resources CurriculumR

Midterm Evaluation of Student Teachers

Teaching a Laboratory Section

ANTH 101: INTRODUCTION TO PHYSICAL ANTHROPOLOGY

This Performance Standards include four major components. They are

MASTER SYLLABUS. Course Title: History of American Art Course Number: 1045

Honors Mathematics. Introduction and Definition of Honors Mathematics

Literature and the Language Arts Experiencing Literature

SOC 175. Australian Society. Contents. S3 External Sociology

Clerical Skills Level I

Reading Grammar Section and Lesson Writing Chapter and Lesson Identify a purpose for reading W1-LO; W2- LO; W3- LO; W4- LO; W5-

Fortis College, Cincinnati Ohio

Introduction to Forensics: Preventing Fires in the First Place. A Distance Learning Program Presented by the FASNY Museum of Firefighting

CATALOG WinterAddendum

H EALTHCARE S CIENCE

MATH Study Skills Workshop

Ruggiero, V. R. (2015). The art of thinking: A guide to critical and creative thought (11th ed.). New York, NY: Longman.

Foreign Languages. Foreign Languages, General

TEKS Comments Louisiana GLE

Maintaining Resilience in Teaching: Navigating Common Core and More Online Participant Syllabus

General Physics I Class Syllabus

SPCH 1315: Public Speaking Course Syllabus: SPRING 2014

STUDENT ASSESSMENT AND EVALUATION POLICY

Abdul Rahman Chik a*, Tg. Ainul Farha Tg. Abdul Rahman b

Candidates must achieve a grade of at least C2 level in each examination in order to achieve the overall qualification at C2 Level.

Communication Skills for Architecture Students

Transcription:

I. Course Description DANCE III September 2011 Ballet III Students will continue to improve their knowledge and execution of ballet technique. Students will expand their knowledge of aesthetics, critical analysis and the relationship of ballet to music. Selected students will have the opportunity to develop and expand on their pointe work and partnering. Modern Dance III Students will continue to expand their understanding of modern dance and begin to experience it as a viable and theatrical art form. They will gain practical experience in modern dance styles and techniques. They will continue to deepen and refine their understanding of improvisation and partnering through performance and the use of breath, weight, rhythm, dynamic energies and space. Jazz Dance III Students will obtain a basic understanding of contemporary as well as classical jazz techniques. The student is required to develop a variety of dance skills, both technical and rhythmical. The course includes an overview of jazz dance and introduces students to outstanding personalities in the field. There is an emphasis on the importance of energy, style, and rhythmical accuracy. Tap Dance III Students will continue to build a strong technique base. Students will focus on strength, flexibility, and clear sounds. Students will explore more intricate rhythms and increase confidence and articulation in their tap skills. Each class includes some rhythm work, moving across the floor, and a combination. Composition Students will explore various movement and design elements within the choreographic process. They will identify, plan and provide solutions to design problems of space, structures, objects, sound and events or events in a public or private environment. Students will gain an aesthetic appreciation for choreographic space, identify significant historical contributions of individuals and events that have shaped and continue to space contemporary arts, and increase skills in movement analysis, space, harmony, and critique.

II. Course Objectives Ballet III 1. To review the ballet foundation from the previous year. 2. To enable the student to execute ballet barre, center, and floor work investigating intermediate and advanced combinations. 3. To enable the student to execute and identify ballet combinations on the basis of verbal instruction only. 4. To enable the student to execute basic dance elements of time, space, and energy to gain an appreciation of the relationship between music and dance. 5. To enable the student to develop the skills necessary to critique a famous classical ballet. 6. To enable selected students to have the opportunity to develop and expand on their level of skill in pointe work and partnering. Modern Dance III 1. To enable the student to gain practical experience in modern dance vocabularies derived from first and second-generation world choreographers, utilizing arts elements and arts media to produce artistic products and performances. 2. To enable the student to understand modern dance as a world theatrical form. 3. To develop the student s understanding of the application of appropriate muscular-skeletal alignment, body mechanics and force used in the execution of modern dance vocabulary. 4. To enable the student to perform complex modern dance combinations in a broad dynamic range demonstrating clarity, musicality and stylistic nuance in several choreographic styles. Jazz Dance III 1. To develop the student s ability to align the spine according to mechanical principles based on the natural laws of motion. 2. To enable the student to demonstrate the ability to lower the center of gravity by using the body s own gravity bound instinctive logic. 3. To enable the student to gain the ability to free the body s joints from unnecessary tension in order to allow the energy in the muscles to flow outward to the body s extremities. 4. To enable the student to develop individual artistic voice and performance persona while connecting to the music.

Tap Dance III 1. To increase the student s tap dance vocabulary. 2. To develop the student s rhythmical accuracy in the production of sounds in fundamental steps. 3. To introduce more intricate rhythms and enable students to create their own. 4. To enable the student to use rhythms and steps to improvise. Composition 1. To enable the student to use basic dance elements of time, space, energy and body when creating movement. 2. To allow the students to investigate their own personal aesthetic as a mover and as a choreographer through the creation of various dance studies. 3. To enable the student to develop the skills necessary to critique dance works through a compositional lens. 4. To allow students to investigate historical contributions of individuals who have shaped the arts and understand the compositional elements that exist within various dance works. 5. To enable the student to gain experience in observation of self and others in movement to gain an understanding of movement potential at body, shape, space, and effort levels. New Jersey Core Curriculum Standards 1.1 All students will acquire knowledge and skills that increase aesthetic awareness in dance, music, theater, and visual arts. 1.2 All students will understand the role, development, and influence of the arts throughout history and across cultures. 1.3 All students will synthesize those skills, media, methods, and technologies appropriate to creating, performing, and/or presenting works of art in dance, music, theatre, and visual art. 1.4 All students will demonstrate and apply an understanding of arts philosophies, judgment, and analysis to works of art in dance, music, theatre, and visual art. New Jersey Cross Content 21 st Century and Life Skills Standards 9.1 All students will demonstrate the creative, critical thinking, collaboration, and problemsolving skills needed to function successfully as both global citizens and workers in diverse ethnic and organizational cultures. 9.3 All students will apply knowledge about and engage in the process of career awareness, exploration, and preparation in order to navigate the globally competitive work environment of the information age. 9.4 All students who complete a career and technical education program will acquire academic and technical skills for careers in emerging and established professions that lead to technical skill proficiency, credentials, certificates, licenses, and/or degrees.

III. Methods of Student Evaluation Students are evaluated using the following assessment tools: Journals In class as well as online discussions Assignments: written and practical Quizzes: written and practical Tests Projects Performance evaluations Daily technique and participation evaluations IV. Textbooks and Instructional Materials Textbooks: McGreevy-Nichols, Susan, Helene Scheff, Marty Sprague. Experiencing Dance: From Student to Dance Artist. Human Kinetics: 2005. Instructional Materials Blackboard DVDs of famous dance works Various websites to view dance works V. Instructional Strategies Modeling and teacher demonstrations Lecture In class and online discussions Peer teaching Cooperative learning activities

VI. Scope and Sequence Skill to be learned 9 10 11 12 Demonstrate the use of ballet terminology ID D DR DR Demonstrate proper body alignment, balance weight shifts, elevation, and landing in ballet ID D DR DR Execute a series of developmental exercises at the barre ID D DR DR Execute extended movement sequences in center work I ID DR DR Demonstrate proper body alignment, balance, weight shifts, elevation and landing Demonstrate an understanding of space, time, and dynamic energies Employ proper technique and develop posture, muscle control, strength, and alignment Execute complex movement patterns in time and space using body part isolations Understand the connection between music and dance Demonstrate rhythmical accuracy in the production of sounds in fundamental tap steps Perform basic tap steps and execute in combinations to selected music Identifying and discussing the anatomy of the human body as it relates to dance Understanding proper bone alignment in the execution of developmental dance exercises Demonstrate an awareness of qualities of movement and dance styles Work collaboratively to create composition assignments I I D R Understand the similarities and difference between different forms of dance Create an original piece of choreography I I D DR Understanding different traditions in dance and their history I DR R R

VII. Pacing Chart Technique classes are taken every day and are paced according to the needs of the specific class. The following chart is for the pacing of the Composition course. Marking Period 1 Body Mechanics Alignment Skeletal system and musculature Movement Preferences Personal preferences and abilities Application Bloom s Taxonomy Cognitive process in creation Marking Period 2 Expressing Ideas and Emotions Dance as nonverbal communication Dance as a social commentary Changing Movement to Dance Abstract and literal movement Choreographic elements Dance as a theatrical form Dance as a Cultural, Historical, and Social Form Cultural dance Historical dance Social or vernacular dance Marking Period 3 Works of Others Influencing Choreography Influential choreographers and their master works Laban effort and actions Viewing Analyzing and Critiquing the Works of Others Description, Interpretation, Analysis, Evaluation Creating and Planning Presentations for Specific Venues Site specific dance Marking Period 4 Dance Making Elements Dance Making Processes Dance Making Structures Choosing Subject Matter and Exploring Movement Coordinating Music and Movement Showcasing Work Costumes and props Lighting, scenery, and sound Production information

VIII. Student Handout Dance III Course Description Students will continue their study of ballet, modern, tap, and jazz technique. Students will explore their own personal aesthetic and how that influences them as a dancer, a viewer, and a movement creator. Students will gain an appreciation for historically significant influential works as they investigate the compositional elements within that dance work. Students will begin to create various dance studies and learn how to incorporate the elements of dance and various other compositional elements. Proficiencies Ballet III 1. The student will be able to build on a strong ballet base from the previous year. 2. The student will be able to execute ballet barre, center, and complex floor work with intermediate and advanced level combinations. 3. The student will be able to execute and identify ballet combinations on the basis of verbal instruction only. 4. The student will be able to execute basic dance elements of time, space, and energy to gain an appreciation of the relationship between music and dance. Jazz Dance III 1. The student will be able to align the spine according to mechanical principles based on the natural laws of motion. 2. The student will be able to demonstrate the ability to lower the center of gravity by using the body s own gravity bound instinctive logic. 3. The student will be able to free the body s joints from unnecessary tension and use breath in order to allow the energy in the muscles to flow outward. 4. The student will continue to expand on their aesthetic, style, and performance qualities and begin to use rhythm to generate movement. Modern Dance III 1. The student will be able to demonstrate their understanding of modern dance as a theatrical art form. 2. The student will be able to gain practical experience in modern dance utilizing arts elements and arts media to produce their own choreographic endeavors. 3. The student will be able to deepen and refine their understanding of improvisation and partnering through performance and the use of breathe, weight, rhythm, dynamic energies, and space. Tap Dance III 1. The student will be able to demonstrate an increased tap dance vocabulary. 2. The student will be able to utilize rhythmical accuracy in the production of sounds in fundamental steps. 3. The student will be able to execute more intricate rhythms and create their own rhythms. 4. The student will be able to use rhythms and steps to improvise to selected music. Composition 1. The student will be able to explore, demonstrate, and express their personal aesthetic both verbally and nonverbally through movement.

Excellent Acceptable Unacceptable Not Applicable 2. The student will be able to recognize the elements of dance when viewing dance works of significant choreographers and contributors who have shaped the arts. 3. The student will be able to successfully utilize the elements of dance during their creative process. 4. The student will be able to understand the choreographic process and utilize these processes in the creation of dance studies using their full range of movement vocabulary that express and develop their aesthetic and style. I. Textbook Evaluation Form Title Experiencing Dance: From Student to Dance Artist Subject Dance III Publisher Human Kinetics Date of Publication 2005 Intended Grade(s) 11 th grade Evaluator(s) Cassandra Roberts I. General Characteristics A. Current publication date B. Attractive appearance enriched with up-to-date illustration C. Written in clear, concise form D. Reasonable cost II. Physical and Mechanical Features, Illustrations III. Philosophy A. Appropriate for information, interest, and grade level B. Tables, graphs, and charts A. Acceptable B. Promotes a positive self-image for all social groups, and individuals depicted C. Depicts all types of social groups including minorities, in many different settings D. Treats controversial issues factually and in a scholarly manner E. Stresses equal rights and responsibilities for all F. When appropriate, supports values such as honesty, responsibility, and respect G. Uses current learning principles and psychological developments IV. Organization of Material V. Objectives A. Organizes material clearly and logically B. Provides continuity throughout C. Provides for individual differences in learners A. States general objectives of the textbook B. States specific objectives of the textbook C. Problems, exercises, and tests directly or indirectly develop the main objective VI. Subject-Matter Content A. Fulfills most objectives of the course B. Contains current material C. Presents material correctly and truthfully D. Presents historical facts accurately E. Develops and presents material in an interesting manner

F. States main ideas and expands on them G. Provides sufficient coverage of the subject F. States main ideas and expands on them G. Provides sufficient coverage of the subject H. Uses proper terminology I. Defines terms accurately J. Interest level suitable for grade level K. Adequately presents concepts and skills L. Provides for individual differences VII. Readability A. Most of the material estimated to be at or near the appropriate grade level B. Vocabulary appropriate for grade level VIII. Teaching Aids and Supplementary Materials A. Each lesson, chapter, unity or subdivision, includes appropriate activities, exercises, or drills B. Includes necessary aids such as workbooks, materials and teacher s guide COMMENTS (Optional): DATE: 9/20/11. Affirmative action Checklist for Textbook Adoption ILLUSTRATIONS Do the illustrations promote positive images that students can identify with regardless of race, or ethnicity? Do the illustrations portray women, minorities and the handicapped as active, contributing members of society Are males and females presented in non-stereo-typed activities and roles Are the illustrations free of bias and stereotyping? TETUAL CONTENT Is there adequate coverage of the contributions of minorities, women and the handicapped where appropriate? Is all content on matters of race, gender, religion, and ethnicity factual? Is the language free of sexual, cultural and racial bias? Does the material provide for diversity in career models that appeal to all students regardless of gender, race or ethnicity? Do the authors included in an anthology represent a cross section of minorities, males and females? Is the textbook acceptable in content and compatible with the curriculum? Is the textbook recommended for adoption? Yes No COMMENTS (Optional): Date of Evaluation: 9/20/11