TEKS Cluster: Literary Nonfiction

Similar documents
Arizona s English Language Arts Standards th Grade ARIZONA DEPARTMENT OF EDUCATION HIGH ACADEMIC STANDARDS FOR STUDENTS

Fourth Grade Integrated Language Arts and Social Studies AHISD Curriculum: First Nine Weeks

The College Board Redesigned SAT Grade 12

Oakland Unified School District English/ Language Arts Course Syllabus

PAGE(S) WHERE TAUGHT If sub mission ins not a book, cite appropriate location(s))

DRAFT. Reading Question

DRA Correlated to Connecticut English Language Arts Curriculum Standards Grade-Level Expectations Grade 4

Grade 4. Common Core Adoption Process. (Unpacked Standards)

Pennsylvania Common Core Standards English Language Arts Grade 11

MOTION PICTURE ANALYSIS FIRST READING (VIEWING)

Student Name: OSIS#: DOB: / / School: Grade:

1/25/2012. Common Core Georgia Performance Standards Grade 4 English Language Arts. Andria Bunner Sallie Mills ELA Program Specialists

2006 Mississippi Language Arts Framework-Revised Grade 12

Reading Grammar Section and Lesson Writing Chapter and Lesson Identify a purpose for reading W1-LO; W2- LO; W3- LO; W4- LO; W5-

Mercer County Schools

English Language Arts Missouri Learning Standards Grade-Level Expectations

Dickinson ISD ELAR Year at a Glance 3rd Grade- 1st Nine Weeks

The Effect of Close Reading on Reading Comprehension. Scores of Fifth Grade Students with Specific Learning Disabilities.

A Correlation of. Grade 6, Arizona s College and Career Ready Standards English Language Arts and Literacy

Program Matrix - Reading English 6-12 (DOE Code 398) University of Florida. Reading

Rendezvous with Comet Halley Next Generation of Science Standards

Night by Elie Wiesel. Standards Link:

CEFR Overall Illustrative English Proficiency Scales

Pearson Longman Keystone Book F 2013

MYP Language A Course Outline Year 3

EQuIP Review Feedback

Common Core Exemplar for English Language Arts and Social Studies: GRADE 1

Highlighting and Annotation Tips Foundation Lesson

Loveland Schools Literacy Framework K-6

Prentice Hall Literature: Timeless Voices, Timeless Themes, Platinum 2000 Correlated to Nebraska Reading/Writing Standards (Grade 10)

ENGLISH. Progression Chart YEAR 8

A Pumpkin Grows. Written by Linda D. Bullock and illustrated by Debby Fisher

Kindergarten Lessons for Unit 7: On The Move Me on the Map By Joan Sweeney

1. READING ENGAGEMENT 2. ORAL READING FLUENCY

Ohio s New Learning Standards: K-12 World Languages

Missouri GLE THIRD GRADE. Grade Level Expectations and Glossary

Pearson Longman Keystone Book D 2013

Rubric for Scoring English 1 Unit 1, Rhetorical Analysis

Test Blueprint. Grade 3 Reading English Standards of Learning

Prentice Hall Literature: Timeless Voices, Timeless Themes Gold 2000 Correlated to Nebraska Reading/Writing Standards, (Grade 9)

PUBLIC SCHOOLS OF EDISON TOWNSHIP DIVISION OF CURRICULUM AND INSTRUCTION LLD LANGUAGE ARTS

Implementing the English Language Arts Common Core State Standards

Greeley/Evans School District 6

TASK 1: PLANNING FOR INSTRUCTION AND ASSESSMENT

Language Arts: ( ) Instructional Syllabus. Teachers: T. Beard address

Let's Learn English Lesson Plan

LTHS Summer Reading Study Packet

Prentice Hall Literature Common Core Edition Grade 10, 2012

Grade 5: Module 3A: Overview

LITERACY-6 ESSENTIAL UNIT 1 (E01)

Grade 5: Curriculum Map

Fountas-Pinnell Level M Realistic Fiction

Grade 7. Prentice Hall. Literature, The Penguin Edition, Grade Oregon English/Language Arts Grade-Level Standards. Grade 7

Holt McDougal Literature, Grade 11. Write Source, Grade 11

KENTUCKY COGNIT IVE LIT ERACY MODEL UNIT PLANNING TEMPLATE

English Language Arts Scoring Guide for Sample Test 2005

ELA/ELD Standards Correlation Matrix for ELD Materials Grade 1 Reading

Facing our Fears: Reading and Writing about Characters in Literary Text

5 th Grade Language Arts Curriculum Map

Grade 6 Intensive Language Arts - Collection 1 Facing Fear

Common Core State Standards for English Language Arts

Strands & Standards Reference Guide for World Languages

Introducing the New Iowa Assessments Reading Levels 12 14

Secondary English-Language Arts

Grade 11 Language Arts (2 Semester Course) CURRICULUM. Course Description ENGLISH 11 (2 Semester Course) Duration: 2 Semesters Prerequisite: None

English IV Version: Beta

Summarizing A Nonfiction

EDGE C: INTENSIVE READING INSTRUCTIONAL FOCUS CALENDAR DISTRICT CURRICULUM GUIDE

Candidates must achieve a grade of at least C2 level in each examination in order to achieve the overall qualification at C2 Level.

Textbook Chapter Analysis this is an ungraded assignment, however a reflection of the task is part of your journal

CLASSIFICATION OF PROGRAM Critical Elements Analysis 1. High Priority Items Phonemic Awareness Instruction

TRAITS OF GOOD WRITING

21st Century Community Learning Center

Lecturing Module

Table of Contents. Introduction Choral Reading How to Use This Book...5. Cloze Activities Correlation to TESOL Standards...

CDE: 1st Grade Reading, Writing, and Communicating Page 2 of 27

Instruction: The Differences That Make A Difference. Mario Campanaro

THE EFFECTS OF TEACHING THE 7 KEYS OF COMPREHENSION ON COMPREHENSION DEBRA HENGGELER. Submitted to. The Educational Leadership Faculty

PUBLIC SCHOOLS OF EDISON TOWNSHIP DIVISION OF CURRICULUM AND INSTRUCTION. English as a Second Language Level 1 (Entering) and Level 2 (Beginning)

Grade 2 Unit 2 Working Together

Achievement Level Descriptors for American Literature and Composition

Loughton School s curriculum evening. 28 th February 2017

TABE 9&10. Revised 8/2013- with reference to College and Career Readiness Standards

Florida Reading for College Success

Literature and the Language Arts Experiencing Literature

1. READING ENGAGEMENT 2. ORAL READING FLUENCY

Georgia Department of Education Dr. John D. Barge, State School Superintendent May 3, 2012 * Page 1 All Rights Reserved

Honors 7 th Grade Language Arts Curriculum

Fisk Street Primary School

English as a Second Language Unpacked Content

Grade 6: Module 2A: Unit 2: Lesson 8 Mid-Unit 3 Assessment: Analyzing Structure and Theme in Stanza 4 of If

ENGLISH LANGUAGE ARTS - WRITING THIRD GRADE FIFTH GRADE

Teaching Literacy Through Videos

California Department of Education English Language Development Standards for Grade 8

Language Acquisition Chart

South Carolina English Language Arts

Quarter 1: 7th Grade English Roadmap

Kings Local. School District s. Literacy Framework

AP PSYCHOLOGY VACATION WORK PACKET UNIT 7A: MEMORY

Fountas-Pinnell Level P Informational Text

Transcription:

6.7 Literary Nonfiction. Students understand, make inferences and draw conclusions about the varied structural patterns and features of literary nonfiction and provide evidence from text to support their understanding. 6.3 Theme and Genre. Students analyze, make inferences and draw conclusions about theme and genre in different cultural, historical, and contemporary contexts and provide evidence from the text to support their understanding. 6.8 Sensory Language. Students understand, make inferences and draw conclusions about how an author s sensory language creates imagery in literary text and provide evidence from text to support their understanding. Tools to Know Process Connected Knowledge and Skills 6.13 6.2(B) 6.1(A) Fig.19(A) Fig.19(B) Fig.19(C) use context (e.g., cause and effect or compare and contrast organizational text structures) to determine or clarify the meaning of unfamiliar or multiple meaning words adjust fluency when reading aloud grade-level text based on the reading purpose and the nature of the text establish purposes for reading selected texts based upon own or others desired outcome to enhance comprehension ask literal, interpretive, evaluative, and universal questions of text monitor and adjust comprehension (e.g., using background knowledge; creating sensory images; rereading a portion aloud; generating questions) Tools to Know Comprehension Fig.19(F) make connections (e.g., thematic links, author analysis) between and across multiple texts of various genres and provide textual evidence 6.7 Fig.19(D) make inferences about text and use textual evidence to support understanding 6.7 Fig.19(E) summarize, paraphrase, and synthesize texts in ways that maintain meaning and logical order within a text and across texts Ways to Show 6.3(C) compare and contrast the historical and cultural settings of two literary works Author s Craft 6.8(A) 6.3(B) 6.7(A) explain how authors create meaning through stylistic elements and figurative language emphasizing the use of personification, hyperbole, and refrains analyze the function of stylistic elements (e.g., magic helper, rule of three) in traditional and classical literature from various cultures identify the literary language and devices used in memoirs and personal narratives and compare their characteristics with those of an autobiography 25

Tools to Know Process 6.2(B) 6.1(A) use context (e.g., cause and effect or compare and contrast organizational text structures) to determine or clarify the meaning of unfamiliar or multiple meaning words (R) adjust fluency when reading aloud grade-level text based on the reading purpose and the nature of the text (NT) Fig.19(A) establish purposes for reading selected texts based upon own or others desired outcome to enhance comprehension (NT) Fig.19(B) ask literal, interpretive, evaluative, and universal questions of text (NT) Fig.19(C) monitor and adjust comprehension (e.g., using background knowledge; creating sensory images; rereading a portion aloud; generating questions) (NT) context evaluative fluency interpretive literal sensory images The process standards are metacognitive comprehension strategies that provide the reader tools for accessing and understanding meaning of text. Each strategy is an in-head action you cannot see and is unique to the reader. As complexity of the text increases, reader demands increase. Therefore, it is important that readers understand the role of each strategy and know how and when to apply and adjust. This is the first step in understanding what is read and must be practiced with every reading experience. When you teach comprehension strategies, remember to: Focus students cognitive energy on meaning, not just the sounding-out of words. Automaticity in reading is practiced and applied. Model and explore relationships between words and phrases to increase vocabulary and support comprehension of text. Provide students with ongoing opportunities to select their own texts and set their own purposes for reading. Provide explicit purpose when assigning reading; knowing a purpose for reading allows the reader to focus on what is important. Provide flexibility for readers to ask questions that are relevant to the individual reader to support and create deeper meaning. Model and explicitly apply comprehension strategies using background schema, creating images, and re-reading to clarify, monitor, and validate understanding. Focusing on rate of reading without comprehension Looking at the explicit clues and missing the critical, implicit clues in the larger chunks of the reading Looking within the sentence for clues and missing the clues in larger chunks of the reading Missing the explicit purpose for reading Forgetting to use the comprehension strategies to clarify, monitor, and validate understanding Not rereading when information/ideas are unclear 26

Tools to Know Comprehension Fig.19(F) make connections (e.g., thematic links, author analysis) between and across multiple texts of various genres, and provide textual evidence (R) 6.7 Fig.19(D) make inferences about text and use textual evidence to support understanding (S) 6.7 Fig.19(E) summarize, paraphrase, and synthesize texts in ways that maintain meaning and logical order within a text and across texts (S) connections inference logical order summarize textual evidence The comprehension standards are metacognitive strategies that provide the foundational processes for reading with meaning. These strategies are learned in the early school years and are overtly continued as the complexity of text increases. The comprehension and process strategies provide readers a way to read between the lines, draw conclusions, make predictions, synthesize information, filter what is most and least important, and move beyond literal recall. As readers practice and engage in discussion, their responses and understanding become more logical. This is the second step in understanding what is read and requires practice with every reading experience. When you teach comprehension strategies, remember to: Model and explicitly connect prior knowledge and information from text to draw a conclusion, make a connection, and make a prediction (logical guess). Ask questions that encourage reading between the lines as a way to make unique interpretations. Model summarizing to clarify comprehension during and after reading and to ensure a deep understanding of what is read. Allow opportunities for students to use their own words in their own way to tell what the text said and what it means. Model and explicitly make connections between text and self, text and text, and text and world to support connections. Build background knowledge and increase vocabulary by providing a wide range of reading and student discourse. Confusing details for inferences Not recognizing that multiple inferences can be made using the same details Relying heavily on schema without textual evidence Not understanding that a summary is the most important ideas/information/meanings, etc. Thinking a summary only includes details/events from the beginning, middle, and end of the text Only using details and not using higher level thinking to make more abstract connections 27

Ways to Show 6.3(C) compare and contrast the historical and cultural settings of two literary works (S) setting The Ways to Show standards serve as the big idea and/or important information in a text. If the reader applies the metacognitive comprehension strategies (Tools to Know standards) effectively, their understanding will reveal the big idea and/or information as specifically noted in the standards themselves. The Ways to Show standards may also represent the elements specific to the text or genre. Readers require extensive opportunities to read, apply the comprehension strategies, and experience the Ways to Show standards to increase reading abilities. This requirement continues throughout the reader s education as the texts become more complex. Readers need experiences in their independent and instructional reading levels. When you teach this cluster, remember to: Be sure students have the historical and cultural information needed before trying to connect their effect on setting. Choose texts from a variety of historical and cultural settings to build schema. Lacking the historical and/or cultural background knowledge specific to the text Not knowing that cultural setting refers to conditions related to economics, region, and ethnic backgrounds Not knowing that historical setting refers to circumstances and social conditions 28

Author s Craft 6.8(A) 6.3(B) 6.7(A) explain how authors create meaning through stylistic elements and figurative language emphasizing the use of personification, hyperbole, and refrains (R) analyze the function of stylistic elements (e.g., magic helper, rule of three) in traditional and classical literature from various cultures (S) identify the literary language and devices used in memoirs and personal narratives and compare their characteristics with those of an autobiography (S) autobiography figurative language hyperbole memoirs personal narrative personification The Author s Craft standards serve as the analysis of what authors do, why they do it, and how they do it. These standards require readers to examine the text closely after understanding what is read. This analysis may require a second reading or a revisiting of the text for the purposes of analyzing an author s actions. Students rely heavily on what other authors do to learn and enhance their own writing. When you teach this cluster, remember to: Expose students to a variety of memoirs and personal narratives written in different styles to see how stylistic elements and figurative language create meaning. Provide students opportunities to engage in visualization and draw on their own experiences before the evaluation of the impact of sensory details, imagery, and figurative language. Allow students to experiment with word choice and figurative language in their own writing to understand and develop style. Not recognizing that words and phrases have literal and non-literal meanings Over-analyzing an author s use of language instead of experiencing it first 29