On-Screen Font in Telugu

Transcription

1 On-Screen Font in Telugu

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3 1

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6 Sri Muthyalu - On Screen Font in Telugu 1

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8 To explore the methods and processes involved in designing an onscreen font 2

9 Aim: To explore the methods and processes involved in designing an onscreen font 2

10 Evolution of Telugu Characters 3

11 Evolution of Telugu Characters Brahmi Lipi 3

12 Evolution of Telugu Characters Brahmi Lipi Northern Script Southern Script 4

13 Evolution of Telugu Characters Brahmi Lipi Northern Script Southern Script Dravidian Languages 5

14 Evolution of Telugu Characters Brahmi Lipi Northern Script Southern Script Dravidian Languages Central Group Southern Group Northern Group 6

15 Evolution of Telugu Characters Brahmi Lipi Northern Script Southern Script Dravidian Languages Central Group Southern Group Northern Group Gondi Konda Kui Manda Parji Gadaba Kolami Pengo Naiki Kuvi Telugu Tulu Kannada Kodagu Toda Kota Malayalam Tamil Brahui Malto Kudukh 7

16 Evolution of Telugu Characters Ashoka Brahmi Inscription (3rd century BC) 8

17 Evolution of Telugu Characters Inscription from the time of poet Erranna (14th century) 9

18 10 Christian writings in Telugu (1747) One of the first instances of Christian Missionary writings in Telugu. It was published by Rev. Benjamin Schultze in Halle/ Magdeburg (modern Germany).

19 Evolution of Telugu Characters Text from William Philip Brown s: Grammar of the Kent Language 11

20 Onamaalu The Telugu charecters are called Onamaalu Hallulu/ Vowels: అ ఆ ఇ ఈ ఉ ఊ ఋ ౠ ఎ ఏ ఐ ఒ ఓ ఔ అ అ 12

21 Onamaalu Acchulu/ Consonants క ఖ గ ఘ ఙ చ ఛ జ ఝ ఞ ట ఠ డ ఢ ణ త థ ద ధ న ప ఫ బ భ మ య ర ల వ ళ శ ష స హ т ఱ 13

22 Features of Telugu Letter forms The script is round in shape The vertical widths are quite different (vowel to vowel, consonant to consonant, conjunct to conjunct). êç Ï`«ºÇ ΩΩ This leads to affect the horizontal continuity. ( Saahityamu ) 14

23 Features of Telugu Letter forms Identifying the characters at smaller point sizes ( Va ) ( Pa ) ( Na ) ( Sa ) 15

24 Features of Telugu Letter forms Vertical as well as horizontal distribution of vowel and consonant signs. ( Maxism ) 16

25 Features of Telugu Letter forms Single vowel matra is represented in different ways depending on the consonant. 17

26 Features of Telugu Letter forms Single vowel matra is represented in different ways depending on the consonant. ( Rashtram ) ( Sri ) ( Stri ) ( Prapancham ) 18

27 Features of Telugu Letter forms Matras won t sit in one particular place for every character but differ from one character to another. ( Ki ) ( Ti ) ( Khi ) 19

28 Features of Telugu Letter forms Matras won t sit in one particular place for every character but differ from one character to another. ( Ki ) ( Ti ) ( Khi ) 20

29 Character Details 21

30 Character Details 22

31 Character Details 23

32 Character Details 24

33 Character Details 25

34 Character Details 26

35 Character Details Top matra Base Character Side Matra Lower Matra 27

36 Screen Technologies 28

37 Screen Technologies CRT ( Cathode Ray Tube) 28

38 Screen Technologies CRT ( Cathode Ray Tube) LCD ( Liquid Crystal Display) 28

39 Screen Technologies Sub Pixel Rendering 29

40 Anti-aliasing/ Gray Scaling Anti-aliasing is a method of drawing text or pictures which smooth edges, and avoids jagged edges (jaggies) Overlaying a glyph on a pixel grid A Glyph rasterized NOT anti-aliased A Glyph rasterized Anti-aliased 30

41 Design Considerations 31

42 Design Considerations Rectangular Grid O 31

43 Design Considerations Rectangular Grid Big Open Counters O Handgloves 31

44 Design Considerations Rectangular Grid Big Open Counters Mono-thickness O Handgloves 31

45 Design Considerations Rectangular Grid Big Open Counters Mono-thickness O Spacing Handgloves 31

46 Grid Analysis Anupama Horizontal stroke: x Max. stroke thickness: 2.6x Top matra: 8x Bottam Matra: 12.4x Side Matra: 23x Total Height: 36.5x No. of Glyphs: 227 ã ÃÇ Â PO Q º~ 32

47 Grid Analysis Brahma: Horizontal stroke: x Vertical stroke: 2.1x Top matra: 3.75x Bottom Matra: 7.15x Side Matra: 10.1x Total Height: 16.8x No. of Glyphs: 256 ã ÃÇ Â PO Q º~ 33

48 Grid Analysis Gautami: Horizontal stroke: x Max. stroke width: 1.25x Top matra: 4.65x Bottom Matra: 5x స Side Matra: 11.9x Total Height: 16.65x No. of Glyphs: 613 ఆ గ 34

49 Ground Work Traced Univers typeface to comprehend how letters are optically balanced. 35

50 Initial Explorations 36

51 Initial Explorations 37

52 Initial Explorations 38

53 Initial Explorations 38

54 Initial Explorations 39

55 Initial Explorations 40

56 Final Grid Base character : 428 UPM units Top matra : 268 UPM units Bottom matra : 304 UPM units 7.5x Top Matra 10.5x Base Character 8.5x Bottom Matra 41

57 Form Transformation

58 Form Transformation (1)

59 Form Transformation (1) (2)

60 Form Transformation (1) (2) (3)

61 Form Transformation (1) (2) (3) (4)

62 Appropriate Form Proposed Existing

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66 Final set of Characters 45

67 Final set of Characters Hallulu/ Vowels: 45

68 Final set of Characters Hallulu/ Vowels: 45

69 Final set of Characters Acchulu/ Consonants: 46

70 Final set of Characters Acchulu/ Consonants: 46

71 Features Proposed Existing Pothana Sri Muthyalu Eenadu Gautami 47

72 Features Proposed Existing Pothana Sri Muthyalu Eenadu Gautami 48

73 Features Proposed Existing Pothana Sri Muthyalu Eenadu Gautami 49

74 Hinting 50

75 On Screen Simulation Sri Muthyalu Gautami 51

76 User Testing 52

77 User Testing 52

78 Conclusion 53

79 Conclusion The typeface must be contemporary and fit for the modern typographic environment. An attempt has been made to come up with a comprehensive font design. The font needs to better hinted, in order to make it look better on the computer monitor. 53

80 Thank You! 54

81 Thank You! Guide: Prof.G.V.Sreekumar Udaya Kumar Girish Dalvi Bijuneyyan Nirmal Biswas Prof. Ravi Pooviah Dr. Ajanta Sen & 2 all da ppl wrkng 4 Indian Type Design... :-) 54

82 Thank You! Guide: Prof.G.V.Sreekumar Udaya Kumar Girish Dalvi Bijuneyyan Nirmal Biswas Prof. Ravi Pooviah Dr. Ajanta Sen & 2 all da ppl wrkng 4 Indian Type Design... :-) References: Books: [1] Biswas Nirmal, (2006) Design of Oriya font for onscreen reading, IDC, IIT Bombay. [2] BijuneYYan, (2008) Malayalam Font for onscreen reading, IDC, IIT Bombay. [3] Vikas Saligram, Design of Telugu font for laser printer, IDC, IIT Bombay. [4] Dr. D.N.Shastry (1998) Telugu Sahitya Charitra Pragathi Publishers, L.B.Nagar, Hyderabad. Andhra Pradesh. [5] Dr. Velaga Venkatappiah (2008) Telugu vaari Mega Pedda bala Siksha Annapurna Publishers, Tenali. [6] Dr. P.V.Parabrahma Shastry, Dr.N.S.Ramachandra Murthy (2009) Telugu Script- Origin and Evolution Andhra Pradesh Oriental Manuscripts Library & Research Institute, Hyderabad. Andhra Pradesh. Internet References: [Accessed February 2009}

83 Thank You! Guide: Prof.G.V.Sreekumar Udaya Kumar Girish Dalvi Bijuneyyan Nirmal Biswas Prof. Ravi Pooviah Dr. Ajanta Sen & 2 all da ppl wrkng 4 Indian Type Design... :-) References: Books: [1] Biswas Nirmal, (2006) Design of Oriya font for onscreen reading, IDC, IIT Bombay. [2] BijuneYYan, (2008) Malayalam Font for onscreen reading, IDC, IIT Bombay. [3] Vikas Saligram, Design of Telugu font for laser printer, IDC, IIT Bombay. [4] Dr. D.N.Shastry (1998) Telugu Sahitya Charitra Pragathi Publishers, L.B.Nagar, Hyderabad. Andhra Pradesh. [5] Dr. Velaga Venkatappiah (2008) Telugu vaari Mega Pedda bala Siksha Annapurna Publishers, Tenali. [6] Dr. P.V.Parabrahma Shastry, Dr.N.S.Ramachandra Murthy (2009) Telugu Script- Origin and Evolution Andhra Pradesh Oriental Manuscripts Library & Research Institute, Hyderabad. Andhra Pradesh. Internet References: [Accessed February 2009}