EVALUATION FORM FOR MUSIC TEACHERS (PLEASE USE BACK OF SHEET IF NECESSARY)

Similar documents
COMMUNICATION & NETWORKING. How can I use the phone and to communicate effectively with adults?

2017 Youth Energy Conference and Awards Staff Application

Don t Let Me Fall inspired by James McBride's memoir, The Color of Water

#MySHX400 in Your Classroom TEACHING MODULE What s your Shakespeare story?

Theatre Arts Record Book

5th Grade English Language Arts Learning Goals for the 2nd 9 weeks

Exemplar Grade 9 Reading Test Questions

My Favorite Sports Team

Creating and Thinking critically

Tap vs. Bottled Water

Kindergarten - Unit One - Connecting Themes

Replace difficult words for Is the language appropriate for the. younger audience. For audience?

Shakespeare Festival

Creation. Shepherd Guides. Creation 129. Tear here for easy use!

SMARTboard: The SMART Way To Engage Students

VISUAL AND PERFORMING ARTS, MFA

THEORY/COMPOSITION AREA HANDBOOK 2010

TEKS Comments Louisiana GLE

Reflective Peer Review: A Metacognitive Approach

The Task. A Guide for Tutors in the Rutgers Writing Centers Written and edited by Michael Goeller and Karen Kalteissen

ENG 111 Achievement Requirements Fall Semester 2007 MWF 10:30-11: OLSC

This curriculum is brought to you by the National Officer Team.

The Writing Process. The Academic Support Centre // September 2015

Writing a methodology for a dissertation >>>CLICK HERE<<<

DANCE (DANC) Courses. Dance (DANC) 1

The Foundation Academy

Loudoun Scholarship Application

Summer 2015 Ministry Report. Hello faithful Friends, Family and Supporters!! September, 2015

The Multi-genre Research Project

Individual Instruction Voice (MPVA 300, 301, 501) COURSE INFORMATION Course Description Learning Objectives: Course Information

Conducting an interview

Language Arts Methods

Not the Quit ting Kind

Manipulative Mathematics Using Manipulatives to Promote Understanding of Math Concepts

By Zorica Đukić, Secondary School of Pharmacy and Physiotherapy

WRITING HUMAN INTEREST STORIES FOR UNICEF A GUIDE FOR FIELD STAFF

Marking the Text. AVID Critical Reading

California State University, Los Angeles TRIO Upward Bound & Upward Bound Math/Science

RESPONSE TO LITERATURE

Day 1 Note Catcher. Use this page to capture anything you d like to remember. May Public Consulting Group. All rights reserved.

Table of Contents. Internship Requirements 3 4. Internship Checklist 5. Description of Proposed Internship Request Form 6. Student Agreement Form 7

Multi-genre Writing Assignment

Local Artists in Yuma, AZ

Essay on importance of good friends. It can cause flooding of the countries or even continents..

DOCTOR OF PHILOSOPHY BOARD PhD PROGRAM REVIEW PROTOCOL

Reading Project. Happy reading and have an excellent summer!

Estonia and Hungary: A Case Study in the Soviet Experience

CHEMISTRY 400 Senior Seminar in Chemistry Spring 2013

Class Descriptions 9 TH 12 TH

LEARNER VARIABILITY AND UNIVERSAL DESIGN FOR LEARNING

How to write websites in an essay >>>CLICK HERE<<<

"Be who you are and say what you feel, because those who mind don't matter and

Modern Fantasy CTY Course Syllabus

Classify: by elimination Road signs

Community Power Simulation

Making Smart Choices for Us We STOP D

Epping Elementary School Plan for Writing Instruction Fourth Grade

Gifted/Challenge Program Descriptions Summer 2016

KS1 Transport Objectives

THE INFLUENCE OF ENGLISH SONG TOWARD STUDENTS VOCABULARY MASTERY AND STUDENTS MOTIVATION

Popular Music and Youth Culture DBQ

Prentice Hall Literature: Timeless Voices, Timeless Themes Gold 2000 Correlated to Nebraska Reading/Writing Standards, (Grade 9)

Art is literacy of the heart. Using art to enhance Kindergarten writing performance.

a) analyse sentences, so you know what s going on and how to use that information to help you find the answer.

American Studies Ph.D. Timeline and Requirements

Can Money Buy Happiness? EPISODE # 605

Sight Word Assessment

The Short Essay: Week 6

Prentice Hall Literature: Timeless Voices, Timeless Themes, Platinum 2000 Correlated to Nebraska Reading/Writing Standards (Grade 10)

THE HEAD START CHILD OUTCOMES FRAMEWORK

JEFFERSON COLLEGE COURSE SYLLABUS BUS 261 BUSINESS COMMUNICATIONS. 3 Credit Hours. Prepared by: Cindy Rossi January 25, 2014

LMIS430: Administration of the School Library Media Center

TIMBERDOODLE SAMPLE PAGES

SCISA HIGH SCHOOL REGIONAL ACADEMIC QUIZ BOWL

United States Symbols First Grade By Rachel Horen. Featured Selection:

Lesson plan on reading comprehension 2nd grade >>>CLICK HERE<<<

Teachers Guide Chair Study

Snow Falling On Cedars By David Guterson

Introduce yourself. Change the name out and put your information here.

CLASS EXPECTATIONS Respect yourself, the teacher & others 2. Put forth your best effort at all times Be prepared for class each day

Speak with Confidence The Art of Developing Presentations & Impromptu Speaking

Grade 4. Common Core Adoption Process. (Unpacked Standards)

Grade 6: Module 2A Unit 2: Overview

How to make an A in Physics 101/102. Submitted by students who earned an A in PHYS 101 and PHYS 102.

Oakland Catholic. Course Description Catalogue

Graduate Program in Education

TRANSFER APPLICATION: Sophomore Junior Senior

CARING FOR OTHERS KINDERGARTEN. Kindness Song Activity, pp. 3-4 (10 to 15 minutes)

A. True B. False INVENTORY OF PROCESSES IN COLLEGE COMPOSITION

R. E. FRENCH FAMILY EDUCATIONAL FOUNDATION

Big Fish. Big Fish The Book. Big Fish. The Shooting Script. The Movie

Classroom Assessment Techniques (CATs; Angelo & Cross, 1993)

ENGLISH LANGUAGE ARTS - WRITING THIRD GRADE FIFTH GRADE

Introduction to Communication Essentials

Doctorate in Clinical Psychology

Language Art (Writers Workshop) Science (beetle anatomy) Art (thank you card design)

Approaches to Teaching Second Language Writing Brian PALTRIDGE, The University of Sydney

DOCENT VOLUNTEER EDUCATOR APPLICATION Winter Application Deadline: April 15, 2013

Custom essay writing services 1 aa >>>CLICK HERE<<<

Prewriting: Drafting: Revising: Editing: Publishing:

Transcription:

EVALUATION FORM FOR MUSIC TEACHERS Teacher's Name (optional) Number of students attending What grades attended? 1. Audience members (students, faculty) response to the performance: 2. Onstage (and offstage, if applicable) chorus students experience: 3. Your response to the performance: 4. Teaching Materials: Comments or suggestions (use back of sheet) for the a.) Student Preparation Handbook b.) Teacher s Guide c.) Libretto d.) Evaluations e.) CD 5. To whom did you teach the songs? (Whole school? Onstage chorus only?) 6. If you used special teaching methods, manipulatives or aids, would you be willing to share these with others? 7. Do you have any follow-up activities planned?(topical discussions? Projects?) 8. What are the benefits of Opera for the Young to your music education program? 9. Do you have any suggestions to make future OFTY performances more effective for you and your students? 10. Would you like OFTY to come to your school each year? If so, are there specific reasons that prevent it?

KINDERGARTEN EVALUATION TEACHERS: Please interview your students and share answers with us --- either a composite view (numbers or summary of responses) and/or specific quotes (enthusiastic, critical, funny whatever you want to send along) that we may use in our grant proposals, final reports, newsletters, etc.. 1. Did you like the performance? 2. What did you think of the: singing and acting? piano playing? costumes and scenery? 3. Would you like to see another opera? Why? 4. Who was your favorite character in Beauty and the Beast? 5. What part did you like best in Beauty and the Beast? 6. If you could work for the opera, what job would you like to do? (singer, instrument player, costume designer, scenery builder, writer, director). Why? 7. Is there anything else you would like to tell us? 8. If you would like, please have students draw a picture of their favorite part of Beauty and the Beast.

EVALUATION FORM FOR STUDENTS (GRADES 1-2) Your Name (optional) Grade Please circle your answer. 1. Was this your first opera? YES NO 2. Did you like the performance? YES NO 3. Were you in the opera? YES NO 4. Do you like to sing? YES NO 5. Would you like to see another opera? YES NO 6. Would you like to be in the opera? YES NO 7. Who was your favorite character in the opera? Why? 8. What was your favorite part in the opera? 9. If you could work for the opera, what job would you like to do? (singer, instrument player, costume designer, scenery builder, writer, director, composer). Why? ***If you would like, please draw a picture about Beauty and the Beast on the back of this sheet.

Your Name (optional) Please circle your answer. EVALUATION FORM FOR STUDENTS (GRADES 3-5) Grade 1. Was this your first opera? YES NO 2. Did you like the performance? YES NO 3. Were you in the opera? YES NO 4. Do you like to sing? YES NO 5. Would you like to see another opera? YES NO 6. Would you like to be in the opera? YES NO 7. Who was your favorite character in the opera? Why? 8. What was your favorite part in the opera? 9. If you could work for the opera, what job would you like to do? (singer, instrument player, costume designer, scenery builder, writer, composer, director). Why? 10. Is there anything else you would like to tell us? ***If you would like, please draw a picture about Beauty and the Beast on the back of this sheet.***

EVALUATION FORM FOR STUDENTS (GRADES 6-12) Your Name (optional) Grade In the space below, please write a few brief paragraphs telling us what you thought of this performance of Beauty and the Beast. Comments might include your thoughts about the music and words, vocal/dramatic/piano performances, costumes, sets & props, use of student chorus, etc. What did you like? Was there anything you didn t like? Did seeing this performance change your impression of opera? We re interested in hearing your comments and suggestions. If there s anything we could do to make future productions better for you and your friends, please let us know. Thanks!

EVALUATION FORM FOR CLASSROOM TEACHERS & STAFF Teacher's Name (optional) Number of students attending What grades attended? 1. What was your students response to the performance? (positive/negative, reasons) 2. What was your response to the performance? 3. Did you use any of the Teaching Materials (synopsis, pre-performance activities, etc.) that Opera for the Young sent to your music teacher? Comments? 4. Will you do any follow-up activities? 5. Do you have any suggestions to make future OFTY performances more effective for your students? 6. Additional comments:

Teacher's Name (optional) ARTIST IN RESIDENCY & PUBLIC PERFORMANCE PROGRAMS Number of students involved in Program EVALUATION FORM FOR CLASSROOM TEACHERS AND STAFF What grades attended? Type of Residency Program: (please circle) Class Chats Performance for the Public Opera for the Young at Heart 1. What was your students response to the Program? (positive/negative, reasons) 2. What was your response to the Program? 3. Additional comments and suggestions regarding Progam: