UNIT SPECIFICATION FOR EXCHANGE AND STUDY ABROAD

Similar documents
Course Specification

CONTENT AREA: Theatre Arts

PROGRAMME SPECIFICATION UWE UWE. Taught course. JACS code. Ongoing

THE APPROVED LIST OF HUMANITIES-SOCIAL SCIENCES COURSES FOR ENGINEERING DEGREES

Fashion Design Program Articulation

Prentice Hall Literature: Timeless Voices, Timeless Themes, Platinum 2000 Correlated to Nebraska Reading/Writing Standards (Grade 10)

TASK 1: PLANNING FOR INSTRUCTION AND ASSESSMENT

Prentice Hall Literature: Timeless Voices, Timeless Themes Gold 2000 Correlated to Nebraska Reading/Writing Standards, (Grade 9)

Programme Specification 1

Studies Arts, Humanities and Social Science Faculty

English, Composition and Literature

Language Arts: ( ) Instructional Syllabus. Teachers: T. Beard address

Literature and the Language Arts Experiencing Literature

Semester: One. Study Hours: 44 contact/130 independent BSU Credits: 20 ECTS: 10

Czech, Polish, or Bosnian/Croatian/ Serbian Language and Literature

Oakland Unified School District English/ Language Arts Course Syllabus

Course Catalogue

correlated to the Nebraska Reading/Writing Standards Grades 9-12

MYP Language A Course Outline Year 3

Student Name: OSIS#: DOB: / / School: Grade:

Bachelor of Arts in Gender, Sexuality, and Women's Studies

Sociology. M.A. Sociology. About the Program. Academic Regulations. M.A. Sociology with Concentration in Quantitative Methodology.

2006 Mississippi Language Arts Framework-Revised Grade 12

GERMAN STUDIES (GRMN)

ENGLISH. Progression Chart YEAR 8

questions for academic inquiry

Certificate of Higher Education in History. Relevant QAA subject benchmarking group: History

Mater Dei Institute of Education A College of Dublin City University

UNITED STATES SOCIAL HISTORY: CULTURAL PLURALISM IN AMERICA El Camino College - History 32 Spring 2009 Dr. Christina Gold

Modern Day Sonnets: A Poetry Lesson for Today s High School Student. By: Terri Lynn Talbot. October 16 th 2012

Politics and Society Curriculum Specification

Arts, Literature and Communication (500.A1)

Programme Specification

Common Core State Standards for English Language Arts

Reading Grammar Section and Lesson Writing Chapter and Lesson Identify a purpose for reading W1-LO; W2- LO; W3- LO; W4- LO; W5-

OIB. Option Internationale du Baccalauréat

Writing for the AP U.S. History Exam

Sociology and Anthropology

German Studies. Chair: Jack Iverson, Foreign Languages and Literatures German Susan Babilon Eva Hoffmann Emily Jones (on Sabbatical, Spring 2018)

FTA University of New Orleans. László Fülöp University of New Orleans. University of New Orleans Syllabi.

Grade 11 Language Arts (2 Semester Course) CURRICULUM. Course Description ENGLISH 11 (2 Semester Course) Duration: 2 Semesters Prerequisite: None

Students who complete the German Studies major should emerge with the following knowledge and skills:

EXTENSIVE READING AND CLIL (GIOVANNA RIVEZZI) Liceo Scientifico e Linguistico E. Bérard Aosta

Assessment System for M.S. in Health Professions Education (rev. 4/2011)

English Language Arts Missouri Learning Standards Grade-Level Expectations

MASTER SYLLABUS. Course Title: History of American Art Course Number: 1045

HI0163 Sec. 01 Modern Latin America

Faculty of Social Sciences

THREE-YEAR COURSES FASHION STYLING & CREATIVE DIRECTION Version 02

To provide students with a formative and summative assessment about their learning behaviours. To reinforce key learning behaviours and skills that

Pearson Longman Keystone Book D 2013

University of Toronto Mississauga Degree Level Expectations. Preamble

REPORT ON CANDIDATES WORK IN THE CARIBBEAN ADVANCED PROFICIENCY EXAMINATION MAY/JUNE 2012 HISTORY

PAGE(S) WHERE TAUGHT (If submission is not a text, cite appropriate resource(s)) MINNESOTA ACADEMIC STANDARDS FOR LANGUAGE ARTS GRADES 9 12

Prentice Hall Literature Common Core Edition Grade 10, 2012

Language A: language and literature Teacher support material

Intermediate Academic Writing

Shakespeare Festival

Programme Specification. BSc (Hons) RURAL LAND MANAGEMENT

History. 344 History. Program Student Learning Outcomes. Faculty and Offices. Degrees Awarded. A.A. Degree: History. College Requirements

Pearson Longman Keystone Book F 2013

This project has been funded with support from the European Commission. This publication [communication] reflects only the views of the author, and

EQuIP Review Feedback

GCH : SEX AND WESTERN SOCIETY

HIGH SCHOOL COURSE DESCRIPTION HANDBOOK

The College Board Redesigned SAT Grade 12

ABOUT THIS COURSE. Discuss and make arguments (both orally and in writing) about literary works with your peers and instructor

Arizona s English Language Arts Standards th Grade ARIZONA DEPARTMENT OF EDUCATION HIGH ACADEMIC STANDARDS FOR STUDENTS

eportfolio Guide Missouri State University

A Correlation of. Grade 6, Arizona s College and Career Ready Standards English Language Arts and Literacy

Programme Specification. MSc in Palliative Care: Global Perspectives (Distance Learning) Valid from: September 2012 Faculty of Health & Life Sciences

Contact info for two classmates:

Modern Languages. Introduction. Degrees Offered

Quarter 1: 7th Grade English Roadmap

Methods: Teaching Language Arts P-8 W EDU &.02. Dr. Jan LaBonty Ed. 309 Office hours: M 1:00-2:00 W 3:00-4:

GRADUATE CURRICULUM REVIEW REPORT

Grade 7. Prentice Hall. Literature, The Penguin Edition, Grade Oregon English/Language Arts Grade-Level Standards. Grade 7

Going back to our roots: disciplinary approaches to pedagogy and pedagogic research

AN INTRODUCTION (2 ND ED.) (LONDON, BLOOMSBURY ACADEMIC PP. VI, 282)

Document number: 2013/ Programs Committee 6/2014 (July) Agenda Item 42.0 Bachelor of Engineering with Honours in Software Engineering

Pennsylvania Common Core Standards English Language Arts Grade 11

Bharatanatyam. Introduction. Dancing for the Gods. Instructional Time GRADE Welcome. Age Group: (US Grades: 9-12)

International School of Kigali, Rwanda

BSc (Hons) Marketing

Department of American Studies

DRAFT. Reading Question

INTRODUCTION TO TEACHING GUIDE

Life Imitates Lit: A Road Trip to Cultural Understanding. Dr. Patricia Hamilton, Department of English

Grade 6: Module 2A Unit 2: Overview

Grade 4. Common Core Adoption Process. (Unpacked Standards)

Appendix. Journal Title Times Peer Review Qualitative Referenced Authority* Quantitative Studies

Intercultural communicative competence past and future

Wesleyan University Graduate Liberal Studies Program. Documenting Reality: The History and Aesthetics of Non-Fiction Film Fall 2015

National Survey of Student Engagement The College Student Report

Programme Specification. MSc in International Real Estate

Monticello Community School District K 12th Grade. Spanish Standards and Benchmarks

CERTIFICATE OF HIGHER EDUCATION IN CONTINUING EDUCATION. Relevant QAA subject benchmarking group:

PLAINFIELD PUBLIC SCHOOLS ENGLISH LANGUAGE ARTS CURRICULUM GUIDE. Grade 5. Adopted by the Plainfield Board of Education on August 20, 2013

VISUAL AND PERFORMING ARTS, MFA

Guide to Archaeology and Heritage

Transcription:

435Z006 NINETEENTH-CENTURY WRITING TO MODERNISM Level: 5 Credits: 5 ECTS: 7.5 This unit will develop students' knowledge and understanding of British poetry, fiction, drama, visual art and travel literature published between 800 and 900. This unit focusses on critical concepts of Victorianism in relation to texts published in the nineteenth century. Students will develop their understanding of the uses of genre and narrative by asking them to compare authors and texts from different periods. By looking at Victorian and late Victorian poetry, novels and drama the unit will introduce students to literary and cultural developments of the nineteenth century and discuss the ways in which they implicate questions of gender, sexuality, class and race. Learning Outcome : Investigate and compare texts from a range of genres published between 800 and 900 Analyse representations of gender, sexuality, class and race across this period Use a critical and theoretical vocabulary relevant to conceptualisations of Victorianism Reflect critically on key skills practised on the unit, including skills of planning, presenting and researching Coursework 00 Portfolio Manage own professional development reflectively Apply teamwork and leadership skills A portfolio (3000 words in total) comprising two elements: () An essay on nineteenth-century themes, using appropriate theoretical vocabulary on Victorianism (around 2000 words) (2) A plan for and reflection on a class-based presentation exercise (around 000 words). Both elements of the portfolio will be submitted and marked as a single assignment. Breakdown of 50 hours of student learning activity

435Z008 POSTWAR TO THE PRESENT Level: 5 Credits: 5 ECTS: 7.5 This unit will introduce students to a range of contemporary British and Irish fiction and drama written in the period between the end of World War Two and up to 960. This unit will explore key transformations in fiction and drama from the late 940s to the 960s. In particular it will trace developments in the novel, theatre and poetry from social realism in the 950s. It will explore a wide range of critical approached to this material, exploring how this work represents British and Irish identity amd shifting understandings of nation and history and engage with key themes such as identity, gender, race, class, sexuality. Learning Outcome : Compare a range of British and Irish literary and dramatic texts from the post-war era. Identify and appraise key themes and preoccupations in post-war British and Irish fiction and drama. Distinguish and apply a range of critical approaches to post-war British and Irish literature and theatre. Coursework 00 In-Class Test A two-hour, pre-released class test Breakdown of 50 hours of student learning activity

435Z0020 ENLIGHTENMENT AND ROMANTICISM Level: 5 Credits: 5 ECTS: 7.5 This unit will look at the period of British literature from 688 to 790, dealing in particular with the emergence of the novel. This unit will offer a chronological history of British literature and culture during one of its most significant periods, from the Glorious Revolution of 688 to the French Revolution in 790. Its main concerns will be with the transformation of certain literary genres (chiefly the novel and poetry) and accompanying themes, such as the move from Classical to Romantic, the rise of the novel (and women novelists), satire, revolutionary writing, and the centrality of figures and ideas to subsequent cultural and social history. Learning Outcome : Critically evaluate a range of key historical ideas from the period. Analyse literary texts through the application of critical and theoretical materials. Contextualise writings from 688 to 790 in terms of the social, cultural and political conditions of their production and reception. Reflect critically on key skills practised on the unit, including oral communication, research and writing. Coursework 00 Portfolio Manage own professional development reflectively Apply teamwork and leadership skills A portfolio (3000 words in total) comprising two elements: () A plan for and reflection on a class-based presentation exercise (around 000 words) (2) An essay in which students focus on two texts (around 2000 words). Both elements of the portfolio will be submitted and marked as a single assignment. Breakdown of 50 hours of student learning activity

435Z0022 CRITICAL AND CULTURAL THEORY I Level: 5 Credits: 5 ECTS: 7.5 This unit will introduce students to a range of theoretical approaches to the analysis of culture that focus upon the issues of identity and difference. The unit will outline the key ideas of modernity, identity and subjectivity. Students will be introduced to the key Marxian and Psychoanalytic contributions to the theory of ideology, and these ideas will further developed in relation to classic detective fiction, the concept of nineteenth-century realism and the notion of the commodity in contemporary culture. Students will participate in confidence-building activities such as student-led seminars or presentations, and will be encouraged to reflect upon the skills, challenges and strategies involved in that, as well as on the relationship between different theoretical models of identity and difference in relation to a range of literary and cinematic texts. Learning Outcome : Analyse and apply relevant theoretical material to an appropriate personal experience relating to the formation of identity and difference. Compare and contrast relevant critical and cultural debates around the issues of ideology, subjectivity and difference. Analyse the ways particular literary and cinematic forms and genres articulate theories of identity and difference. Reflect critically on personal progress and on key skills practised on the unit, including teamwork and oral communication. Coursework 00 Portfolio Manage own professional development reflectively Apply teamwork and leadership skills A portfolio (3000 words in total) comprising two elements: () A plan for and reflection on a class-based presentation exercise (around 000 words). (2) A comparative analysis of two theoretical texts from an indicative list of options (around 2000 words). Both elements of the portfolio will be submitted and marked as a single assignment. Breakdown of 50 hours of student learning activity

435Z0024 AMERICAN SPACES Level: 5 Credits: 5 ECTS: 7.5 Touching upon a broad range of genres, this unit is concerned with critical and creative conceptions of `space' and travel (both geographic and metaphorical) in American literature from colonial times to the present. This unit considers the role and place of the travel narrative in American literature and considers the relation between these narratives and the development of a national identity. Within this general framework, particular attention will be paid to reading travel narratives and accounts of exploration in context, specifically in relation to notions of home, autobiography, national identity, history, and geography. Learning Outcome : Analyse the relation between travel narratives, space and the development of an American literary tradition. Relate narratives to the social, literary, and political contexts of their production and reception. Coursework 00 Essay Analyse real world situations critically A 3000 word critical essay analysing two texts studied on the course in relation to critical literature on American Spaces. Formative feedback will be provided through individual tutorials discussing draft plans developed in class workshops. Breakdown of 50 hours of student learning activity

435Z0026 FILM GENRE & MODE Level: 5 Credits: 5 ECTS: 7.5 The unit introduces theories of film genre and develops students' understanding of a range of film genres and other modes of cinematic expression. The unit consists of a study of the development of film genre as an industrial and marketing concept. It addresses the place of 'genre theory' - as a structuralist intervention - within film studies, and then moves to examine the ways in which audiences recognise and relate to the patterns, landscapes and narratives associated with particular genres. During this unit two genres and their critical and historical frameworks will be studied, which might include, but are not limited to: horror, the musical, film noir and melodrama, allowing students to engage in close textual analysis, and to explore the ways in which genre films develop historically. Emphasis is given to early, classic and 'self-reflexive' or 'postmodern' instances of the genres studied. The distinction between genre and other 'modes' of cinematic expression - such as the gothic - will also be explored. Learning Outcome : Analyse the function of genre in film history Interpret film texts within their generic or modal contexts. Coursework 00 Essay An essay of 3000 words that critically engages with film texts and genre studies. Analyse real world situations critically Manage own professional development reflectively Breakdown of 50 hours of student learning activity

436Z0023 SHAKESPEARE Level: 6 Credits: 5 ECTS: 7.5 This unit looks at Shakespeare's plays and poems in regard to both his contemporary intellectual, political and social meanings and effect, and the influence of his work on subsequent culture in terms of reception, adaptation and reinvention. This unit will examine Shakespeare's tragedies, histories, comedies, problem-plays, and sonnets, looking also at the work of his contemporaries in similar genres, and some of his intellectual sources; it will also be implicitly concerned with his cultural influence, particularly in terms of adaptation (both dramatic, filmic and novelistic), with the ways in which certain plays have been reinvented for modern political and social concerns, and with the questions that the centrality of Shakespeare to literary studies continues to raise. Learning Outcome : Critically evaluate Shakespearean texts in terms of their dramatic context and intellectual history. Critically interpret the reception of Shakespearean narratives, in both their contemporary milieu and their history. Coursework 00 Portfolio Manage own professional development reflectively A Portfolio consisting of: a) a critical account of the research and delivery of a class-based presentation activity, focussing on a key theme in Shakespeare's writing (around 000 words); b) a critical essay to be submitted in term 2 (2000 words max). All sub-elements will be submitted and marked as one piece of assessment. Breakdown of 50 hours of student learning activity

436Z0025 FIN-DE-SIECLE LITERATURE AND CULTURE Level: 6 Credits: 5 ECTS: 7.5 This unit will introduce students to end of Nineteenth Century British and European culture and writing by studying the fictional, dramatic and poetical works of individual authors and other texts originating in the fin de siècle period. A wide range of fictional, poetical, dramatic, journalistic and political texts will be situated historically and in relation to the specific culture of the fin de siècle, and in particular to key concepts such as gender, class, sexuality, colonialism and imperialism. The fin de siècle period will be analysed from the perspective of critical discourses such as gender studies, feminism, post-colonialism, post-structuralism, psychoanalysis and cultural materialism in order to define it as a distinctive and diverse cultural moment. Particular attention will be paid to the interdisciplinary links between the discourses of literature, art, medicine, psychoanalysis and science as underlying the discursive construction of fin de siècle culture. The aim is to achieve an understanding of the different literary traditions and cultural discourses which informed the production of fin de siècle texts and how they shape representations of gender, class and race in relation to the `Victorian' as well as to the `Modern'. Learning Outcome : Critically evaluate the fin de siècle as a distinctive and diverse cultural moment Analyse the specific aspects and areas of the fin de siècle in the light of both Victorian and 'modernity' discourses Coursework 00 Portfolio Analyse real world situations critically Manage own professional development reflectively A text-based portfolio (approx. 3000 words in total) comprised of three elements: () Research essay (2000 words) (2) annotated bibliography (500 words) and (3) critical evaluation (500 words). Students will choose a specific aspect of fin de siècle culture. Formative feedback will be given on the student's initial proposal. All sub-elements will be submitted and marked as one piece of assessment. Breakdown of 50 hours of student learning activity

436Z0029 READING AND WRITING CHILDREN'S LITERATURE Level: 6 Credits: 5 ECTS: 7.5 This unit provides an analytical study of a range of classic and modern texts written for children. This unit provides students with the skills to analyse a range of children's literature. Learning Outcome : Identify and outline the range and nature of British children's literature in the late 9th and 20th century. Evaluate and critically analyse themes and subjects pertinent to the study of children's literature from this period. Coursework 00 Essay A critical essay of 3,000 words Analyse real world situations critically Breakdown of 50 hours of student learning activity

436Z003 REPRESENTING TRAUMA Level: 6 Credits: 5 ECTS: 7.5 This unit is concerned with critical and creative conceptions, constructions and depictions of forms of violence and trauma, and introduces students to representations and theories of trauma drawn from multiple locations (temporal and geographic). This unit will investigate what kind of representation is possible in the face of trauma, and consider the ethical implications of different types of representation. Within this general framework of enquiry, particular attention will be paid to the way in which contexts of remembrance and representation shape victims and perpetrators identities, the nature of narratives of violence and trauma, the idea of unrepresentability, and the challenge of passing memory on from those who experience traumatic events to the following generations. Learning Outcome : Analyse narratives of violence (in their various forms) within the context of trauma theory. Evaluate texts of violence and trauma in terms of the social, cultural and political conditions of their production and reception. Coursework 00 Essay Analyse real world situations critically A 3000 word critical essay that applies theoretical material studied in the first term to the critical evaluation of two texts. Breakdown of 50 hours of student learning activity

436Z0035 CINEMA AND NATION Level: 6 Credits: 5 ECTS: 7.5 This unit explores the ways in which national identity is constructed in the cinema of the United States to interrogate formulations of American identity. This unit problematises the concept of `national cinema' through an exploration of the ways in which ideologies of nationhood are constructed, and potentially deconstructed. It engages with a range of historically located and socio-culturally contextualised works of American cinema to explore both national-self image and nationally distinctive representations of class, race, gender and sexuality. Through the exploration of specific genres (such as film noir, the Western and the musical) it will explore both national distinctiveness and trans-national commonalities. Learning Outcome : Critically analyse concepts of nation, national identity and national cinema with regards to a range of American film texts Analyse filmic representations of national identity with reference to the socio-cultural and historical context of a range of American films Coursework 00 Essay An essay of 3000 words focussing on aspects of American cinema Analyse real world situations critically Breakdown of 50 hours of student learning activity

435Z0030 MANCHESTER AND THE CITY Level: 5 Credits: 5 ECTS: 7.5 To explore the changing representations of the city in a variety of literary and cultural texts, investigating the underlying ideologies of the city and the varying ways that cities have been theorised. This unit is concerned with exploring the nature of the city as text and considering the relationship between urban life and artistic form, asking questions such as: Is the city a setting? An actor? How does it represent social, linguistic and ethnic difference? What are the historical and social tensions underlying constructions of the urban? How and when does the city define and critique the condition of modernity/ postmodernity? Having first explored the changing concept and meaning of the city, students will focus specifically on Manchester as an example of the city as text. Learning Outcome : Utilise a range of approaches to the study of literary genres in relation to debates about the rise of urbanisation. Critically analyse urban texts attending to key themes and tensions, and to the key historical, social and political contexts that have shaped them. Coursework 00 40 Essay A 3000 word essay Breakdown of 50 hours of student learning activity

436Z0045 MODERN GOTHIC Level: 6 Credits: 5 ECTS: 7.5 This unit introduces and defines the field of Gothic studies via film, TV and literature. This unit defines Gothic film, television and literature as the locus of textual and contextual issues. Students will be introduced to the critical and historical field of Gothic Studies, and we will explore the mode's responses to historical and social change and sociocultural theory. The unit will develop student skills in both close textual reading and theoretically engaged critical analysis of the Gothic mode. Learning Outcome : Critically analyse issues of gender, ethnicity and place in the Gothic mode. Evaluate and apply a range of critical and theoretical concepts to the analysis of Gothic texts. Coursework 00 40 Essay Analyse real world situations critically An academic essay of 3000 words that engages critically with Gothic texts and Gothic Studies. This long essay will demonstrate a sustained critical and theoretical knowledge of a Gothic theme that concerns gender, ethnicity or place in its textual specificity and ideological significance. Breakdown of 50 hours of student learning activity

436Z0052 AMERICAN LITERATURE AND CULTURE Level: 6 Credits: 5 ECTS: 7.5 Learning Outcome : Breakdown of 50 hours of student learning activity Summative Assessment: Directed Study: Student-centred:

436Z0054 PLACE WRITING Level: 6 Credits: 5 ECTS: 7.5 Learning Outcome : Breakdown of 50 hours of student learning activity Summative Assessment: Directed Study: Student-centred:

436Z0042 TEXTING BRITAIN, TEXTING THE WORLD Level: 6 Credits: 5 ECTS: 7.5 This unit introduces students to current critical debates and forms of creative practice which define, subvert and redefine identity in cultural, racial, national and transnational terms. This unit introduces students to current critical debates and forms of creative practice which define, subvert and redefine identity in cultural, racial, national and transnational terms. Learning Outcome : Evaluate key concepts and debates regarding national, cultural, racial and religious subjectivities and notions of Britishness in relation to the texts studied. Appraise a range of relevant texts in light of the contribution made by Black British fiction to the contemporary challenge of imagining British identity. Coursework 00 40 Essay A 3000 word essay Analyse real world situations critically Breakdown of 50 hours of student learning activity