Lucy Calkins Units of Study Narrative Writing Book 2

Similar documents
ENGLISH LANGUAGE ARTS - WRITING THIRD GRADE FIFTH GRADE

Lucy Calkins Units of Study 3-5 Heinemann Books Support Document. Designed to support the implementation of the Lucy Calkins Curriculum

Writing Unit of Study

Mini Lesson Ideas for Expository Writing

Grade 6: Module 2A Unit 2: Overview

Reading Grammar Section and Lesson Writing Chapter and Lesson Identify a purpose for reading W1-LO; W2- LO; W3- LO; W4- LO; W5-

A Pumpkin Grows. Written by Linda D. Bullock and illustrated by Debby Fisher

Grade 4. Common Core Adoption Process. (Unpacked Standards)

Professional Voices/Theoretical Framework. Planning the Year

TASK 2: INSTRUCTION COMMENTARY

Epping Elementary School Plan for Writing Instruction Fourth Grade

Mercer County Schools

Unit of Study: STAAR Revision and Editing. Cypress-Fairbanks Independent School District Elementary Language Arts Department, Grade 4

A. True B. False INVENTORY OF PROCESSES IN COLLEGE COMPOSITION

Student Name: OSIS#: DOB: / / School: Grade:

Facing our Fears: Reading and Writing about Characters in Literary Text

5 th Grade Language Arts Curriculum Map

PART C: ENERGIZERS & TEAM-BUILDING ACTIVITIES TO SUPPORT YOUTH-ADULT PARTNERSHIPS

Name: STEP 1: Starting Questions. Description PSII Learner.. PSII Teacher.

Grade 6: Module 3A: Unit 2: Lesson 11 Planning for Writing: Introduction and Conclusion of a Literary Analysis Essay

Writing Workshop Grade 4 Launching with Personal Narrative

Common Core State Standards for English Language Arts

Text Type Purpose Structure Language Features Article

A Correlation of. Grade 6, Arizona s College and Career Ready Standards English Language Arts and Literacy

Prentice Hall Literature: Timeless Voices, Timeless Themes Gold 2000 Correlated to Nebraska Reading/Writing Standards, (Grade 9)

Instructional Supports for Common Core and Beyond: FORMATIVE ASSESMENT

MYP Language A Course Outline Year 3

Achievement Level Descriptors for American Literature and Composition

EQuIP Review Feedback

Richardson, J., The Next Step in Guided Writing, Ohio Literacy Conference, 2010

Experience Corps. Mentor Toolkit

Writing Unit of Study Kindergarten- Looking Closely: Observing, Labeling and Listing Like Scientists Unit #3 KDG Label & List Unit #3 10/15/12 Draft

PREP S SPEAKER LISTENER TECHNIQUE COACHING MANUAL

Fountas-Pinnell Level P Informational Text

Tap vs. Bottled Water

Subject: Opening the American West. What are you teaching? Explorations of Lewis and Clark

Big Fish. Big Fish The Book. Big Fish. The Shooting Script. The Movie

Multi-genre Writing Assignment

Grade 6: Module 3B: Unit 2: Overview

Assessment and Evaluation

"Be who you are and say what you feel, because those who mind don't matter and

The Writing Process. The Academic Support Centre // September 2015

ENGLISH. Progression Chart YEAR 8

Common Core Exemplar for English Language Arts and Social Studies: GRADE 1

Highlighting and Annotation Tips Foundation Lesson

How to write an essay about self identity. Some people may be able to use one approach better than the other..

Grade 6: Module 4: Unit 1: Overview

Modern Fantasy CTY Course Syllabus

Life Imitates Lit: A Road Trip to Cultural Understanding. Dr. Patricia Hamilton, Department of English

Prentice Hall Literature: Timeless Voices, Timeless Themes, Platinum 2000 Correlated to Nebraska Reading/Writing Standards (Grade 10)

The College Board Redesigned SAT Grade 12

Table of Contents. Introduction Choral Reading How to Use This Book...5. Cloze Activities Correlation to TESOL Standards...

Fearless Change -- Patterns for Introducing New Ideas

PAGE(S) WHERE TAUGHT If sub mission ins not a book, cite appropriate location(s))

Fountas-Pinnell Level M Realistic Fiction

RESPONSE TO LITERATURE

WEEK FORTY-SEVEN. Now stay with me here--this is so important. Our topic this week in my opinion, is the ultimate success formula.

Grade 8: Module 4: Unit 1: Lesson 11 Evaluating an Argument: The Joy of Hunting

Grade 5: Module 3A: Overview

Grade 7 English Language Arts

5 Day Schedule Paragraph Lesson 2: How-to-Paragraphs

Georgia Department of Education Dr. John D. Barge, State School Superintendent May 3, 2012 * Page 1 All Rights Reserved

Sample from: 'State Studies' Product code: STP550 The entire product is available for purchase at STORYPATH.

English Policy Statement and Syllabus Fall 2017 MW 10:00 12:00 TT 12:15 1:00 F 9:00 11:00

Calculators in a Middle School Mathematics Classroom: Helpful or Harmful?

Workshop 5 Teaching Multigenre Writing

Welcome to the Purdue OWL. Where do I begin? General Strategies. Personalizing Proofreading

Grade 7. Prentice Hall. Literature, The Penguin Edition, Grade Oregon English/Language Arts Grade-Level Standards. Grade 7

SMARTboard: The SMART Way To Engage Students

Arizona s English Language Arts Standards th Grade ARIZONA DEPARTMENT OF EDUCATION HIGH ACADEMIC STANDARDS FOR STUDENTS

Literature and the Language Arts Experiencing Literature

Kindergarten Lessons for Unit 7: On The Move Me on the Map By Joan Sweeney

PUBLIC SCHOOLS OF EDISON TOWNSHIP DIVISION OF CURRICULUM AND INSTRUCTION LLD LANGUAGE ARTS

Why Pay Attention to Race?

Workshop 5 Teaching Writing as a Process

Week 4: Action Planning and Personal Growth

YMCA SCHOOL AGE CHILD CARE PROGRAM PLAN

Loughton School s curriculum evening. 28 th February 2017

Fifth Grade. (Questions based on Harry Potter and the Sorcerer s Stone by J.K. Rowling. paired with

Prentice Hall Literature Common Core Edition Grade 10, 2012

Why Misquitoes Buzz in People s Ears (Part 1 of 3)

Essay on importance of good friends. It can cause flooding of the countries or even continents..

This map-tastic middle-grade story from Andrew Clements gives the phrase uncharted territory a whole new meaning!

Teaching Literacy Through Videos

Myths, Legends, Fairytales and Novels (Writing a Letter)

Case study Norway case 1

Challenging Texts: Foundational Skills: Comprehension: Vocabulary: Writing: Disciplinary Literacy:

Language Art (Writers Workshop) Science (beetle anatomy) Art (thank you card design)

Degree Qualification Profiles Intellectual Skills

flash flash player free players download.

My Identity, Your Identity: Historical Landmarks/Famous Places

correlated to the Nebraska Reading/Writing Standards Grades 9-12

Me on the Map. Standards: Objectives: Learning Activities:

Informational Writing Graphic Organizer For Kids

What is a number sentence example >>>CLICK HERE<<<

The Short Essay: Week 6

WELCOME PATIENT CHAMPIONS!

Positive turning points for girls in mathematics classrooms: Do they stand the test of time?

TRAITS OF GOOD WRITING

Rubric Assessment of Mathematical Processes in Homework

Transcription:

Lesson # 01 GLE: 1.1.1, 1.2.1, 2.2.1, 2.3.1, 4.1.1 1-15 Teaching Point (TP) Writers emulate each other by searching for an appropriate mentor text, experiencing the text, and then reading as a writer for techniques used in the text. Read Eleven by Sandra Cisneros as a mentor text of narrative. (pg 4-5). Model the experience of the story by acting out small parts. Model thinking like a writer as you point out what could be useful in a future narrative you write. Students listen to teacher reading a mentor text and share the way that they have used mentor texts in the past to help them identify what goes into a piece. Ex. When I wanted to write a speech for my student council, I looked up examples on the internet, thought about other speeches I ve heard and modeled my writing after those. 15-20 Pull out the techniques that are used in the mentor text Eleven Verbally students identify and discuss at tables the list that is being created. 20-55 MidTeaching Point: Reread text to examine more closely how an author uses techniques previously identified. Students explore mentor texts on table and create personal list of techniques that the authors use in Narrative writing. Have students recall one thing that was learned. Share that with your partner Verbally sharing ideas that they took from mentor texts.

Lesson # 02 Writing GLE: 1.1.1, 1.2.1, 2.2.1, 2.3.1, 3.1.1,3.1.2 1-15 Teaching Point (TP) Use turning points to generate small moment/personal narrative writing topics. Specifically: Students learn to list turning points in their lives to use as story starters. Listing Firsts, Lasts and Ah-ha moments. *Key to teaching before, middle and end story concepts. Students listen to teacher sharing how a turning point might be the start of a narrative story. e.g. My first day as a teacher. The last time I petted my very old and sick dog. The lesson I learned about giving gifts that matter to the people they are intended for. 15-20 Lead students in generating a list of these turning point moments for their writers notebooks. Ask specific questions from pg 21. Students brainstorm and write lists. 20-55 Mid-Workshop Teaching Point: Writers Plan. Students should look over what they have written and what their ideas and utilize a graphic organizer or planning box to plan their next piece. Find an example of a student who has used a strategy you want more children to try. Have students recall one thing that was learned. Student choice activity Students create lists of turning points. Students write the story or details of the turning point. Share with partners pieces of their own writing.

Lesson # 03 Writing GLE: 1.1.1, 1.2.1, 2.2.1, 2.3.1, 3.1.1, 3.1.2 1-15 Teaching Point (TP) Use emotions to generate story ideas Specifically: Students learn to list items that evoke a feeling that may lead to a story topic (hope, fear, worry, joy, etc.) *Key to teaching analytical story writing/reading. Students listen to their teacher demonstrate how a list of moments revolving around an emotion can turn into a story. e.g. Worry The time I knew my mom had gone to see the doctor. The time a report card came in the mail. The time the phone rang and I felt it would be bad news. 15-20 Lead students in generating a list of these emotional moments for their writers notebooks. Ask specific questions from pg 32. Students brainstorm and write lists. 20-40 Mid-Workshop Teaching Point: Remembering to Paragraph. Review when to use paragraphs in narrative writing (pg 37). Student choice activity Students create lists of emotions and story starters. Students write the story or details of the emotion. Students can revise another story they already started. 40-55 Share another strategy students can use to generate a story. Telling family stories can also start writers thinking about times they want to write about. Students work in small storytelling groups and tell their family stories to each other. Add this to strategy to the class strategy chart. Share with partners pieces

Find an example of a student who has used a strategy you want more children to try. of their own writing. Tell students another strategy is to retell family stories, demonstrate

Lesson # 04 Writing GLE: 1.1.1, 1.2.1, 2.2.1, 2.3.1, 3.1.1, 3.1.2, 3.3, 4.1.1, 4.1.2, 4.2 1-10 Teaching Point (TP) Reviewing our own writing teaches us the ideas that we ve mastered. Those skills now become part of our drafting, not revising. Share a story about a child that has successfully examined their own writing to identify how far they have come as writers. Listen and watch what the other child has learned as a model of what to look for in their own writing and planning. 10-20 Lead students in examining their own writing. Students take a piece that they have already revised or finished and examines it for lessons they have already mastered Students create a list of what they have learned in their notebooks. 20-25 Goal Setting with students. 25-55 Tell students that from this day forward they need to take action in their writing to insure that what they have learned appears in their writing. Students establish what their personal writing objective is for the future pieces they are working on Student choice activity Students look over stories they are currently working on further revise. Mid-Workshop Teaching Point: Remembering to Paragraph. Review when to use paragraphs in narrative writing

Find an example of a student who has used a strategy you want more children to try. Tell students another strategy is to retell family stories, demonstrate Share with partners pieces of their own writing.

Lesson # 05 Writing GLE: 1.2.1, 1.3.1, 1.6.1, 2.3.1, 3.1.1, 4.1, 1-10 Teaching Point (TP) Listening deeply to the seed idea of a piece is one way to help a writer develop an idea into story. Share a story about a writing conference you had where you listened and demonstrated listening through support, empathy and forming connections (as appropriate) so the writer could verbally draw out his story as part of planning. Listen to story about another struggling student 10-20 Lead students in listening to each other. Students listen to each others stories and help each other draw out the internal story. 25-55 Mid-Workshop Teaching Point: Drawing on Strategies. Remind students to look over their pages of notes regarding how to develop seed ideas. Student choice activity Students revise and continue to write deeper stories. Design a way for students to share their writing or bits of writing with their tables or groups. Share with partners pieces of their own writing.

**It is time to begin assessing your students. Look for ways to guide them towards completing a draft for you to look at.

Lesson # 06 Writing GLE: 1.3.1, 1.6.1, 3.1.1, 3.2.1, 3.2.2 1-20 Teaching Point (TP) Student will learn how to focus in on the most important message of their story. This will develop theme or big idea of their stories. Tell students they must learn to answer the question What am I trying to say in this story. Re-read sections of the mentor text Eleven Listen to story Identify through discussion the big idea that Sandra Cisneros was writing about. 20-55 Mid-Workshop Teaching Point: Angling Teach students through examples that word choice influence the point of view and message of a piece. Student choice activity Students revise and continue to write deeper stories. Share with partners pieces of their own writing. **It is time to begin assessing your students. Look for ways to guide them towards completing a draft for you to look at.

Lesson # 07 Writing GLE: 1-15 Teaching Point (TP) Looking at mentor texts can help students to draft and revise leads. Remind students/help them recall the types of leads they already know how to write. Read leads from mentor texts for more ideas. Highlight what the author did (technique) with what they could have done. Students listen to mentor texts. Students identify the techniques and what they are effective in conveying as a lead. Chart these responses. 15-30 Create chart (see pg 85) that contains the author s lead that the class identifies from the mentor text, the technique used. 30-55 Students complete the chart by writing their own lead that mimics what was done by the author. Student choice activity Students revise their leads. Mid-Workshop Teaching Point: Elaborating on Important Parts teach students to make choices about what they stretch out. Make sure that it is important to the big idea they are writing about. Share a lead that was changed to make it better or more focused. **It is time to begin assessing your students. Keep a log of student conferences and look for growth or trends in their writing.

Lesson # 08 Writing GLE: 3.2.1, 3.2.2, 3.2.3 1-20 Teaching Point (TP) Writing from the narrator s point of view. Tell a story that requires you to maintain the perspective of the narrator even if you want to go deeper into another point of the story. Students listen to the story and provide a thumbs up or thumbs down as the narrator s perspective stays or changes during the story. 20-55 Mid-workshop Teaching Point: Asking ourselves if our details ring true. The writers should focus on real details that they experienced or saw during the moment. Students practice telling a story (orally) to a friend who monitors their narrator s perspective. Students can copy their leads and begin writing from their narrator s perspective Share stories that maintain a clear narrator s voice/perspective throughout. During the writing/monitoring time keep a log of student conferences and look for growth or trends in their writing.

Lesson # 09 Writing GLE: 1.3.1, 1.6.1, 3.1.1, 3.2.1, 1-20 Teaching Point (TP) Writing both the internal and external story. Explain that sometime our focused stories are really short. To lengthen them and explain the significance we need more then just the actions of the story, we need the thoughts and feelings that the characters experienced with these actions. Read a mentor text (Eleven) and discuss the internal story. Students listen to the story and participate in a discussion of internal story. 20-30 Read an excerpt of Olive s Ocean pg 106 and instruct students to listen for the internal and external story. Students relay the events in order (external then internal). 30-55 Mid Teaching Point: Read another student s efforts at telling the internal story of a piece. Students work on individual pieces of writing at various stages of the writing process. During the writing/monitoring time keep a log of student conferences and look for growth or trends in their writing.

Lesson # 10 Writing GLE: 1.3.1, 1.6.1, 3.1.1, 3.1.2 1-20 Teaching Point (TP) Writers use scenes from the past or future to bring out the internal story and add power to their narrative. Share writing by professional and student writers that show both imagined future events and remembered past events. Students listen to the story and participate in a discussion of the many ways and reasons an author chooses to use this strategy. 20-55 Mid Teaching Point: Using flashback to convey the main feeling of a piece Students work on individual pieces of writing at various stages of the writing process. Students read their stories to each other and discuss the strategy that they employed. During the writing/monitoring time keep a log of student conferences and look for growth or trends in their writing.

Lesson # 11 Writing GLE: 1.3.1, 1.6.1, 3.1.1, 3.1.2 1-20 Teaching Point (TP) Teach students that their narratives should follow the story structure. Make reference to other planning tools you have provided (maps, timelines, etc). Review stories basic story structure by reading Peter s Chair by Ezra Jack Keats Guide students through the moments of a story: exposition, rising action, climax, falling action, resolution Students listen to the story and participate in a discussion of the story structure and create the arc on the board w/teacher. 20-55 Mid Teaching Point: Developing Story Mountains. Point out that it may be easier to start the story close to the action/problem so that the mini-stories you write get to the point quickly. Students work on individual pieces of writing at various stages of the writing process. Students revise their writing by creating a story arc and then revising that arc. Discuss the internal and external arcs of stories. During the writing/monitoring time keep a log of student conferences and look for growth or trends in their writing.

Lesson # 12 Writing GLE: 1.3.1, 1.6.1, 3.1.1, 3.1.2, 4.1.1 1-20 Teaching Point (TP) Teach students that we don t just end stories we resolve problems, learn lessons and make changes to end them effectively. Share several possible endings to a story that you may have been working on. Students listen to the story and participate in a discussion of the endings and help to determine which could be the best solution. 20-55 Mid Teaching Point: Developing Story endings. Brainstorm with students possible endings for one child s paper. Students work on individual pieces of writing at various stages of the writing process. Students revise their writing by creating a powerful ending to their story arc. Discuss the internal and external arcs of stories. During the writing/monitoring time keep a log of student conferences and look for growth or trends in their writing.

Lesson # 13 Writing GLE: 1.3.1, 1.4.1, 1.6.1, 3.1.1, 3.1.2, 3.3.4, 4.1.1 1-20 Teaching Point (TP) Set students up to learn about punctuation, commas in particular, from writing they admire. Set up an exploratory chart for punctuation study (p 149). Provide examples of text that use commas in different ways. As a group complete your comma inquiry. Students review different text so that they can come to a conclusion about how to use commas correctly in their own writing. 20-55 Mid Teaching Point: Discuss comma use in the students own papers. Students work on individual pieces of writing at various stages of the writing process. Students edit and revise their text to utilize this new punctuation appropriately. During the writing/monitoring time keep a log of student conferences and look for growth or trends in their writing.

Writing GLE: 1.5.1 Lesson # 14 1-55 Teaching Point (TP) Plan for an author s celebration Students share published work with an audience.