MUS 465: Advanced Orchestration

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MUS 465: Advanced Orchestration Text: The Study of Orchestration (Third Edition) by Samuel Adler ISBN 9780393975727 General Overview This class will build on the material covered in MUS 365 to encompass more nuanced writing for orchestra through a (roughly) historical approach, which includes writing for orchestras of different sizes. In addition to score-study assignments involving short-score copying and analysis, students will practice orchestration ear-training through short assignments that will help them listen critically for differences in timbre, weight, articulation, and other parameters. Learning Outcomes: The student will: -orchestrate music, correctly notating both scores and parts -aurally identify orchestrations -analyze, evaluate, and synthesize orchestral scores Presentation Students will choose an orchestral work written after 1950 and give a ca. 30- minute presentation discussing an orchestrational analysis of the work. More detailed information will be given later in the semester. Orchestra Reading The reading date and deadlines are listed on the schedule below, and students will provide both a printed score and a full set of printed parts that meets requirements to be set forth by the ensemble. Final Project Students will compose an original work first as a piano piece, then fully orchestrated (more details will be given) Grading Final grades for this course will be based on the following: Attendance/Participation: 10% Assignments/Quizzes: 40% Presentation: 10% Orchestra Reading: 20% Final Project: 20%

Attendance is mandatory. Promptness is highly encouraged. Should you need to miss a class or arrive late for an important reason, please notify me as soon as possible. Sickness-related absences will only be excused with a doctor s note. Required Materials The Study of Orchestration (Third Edition) by Samuel Adler ISBN 9780393975727 Selected orchestral works: TBA, either free online at IMSLP.org (or via some other link) or as photocopied excerpts. Music Notation Software (Finale or Sibelius) ß THIS IS REALLY IMPORTANT (Also, save everything. If you use a shared or lab computer, always save to your own external drive.) Manuscript paper. Pencil & Eraser. (NO WRITTEN WORK COMPLETED WITH PEN!) Recommended Materials Sevsay, Ertugrul. The Cambridge Guide to Orchestration Mathews, Paul, ed. Orchestration: An Anthology of Writings TENTATIVE Weekly Schedule (Additional repertoire will be added as the semester progresses) Week 1: Tues. Jan. 19 Thurs. Jan. 21 Class introduction Review final projects from MUS 365 The late Classical orchestra Week 2: Tues. Jan. 26 Thurs. Jan. 28 The late Classical orchestra (continued) String textures Week 3: Tues. Feb. 2 Thurs. Feb. 4 Elgar Enigma Variations

Week 4: Tues. Feb. 9 Thurs. Feb. 11 Bartok Two Portraits Week 5: Tues. Feb. 16 Thurs. Feb. 18 Mahler Songs of a Wayfarer Week 6: Tues. Feb. 23 Thurs. Feb. 25 Webern - Passacaglia Week 7: Tues. Mar. 1 Deadline for orchestral score of work to be read by the UNLV Symphony Thurs. Mar. 3 Lutoslawski Concerto for Orchestra Week 8: Tues. Mar. 8 Thurs. Mar. 10 John Adams Chamber Symphony Week 9: Tues. Mar. 15 Thurs. Mar. 17 Deadline for instrumental parts for work to be read by the UNLV Symphony Ligeti Atmospheres [[SPRING BREAK ]] Week 10: ORCHESTRA READINGS: Monday, Tuesday, Thursday 1:00-2:15pm Tues. Mar. 29 Thurs. Mar. 31 Stravinsky (Scherzo a la russe), Milhaud (Creation du monde), Bernstein (Prelude, Fugue, and Riffs), et al. Week 11: Tues. Apr. 5 Thurs. Apr. 7 Schoenberg 5 Pieces for Orchestra

Week 12: Tues. Apr. 12 Thurs. Apr. 14 Lei Liang Brush-Stroke Week 13: Tues. Apr. 19 Thurs. Apr. 21 Theofanidis Symphony No. 1 and Rainbow Body Week 14: Tues. Apr. 26 Thurs. Apr. 28 Messiaen Turangalila Symphony Week 15: Tues. May 3 Thurs. May 5 Repertoire TBA UNLV Policies next page

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