Teaching with Lunsford Handbooks Update

Similar documents
Oakland Unified School District English/ Language Arts Course Syllabus

PAGE(S) WHERE TAUGHT If sub mission ins not a book, cite appropriate location(s))

Arizona s English Language Arts Standards th Grade ARIZONA DEPARTMENT OF EDUCATION HIGH ACADEMIC STANDARDS FOR STUDENTS

Grade 11 Language Arts (2 Semester Course) CURRICULUM. Course Description ENGLISH 11 (2 Semester Course) Duration: 2 Semesters Prerequisite: None

Prentice Hall Literature: Timeless Voices, Timeless Themes, Platinum 2000 Correlated to Nebraska Reading/Writing Standards (Grade 10)

Reading Grammar Section and Lesson Writing Chapter and Lesson Identify a purpose for reading W1-LO; W2- LO; W3- LO; W4- LO; W5-

Prentice Hall Literature: Timeless Voices, Timeless Themes Gold 2000 Correlated to Nebraska Reading/Writing Standards, (Grade 9)

Prentice Hall Literature Common Core Edition Grade 10, 2012

Literature and the Language Arts Experiencing Literature

2006 Mississippi Language Arts Framework-Revised Grade 12

Common Core State Standards for English Language Arts

Facing our Fears: Reading and Writing about Characters in Literary Text

CRITICAL THINKING AND WRITING: ENG 200H-D01 - Spring 2017 TR 10:45-12:15 p.m., HH 205

Mercer County Schools

Oakland Unified School District English/ Language Arts Course Syllabus

Grade 4. Common Core Adoption Process. (Unpacked Standards)

Grade 7. Prentice Hall. Literature, The Penguin Edition, Grade Oregon English/Language Arts Grade-Level Standards. Grade 7

Office: Colson 228 Office Hours: By appointment

The College Board Redesigned SAT Grade 12

Pennsylvania Common Core Standards English Language Arts Grade 11

MYP Language A Course Outline Year 3

English Policy Statement and Syllabus Fall 2017 MW 10:00 12:00 TT 12:15 1:00 F 9:00 11:00

Tap vs. Bottled Water

Dublin City Schools Broadcast Video I Graded Course of Study GRADES 9-12

Tutoring First-Year Writing Students at UNM

Achievement Level Descriptors for American Literature and Composition

5 Star Writing Persuasive Essay

Number of students enrolled in the program in Fall, 2011: 20. Faculty member completing template: Molly Dugan (Date: 1/26/2012)

Welcome to WRT 104 Writing to Inform and Explain Tues 11:00 12:15 and ONLINE Swan 305

Rubric for Scoring English 1 Unit 1, Rhetorical Analysis

Pearson Longman Keystone Book D 2013

Rottenberg, Annette. Elements of Argument: A Text and Reader, 7 th edition Boston: Bedford/St. Martin s, pages.

Pearson Longman Keystone Book F 2013

RESPONSE TO LITERATURE

JEFFERSON COLLEGE COURSE SYLLABUS BUS 261 BUSINESS COMMUNICATIONS. 3 Credit Hours. Prepared by: Cindy Rossi January 25, 2014

Approaches to Teaching Second Language Writing Brian PALTRIDGE, The University of Sydney

Welcome to the Purdue OWL. Where do I begin? General Strategies. Personalizing Proofreading

PUBLIC SCHOOLS OF EDISON TOWNSHIP DIVISION OF CURRICULUM AND INSTRUCTION LLD LANGUAGE ARTS

Ohio s New Learning Standards: K-12 World Languages

Texas A&M University-Kingsville Department of Language and Literature Summer 2017: English 1302: Rhetoric & Composition I, 3 Credit Hours

English (CRN 20027) Spring 2015 Dr. Christopher Ritter M/W 12:45-2:00, Arts & Sciences G211

correlated to the Nebraska Reading/Writing Standards Grades 9-12

5 th Grade Language Arts Curriculum Map

CEFR Overall Illustrative English Proficiency Scales

Epping Elementary School Plan for Writing Instruction Fourth Grade

ENG 111 Achievement Requirements Fall Semester 2007 MWF 10:30-11: OLSC

Student Name: OSIS#: DOB: / / School: Grade:

English Language Arts Missouri Learning Standards Grade-Level Expectations

Dickinson ISD ELAR Year at a Glance 3rd Grade- 1st Nine Weeks

Mini Lesson Ideas for Expository Writing

EQuIP Review Feedback

Guide to Teaching Computer Science

Teaching Literacy Through Videos

Grade 6: Module 2A Unit 2: Overview

Ruggiero, V. R. (2015). The art of thinking: A guide to critical and creative thought (11th ed.). New York, NY: Longman.

TABE 9&10. Revised 8/2013- with reference to College and Career Readiness Standards

Writing for the AP U.S. History Exam

Nancy Hennessy M.Ed. 1

TEACHING SECOND LANGUAGE COMPOSITION LING 5331 (3 credits) Course Syllabus

English 2, Grade 10 Regular, Honors Curriculum Map

Teachers Guide Chair Study

TRAITS OF GOOD WRITING

Master Syllabus ENGL 1020 English Composition II

KIS MYP Humanities Research Journal

Bergen Community College Division of English Department Of Composition and Literature. Course Syllabus. WRT 206: Memoir and Creative Nonfiction

Reading Project. Happy reading and have an excellent summer!

Highlighting and Annotation Tips Foundation Lesson

English IV Version: Beta

ENGLISH LANGUAGE ARTS - WRITING THIRD GRADE FIFTH GRADE

Big Fish. Big Fish The Book. Big Fish. The Shooting Script. The Movie

Section I: The Nature of Inquiry

Challenging Texts: Foundational Skills: Comprehension: Vocabulary: Writing: Disciplinary Literacy:

MANAGERIAL LEADERSHIP

MBA 5652, Research Methods Course Syllabus. Course Description. Course Material(s) Course Learning Outcomes. Credits.

IMPROVING STUDENTS SPEAKING SKILL THROUGH

South Carolina English Language Arts

MURRAY STATE UNIVERSITY DEPARTMENT: NUTRITION, DIETETICS, AND FOOD MANAGEMENT COURSE PREFIX: NTN COURSE NUMBER: 230 CREDIT HOURS: 3

Language Arts: ( ) Instructional Syllabus. Teachers: T. Beard address

Exemplar Grade 9 Reading Test Questions

Grade 5: Module 3A: Overview

Odyssey Writer Online Writing Tool for Students

5. UPPER INTERMEDIATE

THE UNIVERSITY OF WINNIPEG

Introducing the New Iowa Assessments Language Arts Levels 15 17/18

Sample Syllabi and Assignments

Common Core Curriculum- Draft

Writing the Personal Statement

Multi-genre Writing Assignment

BUS 4040, Communication Skills for Leaders Course Syllabus. Course Description. Course Textbook. Course Learning Outcomes. Credits. Academic Integrity

MBA6941, Managing Project Teams Course Syllabus. Course Description. Prerequisites. Course Textbook. Course Learning Objectives.

This Performance Standards include four major components. They are

Grade 7 English Language Arts

English 491: Methods of Teaching English in Secondary School. Identify when this occurs in the program: Senior Year (capstone course), week 11

Summer Assignment AP Literature and Composition Mrs. Schwartz

Adolescence and Young Adulthood / English Language Arts. Component 1: Content Knowledge SAMPLE ITEMS AND SCORING RUBRICS

PAGE(S) WHERE TAUGHT (If submission is not a text, cite appropriate resource(s)) MINNESOTA ACADEMIC STANDARDS FOR LANGUAGE ARTS GRADES 9 12

Degree Qualification Profiles Intellectual Skills

Livermore Valley Joint Unified School District. B or better in Algebra I, or consent of instructor

THE INFLUENCE OF COOPERATIVE WRITING TECHNIQUE TO TEACH WRITING SKILL VIEWED FROM STUDENTS CREATIVITY

Honors 7 th Grade Language Arts Curriculum

Transcription:

Teaching with Lunsford Handbooks 2013 Update

Teaching with Lunsford Handbooks 2013 Update Andrea A. Lunsford Stanford University Alyssa O Brien Stanford University Lisa Dresdner Norwalk Community College Bedford / St. Martin s Boston New York

Copyright 2013 (update), 2012 by Bedford/St. Martin s All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except as may be expressly permitted by the applicable copyright statutes or in writing by the Publisher. Manufactured in the United States of America. 7 6 5 4 3 2 f e d c b a For information, write: Bedford/St. Martin s, 75 Arlington Street, Boston, MA 02116 (617-399 - 4000) ISBN: 978-1 - 4576-1268 - 8

Introduction to Teaching with Lunsford Handbooks Welcome to the 2013 update of Teaching with Lunsford Handbooks, a manual that will help both first - time teachers and classroom veterans get the most out of any Lunsford handbook. This book offers a treasure trove of resources, developed and classroom - tested with the help of numerous master - teachers, and is applicable to any of the handbooks in the Lunsford family. In approaching the question of audience for this manual, our first thought was of everyday classroom needs teaching suggestions, collaborative activities for student writers, and so on. As we began our work, however, we came upon materials and ideas that expanded our original horizons, providing not only the what to teach but, more important, the how and the why. Our experience mirrors the history of composition scholarship. In the past thirty years, the what has changed from a product - oriented approach to a process approach, and now this in turn has become what some refer to as a post - process approach. Our teaching today focuses on the material conditions for student writing (and our teaching of it); on the social nature of writing and reading; on an enriched sense of rhetorical situations and the key writing occasions they entail; on changes in the nature, status, and scope of writing; on recently emerging genres of writing; and on the impact of technologies and social media on writing. Accompanying this shift in what we focus on have been increasingly sophisticated pedagogy and research the how and greater justification the why. In our experience, the what cannot be separated from the how and the why. This book, therefore, contains materials that respond not only to everyday classroom needs but also to broad pedagogical concerns: how to structure a course and design assignments; sample syllabi for each Lunsford handbook; teaching advice that spans all of a writing class s major topics; activities that reinforce essential reading, writing, and research skills; and more. Features Part 1: Your Course The first part of Teaching with Lunsford Handbooks features comprehensive advice for developing your course: Introduction to Teaching with Lunsford Handbooks v

designing a course constructing a syllabus giving students feedback creating effective assignments responding to student writing using a handbook in the classroom In addition, this part provides three sample syllabi one for each handbook and two sample assignments, along with an assignment template for developing your own. Part 2: Your Teaching The second part of Teaching with Lunsford Handbooks provides classroom - ready materials covering these essential topics: the Top Twenty, rhetorical situations, thesis statements, paragraphs, language, argument, research, peer review and revision, multimodality, writing in the disciplines, writing for the public, and help for multilingual writers. These resources, classroom - tested and developed over the years by composition specialists, fall into two major categories: Teaching Advice offers wide - ranging suggestions for how to approach key topics, from useful background information to ways to engage students attention. Activities offer concrete suggestions for classroom and small - group work that will help students master important skills. At the end of every section, Teaching with Lunsford Handbooks provides a cross - reference chart that points you to all of the relevant chapters in each of the Lunsford handbooks. For electronic versions of this book s resources, please visit LunsfordHandbooks.com. For even more resources, please visit the instructor side of the companion Web site for the handbook you are using: The St. Martin s Handbook: bedfordstmartins.com/smhandbook The Everyday Writer: bedfordstmartins.com/everydaywriter EasyWriter: bedfordstmartins.com/easywriter We would like to thank all the instructors to whom this book is addressed. Everything in this manual was written for you but in fact much of it, perhaps most, has been inspired by you. We hope that you will find fresh insights and practical suggestions on every page, and that Teaching with Lunsford Handbooks will free your time and empower you to create the best writing class possible. Andrea A. Lunsford Alyssa O Brien Lisa Dresdner vi Introduction to Teaching with Lunsford Handbooks

Introduction to Teaching with Lunsford Handbooks v Part 1 Your Course 1 1a Planning the Course 3 Your Writing Course and Your Approach 3 Student Preparedness and Experience 4 Student Schedules and Priorities 4 Student Goals and Majors 4 Using the Handbook 5 Organizing the Course Design 5 Course Outcomes 6 Type and Number of Major Assignments 6 Assignment Scaffolding 6 Assignment Sequencing 7 Feedback and Assessment 7 Low - Stakes Writing 8 Rubrics and Grids 8 Reflection 10 Figuring Out a Realistic Time Frame 10 The First Day and Beyond 10 Constructing a Syllabus 12 1b Designing Effective Assignments 15 Aligning Course Learning Outcomes with Assignment Objectives 16 How to Create Effective Writing Prompts 16 Examples of Some Problematic Prompts 17 Making Assignments Plagiarism - Resistant 18 Creating Steps or Sequencing Your Assignments and Providing Scaffolding 18 1c Sample Assignments 21 Assignment 1: Letter 21 Assignment 2: Argumentative Essay 24 Assignment Template 27 vii

1d Sample Syllabi 29 Syllabus 1: The St. Martin s Handbook 29 Syllabus 2: The Everyday Writer 32 Syllabus 3: EasyWriter 40 1e Responding to Student Writing 43 Know Your Purposes in Responding 43 Types of Comments 44 Know Your Role as a Responder 45 Understand the Student s Perspective 46 The Realities of the Paper Load 47 Utilize Other Types of Feedback 48 Rubrics 48 Individual Conferences 48 Peer Review 49 Student Reflection 49 1f Using a Handbook 51 Orienting Students to a Handbook 52 Teaching Students to Use a Handbook as a Writing Guide 54 Encouraging Students to Use the Handbook beyond First - Year Composition 59 2a Part 2 Your Teaching 61 The Top Twenty: A Quick Guide to Troubleshooting Your Writing 63 Overview 63 Teaching Advice: Taking a Writing Inventory 64 Teaching Advice: Looking for Strengths in Student Writing 65 Teaching Advice: Learning from Your Errors 65 Teaching Advice: The Top Twenty 66 Activity: The Top Twenty 67 2b Rhetorical Situations 69 Overview 69 Teaching Advice: Understanding Rhetorical Situations 69 Teaching Advice: Understanding Academic Assignments 69 Choices about Topics 70 Rhetorical Stance 70 Activity: Thinking about Topics 70 Activity: Purposes for Academic Writing 70 Teaching Advice: Prewriting 71 Teaching Advice: Considering Audiences 71 viii

Activity: Audiences for Formal and Academic Writing 72 Activity: Specific Audiences and Peer Response 72 Teaching Advice: Analyze Your Position as a Writer or Speaker 72 Activity: Analyze Your Position as a Writer or Speaker 73 Activity: Tone and Style 1 73 Activity: Tone and Style 2 73 Resources 74 2c Thesis 75 Overview 75 Teaching Advice: Exploring a Topic 75 Brainstorming 76 Freewriting and Looping 76 Clustering 76 Activity: Drafting a Working Thesis 76 Teaching Advice: Gathering Information 77 Activity: Gathering Information 77 Activity: Organizing Verbal and Visual Information 77 Teaching Advice: Planning 78 Teaching Advice: Drafting 78 Resources 79 2d Paragraphs 81 Overview 81 Teaching Advice: Creating Strong Paragraphs 81 Activity: Creating Strong Paragraphs 81 Teaching Advice: Writing Unified Paragraphs 82 Activity: Writing Unified Paragraphs 1 82 Activity: Writing Unified Paragraphs 2 82 Teaching Advice: Developing Paragraphs 83 Determining Paragraph Length 83 Activity: Developing Paragraphs 1 83 Activity: Developing Paragraphs 2 84 Teaching Advice: Making Paragraphs Coherent 84 Repetition for Coherent Paragraphs 84 Repetition and Parallel Structure 85 Transitional Devices 85 Activity: Making Paragraphs Coherent 1 Transitional Devices 85 Activity: Making Paragraphs Coherent 2 Organization 86 Teaching Advice: Linking Paragraphs Together 86 Teaching Advice: Writing Special - Purpose Paragraphs 86 Activity: Writing Special - Purpose Paragraphs Conclusions 87 Resources 87 ix

2e Language 89 Writing to the World: Overview 89 Teaching Advice: On Thinking about What Seems Normal 89 Activity: Thinking about What Seems Normal 90 Activity: Meeting Audience Expectations 90 Activity: Expectations about Persuasive Evidence 1 90 Activity: Expectations about Persuasive Evidence 2 91 Language That Builds Common Ground: Overview 91 Teaching Activity: On Common Ground and Educational Opportunity 91 Activity: Avoiding Stereotypes and Generalizations 1 92 Activity: Avoiding Stereotypes and Generalizations 2 92 Activity: Avoiding Assumptions about Gender 93 Teaching Advice: Avoiding Assumptions about Race and Ethnicity 93 Activity: Avoiding Assumptions about Race and Ethnicity 93 Activity: Avoiding Language That Stereotypes 93 Activity: Thinking Critically about How Language Can Build Common Ground 94 Word Choice: Overview 94 Activity: Choosing Appropriate Words for the Context 94 Activity: Thinking Critically about Word Choice 95 Activity: Checking Spelling and Commonly Misspelled Words 95 Activity: Spell Checkers and Homonyms 95 Activity: Understanding the Glossary of Usage 95 Resources 96 2f Argument 97 Critical Reading: Overview 97 Teaching Advice: Critical Reading 97 Activity: Previewing a Text 98 Activity: Reading and Annotating a Text 98 Activity: Analyzing a Text 99 Analyzing Arguments: Overview 99 Activity: Thinking Critically about Argument 99 Activity: Considering Cultural Contexts 100 Activity: Reading Emotional, Ethical, and Logical Appeals 1 100 Activity: Reading Emotional, Ethical, and Logical Appeals 2 100 Activity: Identifying Elements of an Argument 101 Teaching Advice: Identifying Fallacies 101 Activity: Identifying Fallacies 1 101 Activity: Identifying Fallacies 2 101 x

Activity: Analyzing Arguments 101 Constructing Arguments: Overview 102 Activity: Formulating a Working Thesis 102 Activity: Shape Your Appeal to Your Audience 103 Teaching Advice: Making Ethical Appeals 103 Fairness toward Counterarguments 103 Activity: Making Ethical Appeals Common Ground 103 Teaching Advice: Making Logical Appeals 104 Examples, Precedents, and Narratives 104 Authority and Testimony 104 Causes and Effects 104 Inductive and Deductive Reasoning 105 Activity: Making Emotional Appeals Visuals 105 Activity: Using Sources in an Argument 105 Activity: Organizing an Argument 106 Resources 107 2g Research 109 Preparing for a Research Project: Overview 109 Teaching Advice: Considering the Research Process 109 Activity: Considering the Research Process 110 Teaching Advice: Analyzing the Assignment 110 Teaching Advice: Narrowing a Topic 110 Activity: Narrowing a Topic 111 Activity: Moving from Research Question to Hypothesis 111 Teaching Advice: Making a Preliminary Research Plan 111 Teaching Advice: Keeping a Research Log 112 Teaching Advice: Moving from Hypothesis to Working Thesis 112 Conducting Research: Overview 113 Teaching Advice: Differentiating Kinds of Sources 113 Activity: Differentiating Kinds of Sources 114 Teaching Advice: Using the Library to Get Started 114 Teaching Advice: Finding Library Resources 114 Activity: Finding Library Resources 115 Teaching Advice: Conducting Internet Research 115 Teaching Advice: Conducting Field Research 116 Observation 116 Activity: Conducting Field Research 1 Interviews 116 Activity: Conducting Field Research 2 Surveys 116 Evaluating Sources and Taking Notes: Overview 117 Teaching Advice: Using Sources to Meet a Need 117 Activity: Using Sources to Meet a Need 117 xi

Teaching Advice: Keeping a Working Bibliography 118 Teaching Advice: Evaluating Usefulness and Credibility 118 Activity: Reading and Interpreting Sources 119 Activity: Synthesizing Sources 121 Teaching Advice: Taking Notes and Annotating Sources 121 Electronic Note - Taking 122 Quotations 122 Paraphrases 122 Activity: Taking Notes and Annotating Sources 1 Paraphrase 123 Activity: Taking Notes and Annotating Sources 2 Summary 123 Integrating Sources into Your Writing: Overview 123 Activity: Deciding Whether to Quote, Paraphrase, or Summarize 124 Teaching Advice: Working with Quotations 124 Teaching Advice: Summarizing 125 Activity: Working with Quotations, Paraphrases, and Summaries 125 Teaching Advice: Checking for Excessive Use of Source Material 125 Activity: Integrating Sources 125 Acknowledging Sources and Avoiding Plagiarism: Overview 126 Teaching Advice: Understanding Reasons to Acknowledge Sources 127 Activity: Knowing Which Sources to Acknowledge 127 Teaching Advice: Maintaining Academic Integrity and Avoiding Plagiarism 127 Activity: Considering Your Intellectual Property 128 Writing a Research Project: Overview 129 Teaching Advice: Refining Your Plans 129 Activity: Working on a Thesis Statement 130 Teaching Advice: Organizing Information 130 Outlining 130 Activity: Organizing Information 131 Activity: Outlining 131 Teaching Advice: Drafting 131 Activity: Introductions and Conclusions 132 Resources 133 2h Peer Review and Revision 135 Reviewing and Revising: Overview 135 Teaching Advice: Rereading Your Draft 135 Activity: Rereading Your Draft 136 xii

Teaching Advice: Reviewing Peer Writers 136 Activity: Reviewing Peer Writers 1 137 Activity: Reviewing Peer Writers 2 137 Teaching Advice: Learning from Instructor Comments 138 Purpose 138 Paragraph Structure 139 Documentation 139 For MLA Citation 139 Activity: Revising with Peer and Instructor Comments 1 140 Activity: Revising with Peer and Instructor Comments 2 140 Activity: Revising with Peer and Instructor Comments 3 140 Teaching Advice: Revising Thesis and Support 140 Activity: Rethinking Organization 1 141 Activity: Rethinking Organization 2 141 Activity: Revising Titles 1 141 Activity: Revising Titles 2 142 Activity: Revising Introductions 142 Activity: Revising Conclusions 142 Teaching Advice: Revising Paragraphs, Sentences, Words, and Tone 143 Revising Words 143 Revising Tone 143 Activity: Revising Paragraphs 1 144 Activity: Revising Paragraphs 2 144 Activity: Revising Paragraphs 3 144 Activity: Revising Sentences 145 Editing and Reflecting: Overview 145 Activity: Editing 145 Activity: Sentence Openings 145 Teaching Advice: Sentence Length 145 Activity: Opening with It and There 146 Teaching Advice: Proofreading the Final Draft 146 Teaching Advice: A Student s Revised Draft 146 Teaching Advice: Portfolios 146 Activity: Portfolios 148 Teaching Advice: Reflective Statements 148 Resources 149 2i Multimodality 151 Thinking about Visuals and Media: Overview 151 Teaching Advice: Visuals, Media, and Design 151 Teaching Advice: Thinking Critically about Visuals 151 xiii

Teaching Advice: Working with Visuals 152 Teaching Advice: Analyzing Visual Arguments 152 Activity: Analyzing Visual Arguments 152 Teaching Advice: Thinking about Genre 153 Design for Writing: Overview 153 Teaching Advice: Questions about Design 154 Teaching Advice: Document Design 154 Teaching Advice: Planning a Visual Structure 154 Activity: Formatting 155 Teaching Advice: Planning Visuals 155 Activity: Planning Visuals 156 Online Texts: Overview 156 Teaching Advice: Planning an Online Text 157 Activity: Planning an Online Text 157 Teaching Advice: Considering Types of Online Texts 157 Activity: Considering Types of Online Texts 158 Teaching Advice: Examining Features of Online Texts 158 Activity: Examining Features of Online Texts 158 Activity: Thinking Critically about Argument in Online Texts 158 Teaching Advice: Putting Your Text Together 159 Teaching Advice: Formal and Informal Electronic Communications 159 Teaching Advice: Composing Academic and Professional Messages 160 Teaching Advice: Writing for Less Formal Situations 161 Activity: Writing for Less Formal Situations 161 Oral and Multimedia Presentations: Overview 161 Teaching Advice: Considering Assignment, Purpose, and Audience for Presentations 162 Activity: Composing for Oral Presentations 1 162 Activity: Composing for Oral Presentations 2 163 Teaching Advice: Practicing Presentations 163 Activity: Practicing Presentations 163 Activity: Evaluating Presentations 164 Resources 164 2j Writing in the Disciplines 167 Writing in Any Discipline: Overview 167 Activity: Academic Work in Any Discipline 167 Activity: Understanding Academic Assignments 167 Activity: Learning Specialized Vocabulary 168 xiv

Activity: Following Disciplinary Style 168 Activity: Using Appropriate Evidence 168 Writing for the Humanities: Overview 169 Teaching Advice: Writing Texts in the Humanities 169 Activity: Writing Texts in the Humanities 1 169 Activity: Writing Texts in the Humanities 2 169 Writing for the Social Sciences: Overview 169 Teaching Advice: Reading Texts in the Social Sciences 170 Teaching Advice: Writing Texts in the Social Sciences 170 Activity: Writing Texts in the Social Sciences 1 170 Activity: Writing Texts in the Social Sciences 2 171 Writing for the Natural and Applied Sciences: Overview 171 Teaching Advice: Reading Texts in the Natural and Applied Sciences 171 Activity: Reading Texts in the Natural and Applied Sciences 171 Activity: Writing Texts in the Natural and Applied Sciences 172 Writing for Business: Overview 172 Teaching Advice: Reading Texts for Business 172 Activity: Reading Texts for Business 173 Activity: Writing Texts for Business 173 Activity: Writing Memos 173 Activity: Writing Résumés 173 Resources 174 2k Writing for the Public 175 Overview 175 Activity: Identifying Your Audience 175 Activity: Connecting with Your Audience 175 Resources 176 2l Helping Multilingual Writers 177 Writing in U.S. Academic Contexts: Overview 177 Teaching Advice: Meeting Expectations for U.S. Academic Writing 177 Activity: Understanding Genre Conventions 178 Teaching Advice: Adapting Structures and Phrases from a Genre 178 Teaching Advice: Strategies for Learning from Search Engines 178 Activity: Strategies for Learning from Search Engines 179 Clauses and Sentences 179 Activity: Clauses and Sentences 1 179 Activity: Clauses and Sentences 2 180 xv

Nouns and Noun Phrases: Overview 180 Activity: Using Count and Noncount Nouns 181 Activity: Using Articles 181 Activity: Using Nouns in Specific Languages 181 Verbs and Verb Phrases: Overview 181 Activity: Verbs and Verb Phrases 182 Prepositions and Prepositional Phrases: Overview 182 Activity: Using Prepositions Idiomatically 182 Resources 183 xvi