Professional Development Grant Report. Dr. Dawn Ward. Creative Investigations in Digital Photography & Printmaking Methods

Similar documents
Proudly Presents. The 36 th ANNUAL JURIED SPRING ART SHOW & SALE. April 7 15, 2018

SMUMN.edu Art & Design Department

Shaping the History of Photography

Enduring Understandings: Students will understand that

Professor Soni Martin Fayetteville State University Performing and Fine Arts (910)

Art: Digital Arts Major (ARDA)-BFA degree

Exhibition: Robert Frank: Books and Films,

at NC State THE ARTS are for everyone SHARE & CONNECT arts.ncsu.edu info tickets artsncstate 2017/18

Nelson-Atkins Museum of Art (NAMA) Director of Education and Interpretive Programs

MARKHAM PUBLIC ART ADVISORY COMMITTEE. MINUTES September 10, 2014 Meeting No. 4

Internship Program. Application Submission completed form to: Monica Mitry Membership and Volunteer Coordinator

MCAD Course Catalog. Last Updated 10/26/2017

Visual Arts International. ECTS files

MULTIMEDIA Motion Graphics for Multimedia

GRAPHIC DESIGN TECHNOLOGY Associate in Applied Science: 91 Credit Hours

Art and Art History Department: Overview

Course Syllabus Art History II ARTS 1304

Local Artists in Yuma, AZ

COMMUNICATION TECHNOLOGIES-IMAGING MEDIA


London College of Contemporary Arts. Short Courses 2017/18

VISUAL AND PERFORMING ARTS, MFA

Treloar College Course Information

Trygve Faste Dimensional Shift 2013

People: Past and Present

Course Syllabus Art History I ARTS 1303

SCHOOL OF ART & ART HISTORY

ARTS IMPACT INSTITUTE LESSON PLAN Core Program Year 1 Arts Foundations VISUAL ARTS LESSON Unity and Variety in a Textural Collage

Laura Aguilar: Show and Tell September 16, 2017-February 10, 2018

If you are searched for the book London Art Schools in pdf form, in that case you come on to the faithful site. We presented the complete variation

Trisha Donnelly By Jenelle Porter

Change Your Life. Change The World.

ST. FRANCIS PREPARATORY SCHOOL 6100 Francis Lewis Blvd. Fresh Meadows, New York Art Dept.: ext. 218

Beginning Photography Course Syllabus 2016/2017

RIFKA MILDER. Recent Paintings and Recent Prints Two one person shows with Sheila Schwid The Carter Burden Gallery, Chelsea, NYC

ANNEXURE VII (Part-II) PRACTICAL WORK FIRST YEAR ( )

Metropolitan Museum Studies In Art, Science, And Technology, Volume 1, 2010

Teacher of Art & Design (Maternity Cover)

Visualizing Architecture

ARTS ADMINISTRATION CAREER GUIDE. Fine Arts Career UTexas.edu/finearts/careers

BFA CURRICULUM Course SEQUENCE - CERAMICS WITH ART EDUCATION

Power of Ten Leadership Academy Class Curriculum

THEORY/COMPOSITION AREA HANDBOOK 2010

With guidance, use images of a relevant/suggested. Research a

KS1 Transport Objectives

View more Erin s work at and follow her on

New York People and Places

Creative Technologies & Entrepreneurship. academic guide

Timeline. Recommendations

Centro de Lenguas e Intercambio Cultural. español. seville & cadiz. Dates and Prices. Sevilla y Cádiz. Clic Ih Sevilla.

ADDENDUM F FACILITIES INFORMATION

EXPERIENCE UGA Outstanding Process Improvement: Increase Service to Students

Typefaces and Letter Forms

Close Up. washington & Williamsburg High School Programs

Residential Pre-College Programs for High School Students

Exhibition Techniques

DEPARTMENT OF PHOTOGRAPHY COURSE TITLE: INTRODUCTION TO DIGITAL PHOTOGRAPHY COURSE CODE: DIPHID180 3 Semester Credits

Welding Wisconsin Indianhead Technical College Technical Diploma Program Review and Improvement Plan

Storytelling Made Simple

St Mary s Diocesan School. Junior Options Book

Academic Affairs Highlights. June 29

Crestron BB-9L Pre-Construction Wall Mount Back Box Installation Guide

Nutrition 10 Contemporary Nutrition WINTER 2016

Higher Education. Pennsylvania State System of Higher Education. November 3, 2017

Art 343 ADVANCED TYPOGRAPHY Art Department Student Learning Outcomes Addressed in this Course

Bharatanatyam. Introduction. Dancing for the Gods. Instructional Time GRADE Welcome. Age Group: (US Grades: 9-12)

Istituto Lorenzo de Medici. florence // rome // tuscania // istituto lorenzo de medici

Materials Under Extreme Conditions: Effects of Temperature, High Strain Rate and Irradiation

Seventh-Grade Curriculum

LUCIANA ALVAREZ Emily Carr Class of 2006 Contact: Website:

Austin Community College SYLLABUS

Guide to the Records of the Massachusetts Institute of Technology Art Committee AC.0066

Class Descriptions 9 TH 12 TH

Object Based Learning in Higher Education

Let s Meet the Presidents

PowerCampus Self-Service Student Guide. Release 8.4

Te Hono ki Toi (Poutiriao)/ Master of Professional Creative Practice [Level 9]

3D DIGITAL ANIMATION TECHNIQUES (3DAT)

EDINA SENIOR HIGH SCHOOL Registration Class of 2020

LIBRARY AND RECORDS AND ARCHIVES SERVICES STRATEGIC PLAN 2016 to 2020


Introduce yourself. Change the name out and put your information here.

Pre Registration is required; registration will close on Sunday, October 8, 2017 at midnight. Visit

Middle School Residencies

Comprehensive Program Review (CPR)

Pennsylvania Academy Of The Fine Arts, : 200 Years Of Excellence By Pennsylvania Academy of the Fine Arts

AMD 329 Digital Textile Printing for Apparel Design Fall 2017

July Summer Book Club. /action/print?agentid=

The Proposal for Textile Design Minor

The Life & Work of Winslow Homer NAPOLEON SARONY, PHOTOGRAPH: WINSLOW HOMER TAKEN IN N.Y., 1880, 1880, BOWDOIN COLLEGE MUSEUM OF ART

Control Tutorials for MATLAB and Simulink

Senior Parent Meeting What s next?

OVERVIEW Getty Center Richard Meier Robert Irwin J. Paul Getty Museum Getty Research Institute Getty Conservation Institute Getty Foundation

License to Deliver FAQs: Everything DiSC Workplace Certification

AUDIO VISUAL TECHNICIAN

Intensive language courses (French, English and German) Thematic language courses: Sciences, Soccer

Virtual Seminar Courses: Issues from here to there

The Gestalt. ROOTS an exhibition Art Installations by Artist, Ron Bechet, Professor of Art, Rontherin Ratliff, & Patrick Waldemar

Fashion Design & Merchandising Programs STUDENT INFORMATION & COURSE PARTICIPATION FORM

KATIE E. DIETER CURRICULUM VITAE. CONTACT INFORMATION 416 Somersbe Place Bloomington, IN

Transcription:

Professional Development Grant Report Dr. Dawn Ward Creative Investigations in Digital Photography & Printmaking Methods Travel Dates July 18-22, 2014 Report Submitted September 12, 2014

Creative Activity Statement This Creative Activities proposal, Creative Investigations in Digital Photography and Digital Printmaking, is to develop a new body of artwork which incorporates cutting edge digital media techniques. These workshops are unique as they are geared towards and taught by practicing artists. They are also designed to provide artist with studio time to create and print finished works using these techniques. I have selected the Santa Fe Workshop Experimental Digital Printmaking with Cotton Miller an intensive two day workshop that will provide dedicated studio time to achieve my goal of creating several completed works for upcoming exhibitions including the biennial ATU fall faculty exhibition in October. Brief review of creative activity The proposed workshop: Experimental Digital Printmaking is an artist oriented intensive workshop that teach compositing, non-destructive digital editing and experimental digital printmaking using transfer processes onto non-traditional surfaces such as metal and stone. Creative Activity Summary The Santa Fe Photography Workshop, Experimental Digital Printmaking was outstanding. The instructor Cotton Miller provided excellent instruction in the vast array of processes covered. The facilities were fully equipped with the latest digital technology and the support staff was terrific. This experience was more than I expected with real opportunities to learn and practice new techniques within a professional studio environment. I was able to produce a variety of prints, some of which will be shown in the upcoming ATU Biennial Faculty Exhibition which opens on October 1 st and other prints that I am entering in several national juried exhibitions this month. The workshop met both of my primary goals of the Professional Development Grant Proposal: to provided dedicated studio time to create several new completed works for exhibitions and to learn some of the cutting edge digital media printmaking techniques to incorporate and expand my body of work. The workshop agenda (see below) shows the types of techniques that the instructor demonstrated over the few days and the studio time that was provided to produce works. SATURDAY 9-9:30 AM Introductions 9:40-12 PM Printer Discussion, Supplies, Photoshop 12-1 PM Lunch 1-3 PM Acrylic & Gel Medium 3-5 PM Carrier Sheet/Digital Coatings

SUNDAY 9-11 AM Lazertran/Alcohol Manipulation 11-12 PM Work time 12-1 PM Lunch 1-3 PM Alcohol Gel Transfers & Toner Transfers 3-4 PM Free Work, Scanning, Selections, Blending Modes 4-5 PM Work and wrap up. I had also hoped to make connections and expand my network of professional artists and galleries to promote my work and to enhance my studio teaching skills. I was able to meet with gallery owners, attend artist s talks, meet with the director of the Santa Fe Workshops and connect with artist s professionals around the country. I spent my research time at Site Santa Fe visiting the exhibition Unsettled Landscapes, which is part of the new perspectives on Art of the Americas that the museum is calling Site Lines. I have included some information about this extraordinary exhibit of contemporary art in the supplemental materials at the end of the report. I was able to meet with LewAllen Gallery Director Mark DiPrima, who handles a variety of contemporary artists including Sammy Peters who is currently exhibiting his work in our Norman Hall Art Gallery. I spent a couple of hours meeting with Greg Moon at his gallery in Taos that hosts a National Juried Exhibition of New Media art which would be appropriate for my most recent works and was able to learn some strategies to help the Department of Art establish a National Juried Exhibition which is currently in the planning stages called ART36. In addition I was able to visit a large variety of galleries some of which I think might be possibilities for future exhibitions: Gerbert Contemporary, Hand Artes Gallery, Alexandra Stevens Gallery of Art, Bill Hester Fine Art, Verve and Hunter Kirkland Contemporary Art. E. Conclusions and recommendations I have included in the following pages images from the workshop studio practices as well as completed works ready for exhibition. I would highly recommend The Santa Fe Photography Workshops and already have to studio artists interested in an inspirational and educational art experience. Their extensive topics, knowledgeable faculty and advanced facilities made this a superb learning experience.