MUS University of New Orleans. Victor Atkins University of New Orleans. University of New Orleans Syllabi.

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University of New Orleans ScholarWorks@UNO University of New Orleans Syllabi Fall 2015 MUS 4807 Victor Atkins University of New Orleans Follow this and additional works at: http://scholarworks.uno.edu/syllabi Recommended Citation Atkins, Victor, "MUS 4807" (2015). University of New Orleans Syllabi. Paper 834. http://scholarworks.uno.edu/syllabi/834 This Syllabus is brought to you for free and open access by ScholarWorks@UNO. It has been accepted for inclusion in University of New Orleans Syllabi by an authorized administrator of ScholarWorks@UNO. For more information, please contact scholarworks@uno.edu.

MUS 4807 MW 11:00-12:15 PAC 103 COURSE OBJECTIVES: Jazz Arranging and Composition Syllabus Fall 2015 Professor Victor Atkins Office: PAC 338 Office Hours: TBA vatkins@uno.edu 504-280- 7462 To study the creative processes and technical methods of composing, arranging, and orchestrating jazz music. STUDENT LEARNING OUTCOMES As a result of this class, the student should be able to: 1. Compose in a variety of jazz composition styles. 2. Arrange music for small to large jazz ensembles. 3. Orchestrate for jazz instrumentation. 4. Identify methods and styles of major jazz composers and arrangers. 5. Use a variety of analytical methods to explore and understand music scores. 6. Recognize different jazz song forms and compose within the constructs. 7. Develop melodic, harmonic, and rhythmic ideas for composition and arranging. 8. Utilize an array of voicing techniques. 9. Rehearse a jazz ensemble. MATERIALS 1. Modern Jazz Voicings: Arranging for Small and Medium Ensembles Authors: Ken Pullig and Ted Pease Publisher: Berklee Press ISBN- 10: 0634014439 http://www.tedpease.com 2. Staff paper, pencils, and eraser must be brought to every class 3. Notation software (optional but preferred) 4. Access to Moodle and UNO email. GENERAL POLICIES Use only notation software or pencil on all assignments and tests. Projects should be done using notation software. If you do not have notation software, computers in the MIDI Lab (PAC 342) and Piano Lab (PAC 216) are equipped with Finale and Sibelius. Notation software is essential to the professional composer/arranger. We will spend some time in the Keyboard Lab working with Finale. Assignments and projects are to be turned in two ways: (1) at the beginning of class on the due date; and (2) by emailing it me as a Finale 2012 or PDF attachement on the due date. In some cases I may ask students to make additional copies for class. One letter grade may be dropped for every day an assignment, project, or test is late. I will use Moodle and UNO email for correspondence and to make class announcements. You must check the class Moodle page and your UNO email account regularly. Please use my UNO account for emailing projects and communicating.

Handouts, worksheets, assignments, scores, audio files, lectures, and class notes will be made available on Moodle. Copyrighted material is for learning purposes only and must not be duplicated or shared. ATTENDANCE/TARDY POLICY Attendance is mandatory. Students are responsible for homework, tests and materials, including handouts, assignments, and projects. Students are allowed up to three unexcused absences before being penalized. With each additional absence, I reserve the right to lower the final attendance grade by one letter grade. Please come to class on time. If you are tardy three times it counts as an absence. GRADING POLICY Students must show a working knowledge of melodic and harmonic considerations of jazz composition, arranging, and orchestration. This requires an understanding of the keys and ranges of instruments, harmonization techniques, notation, score layout, and rehearsal practices. Grades Assignments 20% 90%- 100% = A Projects (3) 40% 80%- 89% = B Tests (2) 20% 70%- 79% = C Attendance & Participation TOTAL 20% 100% 60%- 69% = D 0%- 59% = F ASSIGNMENTS (20%) Assignments include reading, listening, research, composing, and arranging exercises designed to facilitate the assimilation of class material into professional practice. Students will be required to produce homework assignments on a professional level. PROJECTS (40%) Students are required to use notation software to create class projects. Concert scores and transposed parts are required for class performance and peer review. Project 1: Midterm Arrangement. Scores are due Wednesday, September 30 th. Parts are due Monday, October 5 th for performance. [50%] Project 2: Final Arrangement. Scores are due Wednesday, November 18 th. Parts are due Monday, November 23 rd for performance. [50%] PERFORMANCES (8/26, 10/5, 10/6, 11/23, 11/25, 11/30, 12/2) Students are required to participate in class performances. If you are scheduled to perform but cannot make class, you must send a sub. Failure to do so could wreck the hard work of students having projects performed that day and would have a negative impact on your final grade. All performance dates will be included on the Class Schedule. TESTS (20%) There will be two tests to assess student understanding of class material. The lowest grade will be dropped.

PARTICIPATION (20%) Participation includes, but is not limited to, class discussions, projects, and performances. Students are required to participate in class performances. If you are scheduled to perform, please bring your instrument and accessories. If you cannot make class, you must send a sub. Failure to do so could wreck the hard work of students having projects performed that day and would have a negative impact on your final grade. All performance dates will be included on the Class Schedule. Performance Dates: 8/26, 10/5, 10/6, 11/23, 11/25, 11/30, 12/2 CLASSROM CONDUCT This class is taught in a highly interactive manner. You are expected to participate fully in all activities. Being tardy not only negatively affects your learning (and your grade), but the learning of your classmates. You will be asked to give feedback to your classmates on their progress. Respectful and constructive criticism is expected. Disrespectful attitudes, actions, or any form of sexual harassment are not acceptable. Turn off all cell phone ringers. Texting, emailing, making or receiving calls, and any online activity is strictly prohibited. If you must communicate with someone outside of class, please excuse yourself from the classroom. EXTRA CREDIT Please see me if you need to increase your grade average. There are a number of possibilities. SEMESTER OUTLINE This is a topical outline and subject to change. A class schedule will be created based on the diagnostic test and published on Moodle. Week 1: Diagnostic Exam not graded Week 2: Instrument characteristics and ranges Week 3: Soli techniques Week 4: Spread voicings Week 5: Densities Week 6: Guest lecturer Week 7: Score layout and parts writing Week 8: Test 1 - Soli Techniques and Instrumental Characteristics Week 9: Midterm Projects Week 10: Guest lecturer Week 11: Analysis Week 12: Score reduction Week 13: Guest lecturer Week 14: Test 2 Reduction Exercises Week 15: Big band Week 16: Final Projects STATEMENT ON ACCOMMODATIONS FOR STUDENTS WITH DISABILITIES: It is University policy to provide, on a flexible and individualized basis, reasonable accommodations to students who have disabilities that may affect their ability to participate in course activities or to meet course requirements. Students with disabilities are encouraged to contact their instructors and/or the Office of Disability Services to discuss their individual needs for accommodations.

SUGGESTED TEXTS Jazz Composition: Theory and Practice Author: Ted Pease Publisher: Berklee Press (August 1, 2003) ISBN- 10: 0876390017 Inside the Score Author: Rayburn Wright Publisher: Kendor Music (May 1982) ISBN- 10: 9991739661 Jazz Arranging Techniques Author: Gary Lindsay Publisher: Staff Art Publishing (2005) ISBN- 10: 0976027305 Arranging for Large Jazz Ensemble Author: Dick Lowell and Ken Pullig Publisher: Berklee Press (February 1, 2003) ISBN- 10: 0634036564 A Linear Approach Author: Bill Dobbins Publisher: Advance Music (June 1986) ISBN- 10: 3892210063 The Complete Arranger Author: Sammy Nestico Publisher: Fenwood Music Co. Inc.; Revised edition (June 1, 2007) ISBN- 10: 1424331218 IMPORTANT DATES Please visit http://www.uno.edu/registrar/bulletin/important- dates.aspx#fall to see a full list of important dates. Important Dates* Last day to adjust schedule w/out fee... 08/18/2015 Semester Classes Begin... 08/19/2015 Last day to adjust schedule w/fee, or withdraw with 100% refund... 08/25/2015 Last day to apply for December commencement.09/25/2015 Final day to drop a course or resign... 10/14/2015 Mid- semester examinations... 10/05-10/09/2015 Final examinations... 12/07-12/11/2015 Commencement... 12/18/2015 Fall Semester Holidays Labor Day... 09/07/2015 Mid- semester break... 10/15-10/16/2015 Thanksgiving... 11/26-11/27/2015 Withdrawal Policy Undergraduate only Students are responsible for initiating action to resign from the University (withdraw from all courses) or from a course on or before dates indicated in the current Important dates calendar. Students who fail to resign by the published final date for such action will be retained on the class rolls even though they may be absent for the remainder of the semester and be graded as if they were in attendance. Failure to attend classes does not constitute a resignation. Check the dates on the Registrar s website, http://www.registrar.uno.edu. Please consult The Bulletin for charges associated with dropping and adding courses.

Incomplete Policy Undergraduate only The grade of I means incomplete and is given for work of passing quality but which, because of circumstances beyond the student's control, is not complete. The issuance of the grade of I is at the discretion of the faculty member teaching the course. For all graduate and undergraduate students, a grade of I becomes a grade of F if it is not converted before the deadline for adding courses for credit (as printed in the Important Dates Calendar) of the next regular semester including summer semester. Repeat Policy When a student is permitted to repeat a course for credit, the last grade earned shall be the one which determines course acceptability for degree credit. A student who has earned a C or better in a course may not repeat that course unless, (1) the catalog description indicates that the course may be repeated for credit, or (2) the student's Dean gives prior approval for documented extenuating circumstances. Graduate Policies Graduate policies often vary from undergraduate policies. To view the applicable policies for graduate students, see the Graduate Student Handbook: http://www.uno.edu/grad/documents/graduatestudenthandbook2014.pdf Academic Dishonesty Policy http://www.uno.edu/student- affairs- enrollment- management/documents/academic- dishonesty- policy- rev2014.pdf Safety Awareness Facts and Education Title IX makes it clear that violence and harassment based on sex and gender is a Civil Rights offense subject to the same kinds of accountability and the same kinds of support applied to offenses against other protected categories such as race, national origin, etc. If you or someone you know has been harassed or assaulted, you can find the appropriate resources here: http://www.uno.edu/student- affairs- enrollment- management/ UNO Counseling Services and UNO Cares UNO offers care and support for students in any type of distress. Counseling Services assist students in addressing mental health concerns through assessment, short- term counseling, and career testing and counseling. Find out more at http://www.uno.edu/counseling- services/. First- year students often have unique concerns, and UNO Cares is designed to address those students succeed. Contact UNO Cares through http://www.uno.edu/fye/uno- cares.aspx. Emergency Procedures Sign up for emergency notifications via text and/or email at E2Campus Notification: http://www.uno.edu/ehso/emergency- communications/index.aspx. All emergency and safety procedures are explained at the Emergency Health and Safety Office: http://www.uno.edu/ehso/. Diversity at UNO As the most diverse public university in the state, UNO maintains a Diversity Affairs division to support the university s efforts towards creating an environment of healthy respect, tolerance, and appreciation for the people from all walks of life, and the expression of intellectual point of view and personal lifestyle. The Office of Diversity Affairs promotes these values through a wide range of programming and activities. http://diversity.uno.edu/index.cfm

Learning and Support Services Help is within reach in the form of learning support services, including tutoring in writing and math and other supplemental instruction. Visit the Learning Resource Center in LA 334, or learn more at http://www.uno.edu/lrc/. Affirmative Action and Equal Opportunity UNO is an equal opportunity employer. The Human Resource Management department has more information on UNO s compliance with federal and state regulations regarding EEOC in its Policies and Resources website: http://www.uno.edu/human- resource- management/policies.aspx