Creative writing for teachers

Similar documents
Intermediate Spanish: Chile after Pinochet

A typical day at Trebinshun

ENGLISH. Progression Chart YEAR 8

Prentice Hall Literature: Timeless Voices, Timeless Themes Gold 2000 Correlated to Nebraska Reading/Writing Standards, (Grade 9)

Prentice Hall Literature: Timeless Voices, Timeless Themes, Platinum 2000 Correlated to Nebraska Reading/Writing Standards (Grade 10)

Snow Falling On Cedars By David Guterson

Bergen Community College Division of English Department Of Composition and Literature. Course Syllabus. WRT 206: Memoir and Creative Nonfiction

Building Bridges through Intergroup Dialogue

THE UNIVERSITY OF WINNIPEG

DIPLOMA IN ENGLISH LANGUAGE & LITERATURE PROGRAMME

DIPLOMA IN ENGLISH LANGUAGE & LITERATURE PROGRAMME

Residential Pre-College Programs for High School Students

Grade 11 Language Arts (2 Semester Course) CURRICULUM. Course Description ENGLISH 11 (2 Semester Course) Duration: 2 Semesters Prerequisite: None

Certificate of Higher Education in Historic Building Conservation

Lucy Calkins Units of Study 3-5 Heinemann Books Support Document. Designed to support the implementation of the Lucy Calkins Curriculum

Professional Voices/Theoretical Framework. Planning the Year

HIGH SCHOOL COURSE DESCRIPTION HANDBOOK

Education: Professional Experience: Personnel leadership and management

Literature and the Language Arts Experiencing Literature

English Language Arts Missouri Learning Standards Grade-Level Expectations

Shaping the History of Photography

ABOUT THIS COURSE. Discuss and make arguments (both orally and in writing) about literary works with your peers and instructor

DRAFT. Reading Question

PAGE(S) WHERE TAUGHT If sub mission ins not a book, cite appropriate location(s))

Gifted/Challenge Program Descriptions Summer 2016

Implementing the English Language Arts Common Core State Standards

Prerequisites for this course are: ART 2201c, ART 2203c, ART 2300c, ART 2301c and a satisfactory portfolio review.

A Correlation of. Grade 6, Arizona s College and Career Ready Standards English Language Arts and Literacy

"Be who you are and say what you feel, because those who mind don't matter and

Vocabulary (Language Workbooks) By Laurie Bauer

correlated to the Nebraska Reading/Writing Standards Grades 9-12

About our academy. Joining our community

AN INTRODUCTION (2 ND ED.) (LONDON, BLOOMSBURY ACADEMIC PP. VI, 282)

English, Composition and Literature

EXTENSIVE READING AND CLIL (GIOVANNA RIVEZZI) Liceo Scientifico e Linguistico E. Bérard Aosta

University of Florida ADV 3502, Section 1B21 Advertising Sales Fall 2017

ENGLISH LANGUAGE ARTS - WRITING THIRD GRADE FIFTH GRADE

University of Cambridge: Programme Specifications POSTGRADUATE ADVANCED CERTIFICATE IN EDUCATIONAL STUDIES. June 2012

FARLINGAYE HIGH SCHOOL

MEDIA OCR LEVEL 3 CAMBRIDGE TECHNICAL. Cambridge TECHNICALS PRODUCTION ROLES IN MEDIA ORGANISATIONS CERTIFICATE/DIPLOMA IN H/504/0512 LEVEL 3 UNIT 22

Information Pack: Exams Officer. Abbey College Cambridge

Summarize The Main Ideas In Nonfiction Text

RESPECT, EQUALITY, COURAGE, KINDNESS

1/25/2012. Common Core Georgia Performance Standards Grade 4 English Language Arts. Andria Bunner Sallie Mills ELA Program Specialists

Life Imitates Lit: A Road Trip to Cultural Understanding. Dr. Patricia Hamilton, Department of English

After breakfast this morn.ing, we will have the opportunity to attend workshops in four areas:.libraries.archives. .language

5 th Grade Language Arts Curriculum Map

Learning Disability Functional Capacity Evaluation. Dear Doctor,

Student Name: OSIS#: DOB: / / School: Grade:

English As A Second Language For Cambridge IGCSERG: Workbook By Lucy Bowley

CURRICULUM VITAE LAWRENCE A. DUBIN

How to learn writing english online free >>>CLICK HERE<<<

Year 11 GCSE Information Evening

Pearson Longman Keystone Book F 2013

Grade 7. Prentice Hall. Literature, The Penguin Edition, Grade Oregon English/Language Arts Grade-Level Standards. Grade 7

MYP Language A Course Outline Year 3

Adult Community Learning. Course Programme 2017/18

20 HOURS PER WEEK. Barcelona. 1.1 Intensive Group Courses - All levels INTENSIVE COURSES OF

Challenging Texts: Foundational Skills: Comprehension: Vocabulary: Writing: Disciplinary Literacy:

music downloads. free and free music downloads like

NR-509: ADVANCED PHYSICAL ASSESSMENT Lab/Immersion Weekend Fact Sheet

Mercer County Schools

SCHOLARSHIPS & BURSARIES

The Multi-genre Research Project

Conference Program Norwegian Forum for English for Academic Purposes 2017

2006 Mississippi Language Arts Framework-Revised Grade 12

Materials Under Extreme Conditions: Effects of Temperature, High Strain Rate and Irradiation

LEADERSHIP AND PASTORAL TRAINING PROGRAM

Pearson Longman Keystone Book D 2013

words or ideas without acknowledging their source and having someone write your work. If you feel that you need help with your writing outside class,

JULY 2017 MASTER SCHEDULE MFA in Writing for Children & Young Adults

Characteristics of the Text Genre Realistic fi ction Text Structure

Language Arts Methods

Lesson Plan: Uncle Tom s Cabin

Curriculum Guide 7 th Grade

GENERAL BUSINESS 7397, section 18842: BOOKS AN MBA SHOULD READ

Eastbury Primary School

Information for Candidates

Parent Academy. Common Core & PARCC

TASK 1: PLANNING FOR INSTRUCTION AND ASSESSMENT

Monticello Community School District K 12th Grade. Spanish Standards and Benchmarks

Language Arts: ( ) Instructional Syllabus. Teachers: T. Beard address

KENT COLLEGE INDEPENDENT DAY AND BOARDING SCHOOL FOR GIRLS 3-18 KENT COLLEGE PEMBURY. Assistant Housemistress September 2017 or January 2018

OIB. Option Internationale du Baccalauréat

Opening Essay. Darrell A. Hamlin, Ph.D. Fort Hays State University

Spanish IV Textbook Correlation Matrices Level IV Standards of Learning Publisher: Pearson Prentice Hall

Out of the heart springs life

Correspondence Student Handbook

Students of the week. Living & Learning Together.

Intermediate Academic Writing

How to get the most out of EuroSTAR 2013

Dates and Prices 2016

Carolina Course Evaluation Item Bank Last Revised Fall 2009

Take a Loupe at That! : The Private Eye Jeweler s Loupes in Afterschool Programming

Strategies for Differentiating

Not the Quit ting Kind

Cleveland State University Introduction to University Life Course Syllabus Fall ASC 101 Section:

Module Title: Teaching a Specialist Subject

Justification Paper: Exploring Poetry Online. Jennifer Jones. Michigan State University CEP 820

PLAINFIELD PUBLIC SCHOOLS ENGLISH LANGUAGE ARTS CURRICULUM GUIDE. Grade 5. Adopted by the Plainfield Board of Education on August 20, 2013

Transcription:

Creative writing for teachers Start date 8 May 2015 End date 10 May 2015 Venue Madingley Hall Madingley Cambridge Tutor Dr Sarah Burton Course code 1415NRX133 Director of Programmes Emma Jennings For further information on this course, please contact Linda Fisher, Academic Programme Manager on 01223 746218 Liz Deacon, Programme Administrator on 01223 746227 To book See: or telephone 01223 746262 Tutor biographies Sarah Burton Sarah has been teaching Creative Writing since 2003 in a variety of contexts, from voluntary work in mental health centres and primary schools to professional tuition for the London School of Journalism, Oxford University s Department for Continuing Education (OUDCE) and Cambridge University s Institute of Continuing Education (ICE). Her publications are diverse, including two critically acclaimed biographies, Impostors: Six Kinds of Liar (2000; translated into Korean, Japanese, Czech and Spanish) and A Double Life: a Biography of Charles and Mary Lamb (2003; shortlisted for the Mind Book of the Year award); a children s book, The Miracle in Bethlehem: A Storyteller s Tale (2008), and a page-to-stage guide, How to Put on a Community Play (2011). She also writes short stories and reviews fiction and non-fiction for The Spectator and other titles. Her spoof, The Complete and Utter History of the World By Samuel Stewart, Aged 9, was published by Short Books in September 2013. She was Writer in Residence for the Hosking Houses Trust in 2009 and the publication of the historical novel which she began there, H, is currently being negotiated with Hodder. H was shortlisted for the Lucy Cavendish Fiction Prize 2013. She has also written and produced several community plays. Sarah s range of writing interests is reflected in her teaching. She has taught courses for OUDCE and ICE in Life Writing, Writing for Children, Playwriting, Flash Fiction and Writing Short Stories. She is Course Director of the MSt in Creative Writing at ICE. Midge Gillies

Midge Gillies is a freelance journalist and the author of seven non-fiction books, including biographies of Amy Johnson and Marie Lloyd. In her most recent book, The Barbed-Wire University (Aurum Press, 2011) she explores what it was really like to be an Allied Prisoner of War in the Second World War. She is co-author, with Sally Cline, of The Arvon Book of Literary Non-Fiction which was published by Bloomsbury in 2012. She studied history at Girton College and has written for a range of national, international and regional newspapers and magazines. She is currently RLF Fellow at Magdalene College and Course Director of the Undergraduate Certificate in Creative Writing at ICE. John Mole John Mole is a poet, librettist, children s author, and writer about jazz and film. For many years he co-edited for the Mandeviille Press with its founder, Peter Scupham, has been Poet in Residence at Magdalene College, Cambridge (1996) and, since 1998, resident poet for Poet in the City. He has received Gregory and Cholmondeley Awards for his poetry and the Signal Award for an outstanding contribution to poetry for children. In 2009, a community opera he wrote with the composer Tom Wiggall received its premiere in St. Albans Cathedral. Most recent publications are for children - All the Frogs (Salt) and a collection of poems, The Point of Loss (Enitharmon). He can be heard reading on The Poetry Archive (www.poetryarchive.org ) from which a CD is available and is a longstanding and popular ICE tutor, leading courses on writing poetry.

Course programme Friday 8 May 2015 Please plan to arrive between 16:30 and 18:30. You can meet other course members in the bar which opens at 18:15. Tea and coffee making facilities are available in the study bedrooms. 19:00 Dinner 20:30 22:00 The unique nature of Creative Writing (Sarah Burton) 22:00 Terrace bar open for informal discussion Saturday 9 May 2015 07:30 Breakfast 09:00 10:30 Making characters, making plots (Sarah Burton) 10:30 Coffee 11:00 12:30 Life writing (Midge Gillies) 13:00 Lunch 14:00 16:00 Free 16:00 Tea 16:30 18:00 Poetry (John Mole) 18:00 18:30 Free 18:30 Dinner 20:00 21:30 Writing through playing (Sarah Burton) 21:30 Terrace bar open for informal discussion Sunday 10 May 2015 07:30 Breakfast 09:00 10:30 Sharing strategies (Sarah Burton) 10:30 Coffee 11:00 12:30 Moving forward (Sarah Burton) 12:45 Lunch The course will disperse after lunch

Course syllabus Aims: Students will develop their ability to deliver creative writing as a subject by: - engaging with a range of writing exercises which they can then use in their own classrooms; - becoming more aware of how to create a classroom culture which can encourage creativity in writing. Content: The nuts and bolts of creative writing will be covered: genre; style and narrative voice; point-of-view; recruiting the reader; creating a sense of place; determining time and tense; developing character; dialogue; plot; creating drama; sustaining tension; maintaining pace. Students will encounter a range of teaching styles as two classes are delivered by guest tutors who are also writers (Midge Gillies on life writing; John Mole on poetry). They will consider how different approaches to teaching Creative Writing are appropriate to different age groups and how mixed ability groups are managed. They will also engage in writing exercises designed to focus on specific aspects of Creative Writing, while gaining a deeper understanding of how these are all codependent. These exercises also help teachers understand the nature of the challenge that students face when we ask them to write. Presentation of the course: The prevailing atmosphere in the classroom is relaxed and mutually supportive while remaining focused. We will read some short examples of writing together and discuss them. We will do some exercises as individuals and some in groups. Tutors will share their teaching philosophies and strategies and demonstrate these. Students will be able to keep teaching materials and are free to use them in their own classrooms. Outcomes: As a result of the course, within the constraints of the time available, students should be able to: - approach teaching Creative Writing with increased confidence and knowledge - create and develop their own class materials.

Reading and resources list Listed below are a number of texts that might be of interest for future reference, but do not need to be bought (or consulted) for the course. Author Title Publisher and date Ed. Steven Earnshaw The Handbook of Creative Writing Edinburgh University Press, 2007 Ed. David Morley & Philip Neilsen The Cambridge Companion to Creative Writing CUP, 2012 Rob Pope Creativity: Theory, History, Practice Routledge, 2005 R. Keith Sawyer Explaining Creativity: the science of human innovation OUP (2nd edition), 2012 Note Students of the Institute of Continuing Education are entitled to 20% discount on books published by Cambridge University Press (CUP) which are purchased at the Press bookshop, 1 Trinity Street, Cambridge (Mon-Sat 9am 5:30pm, Sun 11am 5pm). A letter or email confirming acceptance on to a current Institute course should be taken as evidence of enrolment. Information correct as of: 11 August 2014