Cambridge University Press Speech Communities Marcyliena H. Morgan Frontmatter More information. Speech Communities

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Speech Communities What makes a speech community? How do they evolve? How are speech communities identified? Speech communities are central to our understanding of how language and interactions occur in societies around the world and in this book readers will find an overview of the main concepts and critical arguments surrounding how language and communication styles distinguish and identify groups. Speech communities are not organized around linguistic facts but around people who want to share their opinions and identities; the language we use constructs, represents, and embodies meaningful participation in society. This book focuses on a range of speech communities, including those that have developed from an increasingly technological world in which migration and global interactions are common. Essential reading for graduate students and researchers in linguistic anthropology, sociolinguistics, and applied linguistics. marcyliena h. morgan is Professor of African and African American Studies at Harvard University.

KEY TOPICS IN LINGUISTIC ANTHROPOLOGY Key Topics in Linguistic Anthropology focuses on the main topics of study and research in linguistic anthropology today. It consists of accessible yet challenging accounts of the most important concepts, phenomena and questions to consider when examining the relationship between language and culture. Some topics have been the subject of study for many years, and are re-examined in the light of new developments in the field; others are issues of growing importance that have not so far been given a sustained treatment. Written by leading experts, and designed to bridge the gap between textbooks and primary literature, the books in the series can either be used on courses and seminars, or as succinct one-stop guides to a particular topic for individual students and researchers. Forthcoming titles: Language Socialization by Garrett Language Endangerment by Bradley and Bradley Language as Social Action by Ahearn

Speech Communities marcyliena h. morgan

University Printing House, Cambridge CB2 8BS, United Kingdom Published in the United States of America by Cambridge University Press, New York Cambridge University Press is part of the University of Cambridge. It furthers the University s mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence. Information on this title: /9781107678149 C 2014 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2014 Printed in the United Kingdom by CPI Group Ltd, Croydon CR0 4YY A catalogue record for this publication is available from the British Library Library of Congress Cataloging in Publication data Morgan, Marcyliena H. Speech Communities / Marcyliena Morgan. pages cm. (Key topics in linguistic anthropology) Includes bibliographical references and index. ISBN 978-1-107-02350-5 (hardback) ISBN 978-1-107-67814-9 (paperback) 1. Languages in contact. 2. Speech Social aspects. 3. Communities Social aspects. 4. Intercultural communication. 5. Speech and social status. 6. Sociolinguistics. I. Title. P40.5.L38M68 2013 306.44 dc23 2013028340 ISBN 978-1-107-02350-5 Hardback ISBN 978-1-107-67814-9 Paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

Contents Acknowledgments page ix Transcription Conventions xi 1 What are speech communities? 1 1.1 Speech communities 2 1.2 Early definitions of speech community 3 1.3 Language, discourse and representation 6 1.4 Retrieving the speech community 9 1.5 Sociolinguistics and social actors 10 1.6 Language ideology 13 1.7 Conclusion 15 2 Representing speech communities 18 2.1 Imagined speech communities and contact zones 19 2.2 Language and symbols: indexing ideologies 23 2.3 Language, identity and stereotype 26 2.4 Representation, knowledge and diversity 29 2.5 Style and styling in speech communities 31 2.6 Social networking 33 2.7 Conclusion 34 3 Constructing speech communities 36 3.1 Communicative competence and contextualization cues 36 3.2 Socialization into speech communities 38 3.3 Speech events 41 3.4 Verbal genres 43 3.5 Face-to-face interactions 45 3.6 Greetings 45 3.7 Conclusion 48 4 The African American speech community 50 4.1 Contact and the African American speech community 50 4.2 Language ideology of the African American speech community 53 4.3 Social face and forms of speech 58 4.4 Indirectness 59 4.5 Conclusion 65 vii

viii 5 Youth communities: the Hiphop Nation 67 5.1 The Hiphop speech community 67 5.2 Youth lingua franca 71 5.3 The WORD: hiphop philosophy and ideology 73 5.4 Negotiating norms and values: the real hiphop speech community? 77 5.5 Conclusion 82 Contents 6 Voice and empowerment in gender and sexuality 84 6.1 Women and place 84 6.2 Language and gender in the US 87 6.3 The language of respectability: conservative and innovative 89 6.4 Discourse, narrative and verbal genres 90 6.5 Conclusion 96 7 Online speech communities 98 7.1 Identifying speech communities 98 7.2 Hand-held speech communities 100 7.3 Intentionality and social identity in cyberspace 103 7.4 Imagining and translating space and place 106 7.5 Language socialization and socializing in social networks 108 7.6 Conclusion 111 8 Language in and out of the classroom 114 8.1 Language standards 114 8.2 Language policy: power and control in speech communities 116 8.3 Multilingualism, nationalism and racism 118 8.4 Language policy and fragmented speech communities 122 8.5 Conclusion 130 9 Performance and play in speech communities 132 9.1 Performativity: between politeness and social face 133 9.2 Learning to play with irony 135 9.3 Performing identity 139 9.4 Humor and satire 141 9.5 Conclusion 145 10 Power, ideology and prejudice 148 10.1 The global speech community 148 10.2 Speech communities in conflict 150 10.3 Conclusion 156 Bibliography 158 Index 186

Acknowledgments Research on speech communities is a collaborative process involving numerous contexts and competing ideologies. Many people have influenced this book and have been generous in their discussions of their own language socialization and their interest in discourse in general. My editors at Cambridge University Press, Helena Dowson and Andrew Winnard, have been especially patient and helpful throughout this process. Students in my Urban Speech Community classes and Digital/Blacks Online Communities classes at Stanford University and Harvard University have played a special role in my understanding of the complexity of speech communities and how youth experience their identities through language and discourse as everyday life in their multicultural and complicated political and social world. I am grateful for the colleagues who have shared their insightful observations and comments over the years. They include Dionne Bennett, Nicole Hodges Perseley, Lisa Thompson, Theodore Miller, Schuyler Polk, Jenigh Garrett, Jessica Norwood, Dorinne Kondo, Jamaica Kincaid, Lorene Cary, Sumeeya Mujahid, Kris Guitierrez and Prudence Carter. I especially want to thank the anonymous reviewer for his or her thoughtful and often revealing comments, which raised important observations and arguments that helped every aspect of this book. Alvin Carter has been extremely helpful with the collection of references and wrestling with the new technology. I am indebted to Alessandro Duranti who first encouraged me to write about speech communities and helped me realize that most of my work has been about what it means to share language ideologies and the excruciating situations that can develop when they are in conflict. I owe a special gratitude to Evelyn Higginbotham, Henry Louis Gates Jr. and the faculty of African American Studies at Harvard University who encouraged me throughout this project. Dionne Bennett shared her insight and participated in many discussions about the theoretical and social aspects of speech communities and read and edited the entire manuscript. Her passion and intellect are reflected throughout this work. Special thanks go to my husband, Larry Bobo, and the amazing ix

x Acknowledgments friends, social networks and speech communities that have participated in countless conversations and shared their insight about what they think about language and discourse and the ways in which it matters in their lives. Finally, I would also like to recognize my early teachers who encouraged me to hear, observe and listen: Claudia Mitchell Kernan, Geneva Smitherman, Beryl Bailey, Grace Holt, Thomas Kochman, Gillian Sankoff, Shirley Brice Heath, Erving Goffman, Dell Hymes and William Labov. Any shortcomings that remain, of course, are my own.

Transcription Conventions CAPITAL LETTERS indicate some form of emphasis which may be signaled by changes in pitch or amplitude. BOLD CAPITAL LETTERS indicate loud-talking. Italics indicate a change in the quality of speech.. A period indicates a stopping fall in tone, not necessarily the end of a sentence., A comma indicates a continuing intonation, not necessarily between clauses of sentences. : Colons indicate that the sound just before the colon has been lengthened.? A question mark indicates a rising inflection, not necessarily a question.! An exclamation point indicates an animated tone, not necessarily an exclamation. - A single dash can indicate a (1) short untimed pause, (2) halting, abrupt cutoff, or, when multiple dashes hyphenate the syllables of a word or connect strings of words, the stream of talk so marked has (3) a stammering quality. [ All overlapping utterances, including those which start simultaneously are marked with a single left bracket. ] The point where overlap stops is marked with a single right bracket. = When there is no interval between adjacent utterances, the second being latched immediately to the first, the utterances are linked together with equal signs. They are also used to link different parts of a single speaker s utterance when those parts constitute a continuous flow of speech that has been carried over to another line to accommodate an intervening interruption. (.) A period within parenthesis indicates a one second pause. ( ) When intervals in the stream of talk occur, they are timed in tenths of a second and inserted within parentheses either within an utterance or between. (()) Double parentheses in italics provide description of quality of talk and activity related to talk. xi