BEING HUMAN: THE GRAPHIC WORK OF GEORGE BALDESSIN 3 May 19 October 2014 Heide I Curator: Linda Short

Similar documents
BFA CURRICULUM Course SEQUENCE - CERAMICS WITH ART EDUCATION

Local Artists in Yuma, AZ

Laura Aguilar: Show and Tell September 16, 2017-February 10, 2018

OVERVIEW Getty Center Richard Meier Robert Irwin J. Paul Getty Museum Getty Research Institute Getty Conservation Institute Getty Foundation

If you are searched for the book London Art Schools in pdf form, in that case you come on to the faithful site. We presented the complete variation

Art: Digital Arts Major (ARDA)-BFA degree

Exhibition Techniques

ЗИМА ВРЕМЯ КУКОЛ 2 - DOLL TIME 2 - WINTER. On the eve of New Year's holiday all genres and of December

SMUMN.edu Art & Design Department

ROBERT FONES. BORN London, Ontario, March 10, 1949 SELECTED SOLO EXHIBITIONS

Gwen John and Celia Paul: Press preview

Student Handbook. This handbook was written for the students and participants of the MPI Training Site.

Paper Reference. Edexcel GCSE Mathematics (Linear) 1380 Paper 1 (Non-Calculator) Foundation Tier. Monday 6 June 2011 Afternoon Time: 1 hour 30 minutes

MARKHAM PUBLIC ART ADVISORY COMMITTEE. MINUTES September 10, 2014 Meeting No. 4

Utica College Web Policies and Guidelines

The Life & Work of Winslow Homer NAPOLEON SARONY, PHOTOGRAPH: WINSLOW HOMER TAKEN IN N.Y., 1880, 1880, BOWDOIN COLLEGE MUSEUM OF ART

Professor Soni Martin Fayetteville State University Performing and Fine Arts (910)

VISUAL AND PERFORMING ARTS, MFA

Beyond The Forest Jewish Presence In Eastern Europe, by Loli Kantor

TIMSS Highlights from the Primary Grades

Art and Art History Department: Overview

With guidance, use images of a relevant/suggested. Research a

LUCIANA ALVAREZ Emily Carr Class of 2006 Contact: Website:

Kuper Academy. Elementary Leadership & Teambuilding Camps

Salvaging the Past: Georges Hoentschel and French Decorative Arts from The Metropolitan Museum of Art On View April 4 August 11, 2013

Enduring Understandings: Students will understand that

Teacher of Art & Design (Maternity Cover)

Nelson-Atkins Museum of Art (NAMA) Director of Education and Interpretive Programs

University of Winnipeg, A Winnipeg History: The Art of Marie Guest,

First International Prize GAEM - Young Artists and Mosaic Second Edition

Comprehensive Program Review (CPR)

Becoming Herodotus. Objectives: Task Description: Background or Instructional Context/Curriculum Connections: Time:

Increasing Student Engagement

THE MAN BEHIND THE LEGEND

Mark Tobey papers, circa

PowerTeacher Gradebook User Guide PowerSchool Student Information System

MASTER SYLLABUS. Course Title: History of American Art Course Number: 1045

Visual Arts International. ECTS files

Shaping the History of Photography

Bharatanatyam. Introduction. Dancing for the Gods. Instructional Time GRADE Welcome. Age Group: (US Grades: 9-12)

David Livingstone Centre. Job Description. Project Documentation Officer

JAMES PEPPER HENRY. UNIVERSITY OF OREGON Eugene, Oregon BA, Fine Arts, 1988

NDA3M Summative Names Indigenous Heroes

What s in Your Communication Toolbox? COMMUNICATION TOOLBOX. verse clinical scenarios to bolster clinical outcomes: 1

PATRICIA MOORE Gallery on the Bay, Hamilton, ON Oh Canada June 16 - July 16

ADDENDUM F FACILITIES INFORMATION

RIFKA MILDER. Recent Paintings and Recent Prints Two one person shows with Sheila Schwid The Carter Burden Gallery, Chelsea, NYC

Dorothy Wright Simes papers,

2016 Annual Report 1

Jan Dibbets: Robin Redbreast's Territory Sculpture 1969

MEMORANDUM. Leo Zuniga, Associate Vice Chancellor Communications

A CONVERSATION WITH GERALD HINES

Positive turning points for girls in mathematics classrooms: Do they stand the test of time?

Project-based learning... How does it work and where do I begin?

Take a Loupe at That! : The Private Eye Jeweler s Loupes in Afterschool Programming

BOOK INFORMATION SHEET. For all industries including Versions 4 to x 196 x 20 mm 300 x 209 x 20 mm 0.7 kg 1.1kg

ST. PAUL'S LUTHERAN WRESTLING BASIC INFORMATION

LIBRARY AND RECORDS AND ARCHIVES SERVICES STRATEGIC PLAN 2016 to 2020

The Gestalt. ROOTS an exhibition Art Installations by Artist, Ron Bechet, Professor of Art, Rontherin Ratliff, & Patrick Waldemar

TRINITY GRAMMAR SCHOOL, KEW CRICOS PROVIDER CODE 00350M INTERNATIONAL STUDENT ORIENTATION HANDBOOK

Drawing ART 220 Fall 2017 Monday, Tuesday, Thursday pm Location: Room 128 Name of Faculty: Ralph Larmann

How To Read Greek Vases (Metropolitan Museum Of Art) By Joan R. Mertens

Case study Norway case 1

LUDWIG-MAXIMILIANS-UNIVERSITÄT MÜNCHEN Junior Year in Munich Program

Enduring Understanding Geometric forms can be combined to create sculptures, buildings, and other human-made constructions.

THE HEAD START CHILD OUTCOMES FRAMEWORK

Mathematics (JUN14MS0401) General Certificate of Education Advanced Level Examination June Unit Statistics TOTAL.

Push Me Pull You; The Horse with No Ass Curated by Alice Clements

Mock Trial Preparation In-Class Assignment to Prepare Direct and Cross Examination Roles 25 September 2015 DIRECT EXAMINATION

Ceramics 1 Course Summary Department: Visual Arts. Semester 1

Unit 3: Lesson 1 Decimals as Equal Divisions

EXECUTIVE SUMMARY. TIMSS 1999 International Mathematics Report

Outreach Connect User Manual

Leisure and Tourism. Content

Transformation. MichaelChekhov

Similar Triangles. Developed by: M. Fahy, J. O Keeffe, J. Cooper

ST. PAUL'S LUTHERAN WRESTLING BASIC INFORMATION

5.1 Sound & Light Unit Overview

Visualizing Architecture

MERGA 20 - Aotearoa

The lab is designed to remind you how to work with scientific data (including dealing with uncertainty) and to review experimental design.

Nicholas Hadgraft Scholarship Application Form 2010

Primary Years Programme. Arts scope and sequence

Alabama

Starting primary school

Arabic. Victorian Certificate of Education Study Design. Victorian Curriculum and Assessment Authority 2004

Dok In Fine Arts Download or Read Online ebook dok in fine arts in PDF Format From The Best User Guide Database

St Mary s Diocesan School. Junior Options Book

St Matthew s RC High School

Student s Edition. Grade 6 Unit 6. Statistics. Eureka Math. Eureka Math

Executive Summary. Colegio Catolico Notre Dame, Corp. Mr. Jose Grillo, Principal PO Box 937 Caguas, PR 00725

Keeping our Academics on the Cutting Edge: The Academic Outreach Program at the University of Wollongong Library

Executive Summary. Hialeah Gardens High School

EXECUTIVE SUMMARY. TIMSS 1999 International Science Report

Intermediate Spanish: Chile after Pinochet

Pretest Integers and Expressions

Executive Summary. Lava Heights Academy. Ms. Joette Hayden, Principal 730 Spring Dr. Toquerville, UT 84774

Summer 2015 Ministry Report. Hello faithful Friends, Family and Supporters!! September, 2015

Kindergarten Foundations of America

How We Learn. Unlock the ability to study more efficiently. Mark Maclaine Stephanie Satariano

Transcription:

BEING HUMAN: THE GRAPHIC WORK OF GEORGE BALDESSIN 3 May 19 October 2014 Heide I Curator: Linda Short George Baldessin exerted considerable influence on the revival of printmaking in Melbourne during the 1960s and 70s. His innovations in intaglio printing constantly exploring the techniques of and aquatint progressed in tandem with his work in sculpture and painting; however, it is as a printmaker that he is best known. This selection of Baldessin s prints and drawings from the Heide Collection ranges from the time of the artist s first exhibition at Melbourne s Argus Gallery in 1964 through to the year of his untimely death in 1978, aged thirty-nine. In his intensive career Baldessin attracted critical acclaim for his radical approach to the human figure, specifically his dramatic navigation of the female form. While the inner meaning of his works often evades direct interpretation, Baldessin drew on a number of artistic and cultural sources, from traditional Japanese ukiyo-e prints to experimental New Wave cinema. From such influences he evolved a powerful pictorial language as a means to express the tensions, paradoxes and ambiguities found in so much of human experience. The exhibition also includes prints by artists closely associated with Baldessin, including Jock Clutterbuck, Roger Kemp, Les Kossatz, Jan Senbergs and Fred Williams, all of whose work offers a vivid context for considering his graphic oeuvre. These artists were among the regular visitors to Baldessin s busy atelier-style studio in the Winfield Building in Collins Street in the late 1960s, and part of the artistic community that subsequently gathered at his property in semirural St Andrews, which now operates in memory of the artist as The Baldessin Press. Baldessin s generous support to his artist-colleagues was a vital part of his contribution to this dynamic period of Melbourne printmaking which, as his widow Tess Edwards Baldessin recalls, was fueled by his passionate belief in art, creativity and people. Being Human: The Graphic Work of George Baldessin installation view, Photograph: Christian Capurro

LIST OF WORKS This catalogue is arranged chronologically then alphabetically by title. Measurements are height before width before depth. All images Estate of George Baldessin George Baldessin born 1939 San Biagio di Callalta, Italy; arrived 1949 Australia; died 1978 Melbourne Encounter 1964 20.7 20.5 cm Dancers 1963 26.7 18.4 cm Echo 1965 plate 30.1 31 cm Stars and Sawdust III 1963 colour plate 15.8 25.6 cm Person Alone 1964 plate 30.1 18 cm Figures in Enclosure (MM and Friend) 1965 30.4 27.4 cm Acrobat 1964 30.4 30.4 cm Untitled (3) 1964 30.4 30.8 cm Ancestors of P.H.B. 1964 30.5 22.7 cm Viridiana I 1964 plate 30.3 45 cm Figures in Enclosure (MM and Friend) 1965 edition 3/10 plate 30 27.1 cm Ancestors of P.H.B. 1964 2/10 plate 30 22.4 cm Echo 1965 30.4 31.1 cm BEING HUMAN: THE GRAPHIC WORK OF GEORGE BALDESSIN page 2 of 5

Not Titled [Lidded Pot] c.1966 painted and glazed terracotta earthenware 2 parts: 12.5 26 (diam.) cm; 7 16 (diam.) cm Maker: Stacha Halpern Head 1965 plate 46 30.3 cm Gift of Russell Zeeng 1986 A Recurring Day in the Life of MM II 1966 plate 26.4 25.7 cm The Mirror 1967 plate 50 34 cm (irreg.) The Tea Cup 1967 30.5 27.8 cm Personage and Window 1965 plate 30.1 30.2 cm Doors 1966 plate 53 38 cm Performer (White Personage) 1968 plate 50 43.3 cm Portrait 1965 plate 34.1 33.5 cm Not Titled [Dinner Plates] c.1966 painted and glazed terracotta earthenware 5 from a set of 12 each 3.5 24 (diam.) cm Maker: Stacha Halpern The Cage (Figure in Enclosure) 1966 plate 74.8 52.5 cm Bequest of Barrett Reid 2000 Personage and Chair 1968 1/25 plate 57.1 50.5 cm BEING HUMAN: THE GRAPHIC WORK OF GEORGE BALDESSIN page 3 of 5

City Monuments 1970 estate edition proof 1/2 plate 57.9 50.5 cm (irreg.) Seated Figure 1973 1/25 plate 56.2 50.5 cm Untitled (Figure with Curved Base) 1976 2nd state, plate 47.8 37.5 cm Window and Factory Smoke II 1970 edition 2/25 plate 50.5 76 cm Entrances and Discards 1974 edition 1/25 plate 49.8 68.4 cm Gold Emblems 1977 on gold foil plate 90.3 60.5 cm Untitled (Chimney and Factory Smoke) 1971 plate 49.7 38.8 cm Final Banquet for No Eating III 1972 edition 1/25 plate 47 100 cm (irreg.) Window and Emblems 1974 colour and acquatint edition of 25 plate 60 52.5 cm Gift of Professor Jenny Strauss 2012 Not Titled (Woman and Chair) c. 1976 charcoal and conté on paper sheet 39 66 cm Two aspects of MM 1977 and acquatint 2nd state, plate 90.3 60.8 cm BEING HUMAN: THE GRAPHIC WORK OF GEORGE BALDESSIN page 4 of 5

Les Kossatz born 1943 Melbourne; died 2011 Melbourne Fred Williams born 1927 Melbourne; died 1982 Melbourne Silver MM 1978 and acquatint on silver foil sheet 63 60.8 cm Jock Clutterbuck born 1945 Edenhope, Victoria God s Walk II 1964 plate 16.8 19.8 cm The Boy Friend 1956, aquatint, engraving and drypoint edition of 16 plate 20 16.2 cm Purchased from John and Sunday Reed 1980 Temple Bar 1973 edition 2/15 plate 60.6 85.3 cm Roger Kemp born 1908 Bendigo, Victoria; died 1987 Melbourne God s Walk III 1964 plate 16.8 16.8 cm Jan Senbergs born 1939 Riga, Latvia; arrived 1950 Australia Trampoline 1956, aquatint and drypoint edition 2/5 plate 14.8 19.4 cm Bequest of Barrett Reid 2000 Concept Four c. 1975 edition 10/35 plate 49.5 98 cm Gift of Merle Kemp 1992 Monument 1969 colour screenprint edition 2/17 image 60.8 93 cm Gift of Russell Zeeng 1986 Usherette 1956, aquatint and foul biting plate 18.6 7.2 cm Purchased from John and Sunday Reed 1980 BEING HUMAN: THE GRAPHIC WORK OF GEORGE BALDESSIN page 5 of 5