Inter*Act Performances with Jan Turnquist: Harriet Beecher Stowe: Catalyst For Civil War

Similar documents
Lesson Plan: Uncle Tom s Cabin

Grade Band: High School Unit 1 Unit Target: Government Unit Topic: The Constitution and Me. What Is the Constitution? The United States Government

Colorado Academic. Drama & Theatre Arts. Drama & Theatre Arts

5th Grade Unit Plan Social Studies Comparing the Colonies. Created by: Kylie Daniels

Writing for the AP U.S. History Exam

Course Description: Technology:

New York State P-12 Common Core Learning Standards For English Language Arts & Literacy

Common Core Exemplar for English Language Arts and Social Studies: GRADE 1

Grade 6: Module 2A Unit 2: Overview

MYP Language A Course Outline Year 3

Extended Common Core Social Studies Lesson Plan Template

Renae Townsend G21 PBL Project

We'll be looking at some of the work of Isabel Beck, Mckeown, and Kucan as we look at developing

Fountas-Pinnell Level P Informational Text

Theatre Arts Record Book

Grade 11 Language Arts (2 Semester Course) CURRICULUM. Course Description ENGLISH 11 (2 Semester Course) Duration: 2 Semesters Prerequisite: None

Student Name: OSIS#: DOB: / / School: Grade:

CONTENT AREA: Theatre Arts

HIS/IAR 627: Museum and Historic Site Interpretation

Sectionalism Prior to the Civil War

PBL, Projects, and Activities downloaded from NextLesson are provided on an online platform.

Summarizing A Nonfiction

African American Studies Program Self-Study. Professor of History. October 8, 2010

Lincoln Film Study Guide Answer Key

The Use of Drama and Dramatic Activities in English Language Teaching

Table of Contents. Introduction Choral Reading How to Use This Book...5. Cloze Activities Correlation to TESOL Standards...

Mock Trial Preparation In-Class Assignment to Prepare Direct and Cross Examination Roles 25 September 2015 DIRECT EXAMINATION

LITPLAN TEACHER PACK for The Indian in the Cupboard

Let s Meet the Presidents


A Pumpkin Grows. Written by Linda D. Bullock and illustrated by Debby Fisher

Slam Poetry-Theater Lesson. 4/19/2012 dfghjklzxcvbnmqwertyuiopasdfghjklzx. Lindsay Jag Jagodowski

Fifth Grade. (Questions based on Harry Potter and the Sorcerer s Stone by J.K. Rowling. paired with

Arizona s English Language Arts Standards th Grade ARIZONA DEPARTMENT OF EDUCATION HIGH ACADEMIC STANDARDS FOR STUDENTS

Philosophy of Literacy Education. Becoming literate is a complex step by step process that begins at birth. The National

Preparing for Permanent Residency and Citizenship

Common Core State Standards for English Language Arts

Fountas-Pinnell Level M Realistic Fiction

Modern Fantasy CTY Course Syllabus

MARYLAND BLACK BUSINESS SUMMIT & EXPO March 24-27, 2011 presented by AATC * Black Dollar Exchange * BBH Tours

SOCIAL STUDIES GRADE 1. Clear Learning Targets Office of Teaching and Learning Curriculum Division FAMILIES NOW AND LONG AGO, NEAR AND FAR

UNITED STATES SOCIAL HISTORY: CULTURAL PLURALISM IN AMERICA El Camino College - History 32 Spring 2009 Dr. Christina Gold

PROGRAMME SPECIFICATION UWE UWE. Taught course. JACS code. Ongoing

Bharatanatyam. Introduction. Dancing for the Gods. Instructional Time GRADE Welcome. Age Group: (US Grades: 9-12)

American Literature AB

Lucy Calkins Units of Study 3-5 Heinemann Books Support Document. Designed to support the implementation of the Lucy Calkins Curriculum

Residential Pre-College Programs for High School Students

THE APPROVED LIST OF HUMANITIES-SOCIAL SCIENCES COURSES FOR ENGINEERING DEGREES

Text Type Purpose Structure Language Features Article

A Correlation of. Grade 6, Arizona s College and Career Ready Standards English Language Arts and Literacy

Grade 4. Common Core Adoption Process. (Unpacked Standards)

Summer Plus Reading. Indiana Standards for Language Arts. Grade 3. correlated to

Grade 6: Module 3B: Unit 2: Overview

My Identity, Your Identity: Historical Landmarks/Famous Places

The Life & Work of Winslow Homer NAPOLEON SARONY, PHOTOGRAPH: WINSLOW HOMER TAKEN IN N.Y., 1880, 1880, BOWDOIN COLLEGE MUSEUM OF ART

Multiple Intelligence Teaching Strategy Response Groups

Language Arts: ( ) Instructional Syllabus. Teachers: T. Beard address

HI0163 Sec. 01 Modern Latin America

Differentiating Content Area Curriculum to Address Individual Learning Styles

Using Rhetoric Technique in Persuasive Speech

Universal Design for Learning Lesson Plan

Multi-genre Writing Assignment

Close Up. washington & Williamsburg High School Programs

Myths, Legends, Fairytales and Novels (Writing a Letter)

Literature and the Language Arts Experiencing Literature

FOR TEACHERS ONLY RATING GUIDE BOOKLET 1 OBJECTIVE AND CONSTRUCTED RESPONSE JUNE 1 2, 2005

Prentice Hall Literature Common Core Edition Grade 10, 2012

EXTENSIVE READING AND CLIL (GIOVANNA RIVEZZI) Liceo Scientifico e Linguistico E. Bérard Aosta

Prentice Hall Chemistry Test Answer Key

Ohio s New Learning Standards: K-12 World Languages

Writing the Personal Statement

IBCP Language Portfolio Core Requirement for the International Baccalaureate Career-Related Programme

ARTS ADMINISTRATION CAREER GUIDE. Fine Arts Career UTexas.edu/finearts/careers

Gifted/Challenge Program Descriptions Summer 2016

Class Schedule

Ten years after the Bologna: Not Bologna has failed, but Berlin and Munich!

Transformation. MichaelChekhov

Prerequisites for this course are: ART 2201c, ART 2203c, ART 2300c, ART 2301c and a satisfactory portfolio review.

Prentice Hall Literature: Timeless Voices, Timeless Themes Gold 2000 Correlated to Nebraska Reading/Writing Standards, (Grade 9)

Don t Let Me Fall inspired by James McBride's memoir, The Color of Water

Subject: Opening the American West. What are you teaching? Explorations of Lewis and Clark

Improvisational Theater as a Tool for Enhancing Cooperation in Academic Libraries

Reading Grammar Section and Lesson Writing Chapter and Lesson Identify a purpose for reading W1-LO; W2- LO; W3- LO; W4- LO; W5-

Fashion Design Program Articulation

Graduate/Professional School Overview

JOURNALISM 250 Visual Communication Spring 2014

Life and career planning

Prentice Hall Literature: Timeless Voices, Timeless Themes, Platinum 2000 Correlated to Nebraska Reading/Writing Standards (Grade 10)

Transfer of Training

LTHS Summer Reading Study Packet

Week 2 Unit 1, Cluster 1

Harness the power of public media and partnerships for the digital age. WQED Multimedia Strategic Plan

ENGLISH. Progression Chart YEAR 8

REPORT ON CANDIDATES WORK IN THE CARIBBEAN ADVANCED PROFICIENCY EXAMINATION MAY/JUNE 2012 HISTORY

TWO OLD WOMEN (An Alaskan Legend of Betrayal, Courage and Survival) By Velma Wallis

Grade 6: Module 4: Unit 1: Lesson 3 Tracing a Speaker s Argument: John Stossel DDT Video

Copyright Corwin 2014

Ryan Coogler and the 'Fruitvale Station' effect - San Francisco...

History. 344 History. Program Student Learning Outcomes. Faculty and Offices. Degrees Awarded. A.A. Degree: History. College Requirements

Predatory Reading, & Some Related Hints on Writing. I. Suggestions for Reading

Transcription:

Inter*Act Performances with Jan Turnquist: Harriet Beecher Stowe: Catalyst For Civil War Grade Levels: 3-5 PRE-PERFORMANCE REQUIRED PREPARATION TEACHERS: THE FOLLOWING INFORMATION WILL ENABLE STUDENTS TO TAKE A MORE ACTIVE ROLE IN THE PERFORMANCE. It is important that students prepare their petition for Mrs. Stowe. The information in the TO THE STUDENT paragraph below is important. Please read or reprint it for your students prior to Mrs. Stowe s visit. For younger students, the same information may be conveyed in language appropriate to them. Your class is asked to pretend that they are an abolitionist group with a petition to present to Mrs. Stowe. This needs to be the tone of the group for the beginning of the visit. After receiving the petition, Mrs. Stowe will be persuaded to speak, although women in the 1800s did not generally speak in public, and most of her public appearances for abolitionist groups were in the form of silent support. Students DO NOT need to speak in character as abolitionists, except in a group voice when they urge Mrs. Stowe to speak. She will then reveal much about pre-civil War life, her childhood and education, and how she came to write her famous book. As the visit goes on, students will probably listen and ask their own questions. TO THE STUDENT: You are about to meet historian and actress Jan Turnquist, who has come here today to tell you about the life, work, and times of Harriet Beecher Stowe, author of Uncle Tom s Cabin, one of the most influential books in American history. Jan s performance is a blend of stage drama and living history, similar to what you might see at Plymouth Plantation or Old Sturbridge Village. In a living history portrayal, an actor BECOMES a character, just as she does in a play, but unlike in a play, the audience may interact with the character and ask questions or make comments. For today s visit, you do not need to be an expert on her time period (1811 to 1896), in order to speak to her -- just be yourself. BUT remember, she will know nothing of this century or of this place. She will stay in her character, and will know only the things Harriet Beecher Stowe would have known. Young Audiences of Massachusetts http://www.yamass.org

Young Audiences of Massachusetts Educational Materials Please forward to teachers ABOUT THE PERFORMANCE Inter*Act Performances with Jan Turnquist: Harriet Beecher Stowe: Catalyst For Civil War Grade levels: 3-5 Travel back in time with Harriet Beecher Stowe (1811-1896), whom Abraham Lincoln called the little lady who made this Great War. This famous abolitionist and prolific author speaks about her life, her dedication to ending slavery, and the publication of her best-selling novel, Uncle Tom s Cabin. Students join Harriet Beecher Stowe for important lessons in American history which focus on pre-civil War America, the Civil War, the Underground Railroad, abolitionist activities, Abraham Lincoln, Frederick Douglass, Sojourner Truth, 19th century travel, and life in New England and Europe. LEARNING GOALS: 1. To explore historical and personal contexts for pre-civil War events. 2. To gain insight into a courageous and accomplished woman of the times, who succeeded despite tremendous odds. 3. To broaden experience in other subject areas through drama. PRE-ACTIVITY SUMMARY: Petition for Abolition Discuss abolition and the need for support from the public. Have students draft and sign a petition in support of abolition. Make sure that it is ready to present for Harriet Beecher Stowe s visit. POST-ACTIVITY SUMMARY: Taking the Underground Railroad Learn about the Underground Railroad. Trace on a map the routes that the slaves took. Discuss the risks they faced. Have students make informed decisions about whether they would have taken the Underground Railroad. CURRICULUM LINKS: English Language Arts, History and Social Science, African-American Studies, Theater, Women s Studies

Inter*Act Performances with Jan Turnquist: Harriet Beecher Stowe: Catalyst for Civil War Grade levels: 3-5 LEARNING GOAL: To understand the meaning of abolition. To have students collaborate on a petition in support of abolition. MATERIALS/PREPARATION: easel paper/poster board TIME: 45 minutes TIPS FOR THE TEACHER: * Abolition - the act of ending the observance or effect of. * Make sure the selected petition remains up in the classroom for Harriet Beecher Stowe s visit. STEP 1: Discuss slavery and abolition. What is an abolitionist? What did the abolitionists do to end slavery? STEP 2: Discuss the concept of petitioning. When do people use petitions? What type of information do petitions include? Ask if any of the students in the class have signed a petition. If so, what was the cause? STEP 3: Divide students into groups. Have each group create a petition supporting the abolition of slavery. Make sure they state its cause clearly in the petition. STEP 4: Have each group present its petition to the rest of the class. Ask the class to vote on which petition most clearly and firmly states the cause. STEP 5: Have a few students copy the chosen petition onto large paper. Have each student sign it. EXTENSIONS: 1) Create a timeline of the events in the United States during Harriet Beecher Stowe s life (1811-1896). Ask students to imagine what it would be like to live through those events. 2) Have students research other abolitionists. How did they help put an end to slavery? Young Audiences of Massachusetts http://www.yamass.org

PETITION to the President of the United States, Mr. Abraham Lincoln We the undersigned do hereby protest the Institution of Slavery and do call for its immediate abolition.

Inter*Act Performances with Jan Turnquist: Harriet Beecher Stowe: Catalyst for Civil War Grade levels: 3-5 LEARNING GOAL: To study the Underground Railroad and how slaves used it to escape to freedom. MATERIALS/PREPARATION: map, Aunt Harriet s Underground Railroad in the Sky, Faith Ringgold (or another short story on the Underground Railroad) TIME: 45 minutes STEP 1: Discuss the Underground Railroad. What was it? Was it an actual railroad? STEP 2: Read aloud Aunt Harriet s Underground Railroad in the Sky by Faith Ringgold. (This might be below the reading level of the class, but it is a great illustrated short book.) Discuss what students learned from the story. How did the slaves travel? Where did they stay? Who were the conductors? STEP 3: Trace on a map the routes that the slaves traveled. Discuss the risks they took by taking the Underground Railroad. STEP 4: Ask students to imagine that they have to decide whether to take the Underground Railroad. Remind them that escaping to freedom might mean leaving their family behind. Have students create a pro/con list to help make this decision. STEP 5: Have students share their decisions and reasons. EXTENSIONS: 1) Have students write and illustrate a short story using flight as the theme. 2) Have students write a story or a speech about a cause. Present the speech or story to the rest of the class. Young Audiences of Massachusetts http://www.yamass.org

Inter*Act Performances with Jan Turnquist: Harriet Beecher Stowe: Catalyst For Civil War Grade levels: 3-5 RESOURCES: Levine, Ellen. If You Traveled on the Underground Railroad. New York: Scholastic, 1993. McMullan, Kate. The Story of Harriet Tubman, Conductor of the Underground Railroad. New York: Dell Publishing, 1991. Targ Brill, Marlene. Allen Jay and the Underground Railroad. Carolrhoda Book, Inc. 1993. The North Star: Tracing the Underground Railroad - www.ugrr.org Harriet Tubman: An Unforgettable Black Leader - www.acusd.edu/~jdesmet/tubman.html ABOUT THE PERFORMER: Jan Turnquist is the Executive Director of Louisa May Alcott's home, Orchard House, in Concord, MA. She has presented teacher workshops at numerous sites including the Wang Center in Boston and Old Sturbridge Village and has performed internationally at sites such as Old South Meeting House in Boston, the Martin Van Buren Historical Site in Kinderhook, NY, Winter Chatauqua in Florida, and the American School in Mexico City and she has performed for first lady, Laura Bush. Jan has presented her work under the auspices of the U.S. Department of Labor, the Federal Women's Council, the National Park Service, and Continental Airlines and has performed at numerous libraries, schools, and universities. She currently portrays Miss Alcott in a public service announcement which runs nationally on the FOX Network. Jan has also appeared in several BBC productions including Blue Peter, Britain's longest running children's television show, Book Worm, and the BBC's Open University programs. Jan has also appeared on "This Old House" with Norm Abrams on PBS and on "Chronicle" with Mary Richardson on WCVB. For more information on Inter*Act Performances, please consult the web site: www.janturnquist.com/index.htm. ABOUT YOUNG AUDIENCES: Young Audiences of Massachusetts (YA) is the oldest, largest and most utilized arts-ineducation organization in the state and one of the largest in a national network of 33 chapters. For over 45 years, YA has distinguished itself as the vital link between Massachusetts schoolchildren (K-12) and more than 95 of the region s most accomplished actors, dancers, singers, musicians, and storytellers. Its 36 ensembles offer 57 interactive arts programs that represent a range of cultures, historical periods and artistic disciplines. YA is unique in its flexibility to offer interactive performances, tailor-made residencies, workshops, teacher-training, curriculum planning and multi-year projects. All programs include educational materials and satisfy local, state and/or federal arts education standards. Young Audiences of Massachusetts http://www.yamass.org

Young Audiences of Massachusetts www.yamass.org MASSACHUSETTS CURRICULUM FRAMEWORKS CONNECTIONS Inter*Act Performances with Jan Turnquist: Harriet Beecher Stowe: Catalyst for Civil War Language Arts 3 Language Arts 9 Language Arts 12 Language Arts 13 History 1 History 2 History 4 History 19 Arts-Theatre 1 Arts-Theatre 5 Arts-Theatre 10...make oral presentations that demonstrate appropriate consideration of audience, purpose, and the information to be conveyed....identify the basic facts and essential ideas in what they have read, heard, or viewed....identify, analyze, and apply knowledge of the structure and elements of fiction and provide evidence from the text to support their understanding....identify, analyze, and apply knowledge of the structure, elements, and meaning of nonfiction material. Chronology and Cause...understand the chronological order of historical events and recognize the complexity of historical cause and effect. Historical Understanding...understand the meaning, implications, and import of historical events, while recognizing the contingency and unpredictability of history. Society, Diversity, Commonality, and the Individual...learn the complex interplay that has existed from the beginning of our country between American ideals and American practice. Citizenship...learn the rights and duties of citizens and the principle of equal rights for all. Acting...develop acting skills to portray characters who interact in improvised and scripted scenes. Critical Response...describe and analyze their own theatrical work and the work of others using appropriate theater vocabulary. Interdisciplinary Connections...apply knowledge of the arts to the study of English language arts, foreign languages, health, history, and social science, mathematics, and science and technology/engineering.