Case Study: Project-Based Learning with Matthew Kargol
|
|
- Cameron Cook
- 6 years ago
- Views:
Transcription
1 Matthew Kargol earned his B.A. and M.A. from the University of Northern Iowa, and has an M.F.A. from Clemson University. He has worked as a practicing artist for over 20 years with artworks displayed in public and private collections across the country. He is a public artist/sculptor/graphic designer when he is not teaching or coaching. Currently, Matthew is the high school art teacher at Oskaloosa Senior High School in Oskaloosa, Iowa. The Oskaloosa Senior High School is a 1to1 school with a project-based curriculum; Matt s classes are rooted in authentic instruction and real world experiences. He also works with Fine Arts and Cultural Events of Mahaska County, F.A.C.E. where he is vice-president, to create opportunities for community members in Mahaska County, Iowa, to experience exceptional arts education and make art accessible and exciting. Briefly describe your (the) teaching approach. My approach to teaching art at the high school level is first by developing a strong set of observational skills. We spend a considerable amount of time in beginning classes learning to see and draw, this is key to being able to visualize future projects. I subscribe to a less is more philosophy and don t try to cram too much into a trimester (all my classes are trimester long). We do between 2-5 high-quality projects that build on each other. My goal is to develop excellence in my students, understanding that excellence is a sliding scale depending on each student s abilities. I refer to my students as artists and treat them as such. My second and third level classes transition into student driven projects where they decide within the boundaries of the class where they will concentrate their efforts. This is not a free-for-all as everything must pass through the project interview, and be approved by me. This actually helps the students create higher quality work, and address concepts and issues that students may not have considered. I use a question answer style in this by proposing questions and allowing students to find the answer,
2 helping minimally in guiding them only when necessary. Often these projects are based on real-world problems, this is called authentic instruction which is one step beyond project based in that students are dealing with actual projects with real clients, rather than hypothetical scenarios. Student s take ownership of their art and their projects and connect with the business owners in ways that validate them as members of the community. As part of my students exposure to being a real artist, we watch weekly videos about contemporary artists working around the world, and students respond in writing with their takeaways from learning about them. What are the benefits and disadvantages to using this method? Advantages: School pride in the work and connections with the community Student engagement and pride in their work Student understanding of my faith in their abilities Courage to seek out solutions and problem solve as the project develops Confidence in tackling new challenges Community pride Real world experiences Creativity is wide open Students develop a broader concept of the art world and making a living as an artist Disadvantages: Not a lecture type of teaching, must be more hands-on and individual/team-based as each group and project has different needs Time management is crucial No predictable outcome Quality control
3 Some students need more assistance to move through the process Not every project makes it to production for a client; the real world can be tough and bruise egos Walk us through a typical class and how the approach is used. M,Tu,Th,F are workdays (50 min), only in-class projects are to be worked on in class. Monday s introductory and first level students are given sketchbook assignments, usually 2 pages worth that expand their thinking and creative thinking skills. Upper-level students have self-driven sketchbooks due each Friday. Wednesdays are 35 min periods, so it s really too short to get materials out set up work and then have time to clean up so I have inserted art videos on those days. We watch selections from art21, the creators project, or sister Wendy; all can be found online. Students then have till Friday to write their reflection on the artist and their work, work style, or anything else they gained from watching the video. The great thing about project-based lessons is that there is always something to do and it changes depending on the stage of the project that you are at. Here are the stages my students work through: The Introduction and Brainstorming: Usually, we start with the introduction of the project. Sometimes this means having a real client come in to explain what they need, other times I do that. The kids have a chance to ask questions, and then begin brainstorming ideas, and preparing for their project interviews. Often I have them work with their tablemates to blast through common information like measurements, cost analysis, etc I also have them help each other brainstorm by bouncing ideas off each other and expanding and extending those concepts.
4 The Project Interview: After 1-2 days, students meet with me to go over their ideas. I look for at least 5 concepts, with sketches, and images of similar work that they have researched. I am also looking to see how well they have worked their ideas through, and then ask them questions to move them forward. I also use this time to point out special considerations such as structural issues in their designs, asking them how they plan to make this portion work in the real world. We usually narrow it down to 1-3 concepts that they may combine, or pick one. These are concepts that I am okay with them continuing on with, I do give them my opinion about which one I think is best and why. Sometimes I need to send them back to the drawing board with new considerations. The Proposal: After the project interviews and the final designs are planned out, we meet with the client, real or imagined and present the proposal. Sometimes it s a sketch sometimes it s a model. Depending on the project some ideas move on and others don t, or all students move on with input from the client, it just depends. In graphic design, for example, it is easy to have everyone move on to flesh out their designs completely whereas because sculptures are much more labor and material intensive so it s not feasible to do 20 large scale works. Sometimes ideas can be combined, other times not. The students who s work doesn t move on then become team members in the creation of the final piece assisting the lead who s piece was selected in various aspects that need work. The Work Time: Each day, moving forward, students work on progressing their project. They know the drill. We have timelines and deadlines for steps along the way and try to stick to them. Work is delegated to team members. Individual projects move forward in much the same fashion with deadlines for each step. I have students keep logs, what did I do today, what did I accomplish, what do I need to do tomorrow, and
5 what do I need to be thinking about in 2-3 days, this goes in their sketchbook as well. In-Process Critiques: In-process critiques happen daily, either from me seeing and addressing the progress or I have them meet with their teams or exchange with another team to receive feedback. This is a quick but very valuable aspect of artistic growth. Sometimes we have sticky note critiques, which are very quick, easy and anonymous. The Reveal/Final Critique: On the day of the deadline, we reveal the work to the client or class members or other community members. This process is a presentation where students present their work to the client and share their thoughts and rationale for the work. The client gives feedback or is satisfied with the result, sometimes this is where the selection of the final work is made (graphic design). If it is an in-class critique, I have students sketch each work in their sketchbook, this forces them to look closely at it. Then, I have the class comment on what they see, what it means to them, and the good the bad and the confusing. Then, the artist gets to talk and respond. And finally the class makes suggestions. I usually then allow students 1 week to make revisions if they wish. Sharing: I don t share every work of art, nor does every student have his or her work displayed. I select the top works for display and the rest are graded and returned to the artist. I am tough on this, but I don t have a lot of room to display work and the opportunities for an exhibition are slim. Some students have told me how proud they were when they finally had their work displayed because it made them feel like a real artist and that they were really good at it. I would love for every student to feel this way, but the students know that if their work is displayed it is one of the
6 best, so they take a lot of pride in it. If that opportunity was extended (logistically it can t be), it would lose that impact. If we have an exhibition in one of the galleries, I have the students do all the work, so that they learn the process of securing a location, hanging, promoting, and taking down work, as this becomes another valuable project that will serve them later. If someone was interested in incorporating more of this approach, what advice would you give them? Look for opportunities around you, utilize your resources, and connect to your community. Expect excellence; trust your students to be excellent. Keep your standards high, students will rise up. Allow students to have more control over the process and outcomes, it s not predictable. Students need to learn how to revise or re-do when the result isn t what they wanted or isn t at an excellent level that is acceptable. Utilize your experiences as an artist, and all the things you had to learn and do, teach your students those things, if you don t know how to do those things, bring in guest artists to share, watch the artist videos and study their processes. Good teachers anticipate the process, teach your students to do the same. Ask questions of your students; invite them to consider the solutions until they can ask those questions without your prompting. Go For it! Teaching students how to draw or paint is great and necessary, but there comes a time when all artists need to know and do more. The should learn how to connect to their community and seek out opportunities, to confidently plan projects and follow through, and be able to talk about the results with confidence and pride. These are valuable and necessary skills for students no matter what field they pursue later in life.
SESSION 2: HELPING HAND
SESSION 2: HELPING HAND Ready for the next challenge? Build a device with a long handle that can grab something hanging high! This week you ll also check out your Partner Club s Paper Structure designs.
More informationArt: Digital Arts Major (ARDA)-BFA degree
Art (Digital Arts)-1 Art: Digital Arts Major (ARDA)-BFA degree http://www.tcnj.edu/~art/digital_arts.php Also see: Art-Art History; Art-Art Education; Art-Fine Arts; Art-Graphic Design; and Art-Photography
More informationCLASSROOM PROCEDURES FOR MRS.
CLASSROOM PROCEDURES FOR MRS. BURNSED S 7 TH GRADE SCIENCE CLASS PRIDE + RESPONSIBILTY + RESPECT = APRENDE Welcome to 7 th grade Important facts for Parents and Students about my classroom policies Classroom
More informationUnit 3. Design Activity. Overview. Purpose. Profile
Unit 3 Design Activity Overview Purpose The purpose of the Design Activity unit is to provide students with experience designing a communications product. Students will develop capability with the design
More informationForging Connections Together: A Weekly Math Meeting Model to Support Teacher Learning
Forging Connections Together: A Weekly Math Meeting Model to Support Teacher Learning Presented at CGI Conference June 2017 Seattle, WA Charity Bauduin Robert C. Schoen Amanda Tazaz Wendy Bray Laura Steele
More information"Be who you are and say what you feel, because those who mind don't matter and
Halloween 2012 Me as Lenny from Of Mice and Men Denver Football Game December 2012 Me with Matthew Whitwell Teaching respect is not enough, you need to embody it. Gabriella Avallone "Be who you are and
More informationSchoolwide Enrichment Model Reading Framework. Student SEM-R Reading Log
Schoolwide Enrichment Model Reading Framework Student SEM-R Reading Log Name: Teacher: Grade: School: The University of Connecticut Student Reading Logs The reading logs are used to record which books
More informationALL-IN-ONE MEETING GUIDE THE ECONOMICS OF WELL-BEING
ALL-IN-ONE MEETING GUIDE THE ECONOMICS OF WELL-BEING LeanIn.0rg, 2016 1 Overview Do we limit our thinking and focus only on short-term goals when we make trade-offs between career and family? This final
More informationIf you are searched for the book London Art Schools in pdf form, in that case you come on to the faithful site. We presented the complete variation
London Art Schools If you are searched for the book London Art Schools in pdf form, in that case you come on to the faithful site. We presented the complete variation of this ebook in DjVu, doc, PDF, epub,
More informationEND TIMES Series Overview for Leaders
END TIMES Series Overview for Leaders SERIES OVERVIEW We have a sense of anticipation about Christ s return. We know he s coming back, but we don t know exactly when. The differing opinions about the End
More informationWhy Misquitoes Buzz in People s Ears (Part 1 of 3)
Name: Melissa DiVincenzo Date: 10/25/01 Content Area: Reading/Writing Unit Topic: Folktales Today s Lesson: Summarizing Grade Level: 2 nd Why Misquitoes Buzz in People s Ears (Part 1 of 3) Duration: 1
More informationWhy Pay Attention to Race?
Why Pay Attention to Race? Witnessing Whiteness Chapter 1 Workshop 1.1 1.1-1 Dear Facilitator(s), This workshop series was carefully crafted, reviewed (by a multiracial team), and revised with several
More informationUniversity of Waterloo School of Accountancy. AFM 102: Introductory Management Accounting. Fall Term 2004: Section 4
University of Waterloo School of Accountancy AFM 102: Introductory Management Accounting Fall Term 2004: Section 4 Instructor: Alan Webb Office: HH 289A / BFG 2120 B (after October 1) Phone: 888-4567 ext.
More informationPREP S SPEAKER LISTENER TECHNIQUE COACHING MANUAL
1 PREP S SPEAKER LISTENER TECHNIQUE COACHING MANUAL IMPORTANCE OF THE SPEAKER LISTENER TECHNIQUE The Speaker Listener Technique (SLT) is a structured communication strategy that promotes clarity, understanding,
More informationLesson Plan. Preliminary Planning
Lesson Plan Date: 01.20.15 Subject: Social Studies Grade Level: 7th Time Needed: 20 Mins. Preliminary Planning Topic/Central Focus: Examining the history and significance of the Day of the Dead Mexican
More informationNovember 11, 2014 SCHOOL NAMING NEWS:
November 11, 2014 SCHOOL NAMING NEWS: Town Council feels that the new school to be built in the Inspiration Subdivision warrants the named after St Paul residents John and Paula Scanlan. They passed the
More informationEconomics Unit: Beatrice s Goat Teacher: David Suits
Economics Unit: Beatrice s Goat Teacher: David Suits Overview: Beatrice s Goat by Page McBrier tells the story of how the gift of a goat changed a young Ugandan s life. This story is used to introduce
More informationDOCENT VOLUNTEER EDUCATOR APPLICATION Winter Application Deadline: April 15, 2013
DOCENT VOLUNTEER EDUCATOR APPLICATION Winter 2013 Application Deadline: April 15, 2013 We appreciate your interest in the VBMA Docent Program! Last year docents provided more than 5,700 volunteer hours,
More informationTeaching a Discussion Section
Teaching a Discussion Section Sample Active Learning Techniques: Clarification Pauses: This simple technique fosters active listening. Throughout a lecture, pause to allow students time to think about
More informationEDIT 576 DL1 (2 credits) Mobile Learning and Applications Fall Semester 2014 August 25 October 12, 2014 Fully Online Course
GEORGE MASON UNIVERSITY COLLEGE OF EDUCATION AND HUMAN DEVELOPMENT GRADUATE SCHOOL OF EDUCATION INSTRUCTIONAL DESIGN AND TECHNOLOGY PROGRAM EDIT 576 DL1 (2 credits) Mobile Learning and Applications Fall
More informationTHREE-YEAR COURSES FASHION STYLING & CREATIVE DIRECTION Version 02
THREE-YEAR COURSES FASHION STYLING & CREATIVE DIRECTION Version 02 Undergraduate programmes Three-year course Fashion Styling & Creative Direction 02 Brief descriptive summary Over the past 80 years Istituto
More informationMENTORING. Tips, Techniques, and Best Practices
MENTORING Tips, Techniques, and Best Practices This paper reflects the experiences shared by many mentor mediators and those who have been mentees. The points are displayed for before, during, and after
More informationIndiana Collaborative for Project Based Learning. PBL Certification Process
Indiana Collaborative for Project Based Learning ICPBL Certification mission is to PBL Certification Process ICPBL Processing Center c/o CELL 1400 East Hanna Avenue Indianapolis, IN 46227 (317) 791-5702
More informationDay 1 Note Catcher. Use this page to capture anything you d like to remember. May Public Consulting Group. All rights reserved.
Day 1 Note Catcher Use this page to capture anything you d like to remember. May 2013 2013 Public Consulting Group. All rights reserved. 3 Three Scenarios: Processes for Conducting Research Scenario 1
More informationSpiritual Works of Mercy
St. James Catholic School Living Out The Weekly News Spiritual Works of Mercy School Goals from Mrs. Smith Volume 13 October 29, 2015 Now that we are in to 2 nd quarter, I believe that I have a very good
More informationTU-E2090 Research Assignment in Operations Management and Services
Aalto University School of Science Operations and Service Management TU-E2090 Research Assignment in Operations Management and Services Version 2016-08-29 COURSE INSTRUCTOR: OFFICE HOURS: CONTACT: Saara
More informationShared Portable Moodle Taking online learning offline to support disadvantaged students
Shared Portable Moodle Taking online learning offline to support disadvantaged students Stephen Grono, School of Education University of New England, Armidale sgrono2@une.edu.au @calvinbal Shared Portable
More informationEnduring Understandings: Students will understand that
ART Pop Art and Technology: Stage 1 Desired Results Established Goals TRANSFER GOAL Students will: - create a value scale using at least 4 values of grey -explain characteristics of the Pop art movement
More informationTraining Pack. Kaizen Focused Improvement Teams (F.I.T.)
Training Pack Kaizen Focused Improvement Teams (F.I.T.) Aims & Objectives Target Audience : FIT Team Members Purpose of Module : To equip attendees with the knowledge & understanding to participate in
More informationWORK OF LEADERS GROUP REPORT
WORK OF LEADERS GROUP REPORT ASSESSMENT TO ACTION. Sample Report (9 People) Thursday, February 0, 016 This report is provided by: Your Company 13 Main Street Smithtown, MN 531 www.yourcompany.com INTRODUCTION
More informationCourse Syllabus Art History II ARTS 1304
Semester with Course Reference Number (CRN) Spring 2015 CRN 45135 Course Syllabus Art History II ARTS 1304 Instructor contact information Office Location and Hours Course Location/Times Course Semester
More informationLesson Plan. Preparation
General Housekeeping: Forms Practicum in Fashion Design Lesson Plan Performance Objective Upon completion of this lesson, each student will demonstrate the characteristics necessary to be a successful
More informationEDIT 576 (2 credits) Mobile Learning and Applications Fall Semester 2015 August 31 October 18, 2015 Fully Online Course
GEORGE MASON UNIVERSITY COLLEGE OF EDUCATION AND HUMAN DEVELOPMENT INSTRUCTIONAL DESIGN AND TECHNOLOGY PROGRAM EDIT 576 (2 credits) Mobile Learning and Applications Fall Semester 2015 August 31 October
More informationMGMT 479 (Hybrid) Strategic Management
Columbia College Online Campus P a g e 1 MGMT 479 (Hybrid) Strategic Management Late Fall 15/12 October 26, 2015 December 19, 2015 Course Description Culminating experience/capstone course for majors in
More informationNotes on The Sciences of the Artificial Adapted from a shorter document written for course (Deciding What to Design) 1
Notes on The Sciences of the Artificial Adapted from a shorter document written for course 17-652 (Deciding What to Design) 1 Ali Almossawi December 29, 2005 1 Introduction The Sciences of the Artificial
More informationArt and Art History Department: Overview
Art and Department: Overview-1 Undergraduate Bulletin 2017-2018 Art and Department: Overview Faculty: Allyn (Chair), Blatt-Gross, Chak, Fichner-Rathus, Haikes, Hutton, (Sabbatical, 2017-2018 Joyce, Kaplowitz,
More informationOdyssey Writer Online Writing Tool for Students
Odyssey Writer Online Writing Tool for Students Ways to Access Odyssey Writer: 1. Odyssey Writer Icon on Student Launch Pad Stand alone icon on student launch pad for free-form writing. This is the drafting
More informationThe Multi-genre Research Project
The Multi-genre Research Project [Multi-genre papers] recognize that there are many ways to see the world, many ways to show others what we see. ~Tom Romano, teacher, author, and founder of the multi-genre
More informationScience Fair Project Handbook
Science Fair Project Handbook IDENTIFY THE TESTABLE QUESTION OR PROBLEM: a) Begin by observing your surroundings, making inferences and asking testable questions. b) Look for problems in your life or surroundings
More informationMARY GATES ENDOWMENT FOR STUDENTS
MARY GATES ENDOWMENT FOR STUDENTS Autumn 2017 April M. Wilkinson, Assistant Director mgates@uw.edu (206) 616-3925 Center for Experiential Learning and Diversity (EXPD) Mary Gates Endowment For Students
More informationCoding II: Server side web development, databases and analytics ACAD 276 (4 Units)
Coding II: Server side web development, databases and analytics ACAD 276 (4 Units) Objective From e commerce to news and information, modern web sites do not contain thousands of handcoded pages. Sites
More informationGetting a Sound Bite Across. Heather Long, MD ACMT Annual Scientific Meeting Clearwater, FL March 28, 2015
Getting a Sound Bite Across Heather Long, MD ACMT Annual Scientific Meeting Clearwater, FL March 28, 2015 How to be an effective science communicator Distill your message Make your message effective Be
More informationa) analyse sentences, so you know what s going on and how to use that information to help you find the answer.
Tip Sheet I m going to show you how to deal with ten of the most typical aspects of English grammar that are tested on the CAE Use of English paper, part 4. Of course, there are many other grammar points
More informationLocal Artists in Yuma, AZ
Local Artists in Yuma, AZ Yuma Art Center The Yuma Art Center is located in the heart of Downtown Yuma on Main street. It offers a wide variety of special events and classes for adults, children, and families.
More informationBSP !!! Trainer s Manual. Sheldon Loman, Ph.D. Portland State University. M. Kathleen Strickland-Cohen, Ph.D. University of Oregon
Basic FBA to BSP Trainer s Manual Sheldon Loman, Ph.D. Portland State University M. Kathleen Strickland-Cohen, Ph.D. University of Oregon Chris Borgmeier, Ph.D. Portland State University Robert Horner,
More informationVISUAL AND PERFORMING ARTS, MFA
Visual and Performing Arts, MFA 1 VISUAL AND PERFORMING ARTS, MFA Banner Code: AR-MFA-VPA Stevie Otto, Assistant Director of CVPA Graduate Admissions C211 College Hall Fairfax Campus Phone: 703-993-5576
More informationProudly Presents. The 36 th ANNUAL JURIED SPRING ART SHOW & SALE. April 7 15, 2018
Wilmington Art Association 36th Annual Juried Spring Art Show & Sale Prospectus Wilmington Art Association Proudly Presents The 36 th ANNUAL JURIED SPRING ART SHOW & SALE April 7 15, 2018 Hannah Block
More informationMini Lesson Ideas for Expository Writing
Mini LessonIdeasforExpositoryWriting Expository WheredoIbegin? (From3 5Writing:FocusingonOrganizationandProgressiontoMoveWriters, ContinuousImprovementConference2016) ManylessonideastakenfromB oxesandbullets,personalandpersuasiveessaysbylucycalkins
More informationFort Lewis College Institutional Review Board Application to Use Human Subjects in Research
Fort Lewis College Institutional Review Board Application to Use Human Subjects in Research Submit this application by email attachment to IRB@fortlewis.edu I believe this research qualifies for a Full
More informationMBA 5652, Research Methods Course Syllabus. Course Description. Course Material(s) Course Learning Outcomes. Credits.
MBA 5652, Research Methods Course Syllabus Course Description Guides students in advancing their knowledge of different research principles used to embrace organizational opportunities and combat weaknesses
More informationActivities, Exercises, Assignments Copyright 2009 Cem Kaner 1
Patterns of activities, iti exercises and assignments Workshop on Teaching Software Testing January 31, 2009 Cem Kaner, J.D., Ph.D. kaner@kaner.com Professor of Software Engineering Florida Institute of
More informationCreating and Thinking critically
Creating and Thinking critically Having their own ideas Thinking of ideas Finding ways to solve problems Finding new ways to do things Making links Making links and noticing patterns in their experience
More informationOccupational Therapy and Increasing independence
Occupational Therapy and Increasing independence Kristen Freitag OTR/L Keystone AEA kfreitag@aea1.k12.ia.us This power point will match the presentation. All glitches were worked out. Who knows, but I
More informationCOMM 210 Principals of Public Relations Loyola University Department of Communication. Course Syllabus Spring 2016
COMM 210 Principals of Public Relations Loyola University Department of Communication Course Syllabus Spring 2016 Instructor: Veronica Marshall Course Schedule: Email: vmarshall@luc.edu Tuesdays and Thursdays
More informationBIODIVERSITY: CAUSES, CONSEQUENCES, AND CONSERVATION
Z 349 NOTE to prospective students: This syllabus is intended to provide students who are considering taking this course an idea of what they will be learning. A more detailed syllabus will be available
More informationGENERAL BUSINESS 7397, section 18842: BOOKS AN MBA SHOULD READ
GENERAL BUSINESS 7397, section 18842: BOOKS AN MBA SHOULD READ Instructor: Betsy Gelb, 713-743-4558, gelb@uh.edu, www.bauer.uh.edu/gelb This is an online course that will require you to read three books,
More informationKindergarten Lessons for Unit 7: On The Move Me on the Map By Joan Sweeney
Kindergarten Lessons for Unit 7: On The Move Me on the Map By Joan Sweeney Aligned with the Common Core State Standards in Reading, Speaking & Listening, and Language Written & Prepared for: Baltimore
More informationConducting an interview
Basic Public Affairs Specialist Course Conducting an interview In the newswriting portion of this course, you learned basic interviewing skills. From that lesson, you learned an interview is an exchange
More informationEffective Team Resource Management. Danielle Marciniak, M.S. ASDA Vice President
Effective Team Resource Management Danielle Marciniak, M.S. ASDA Vice President Resource Management The effective and efficient use of an organization s resources when needed. These resources can be either
More informationMajor Milestones, Team Activities, and Individual Deliverables
Major Milestones, Team Activities, and Individual Deliverables Milestone #1: Team Semester Proposal Your team should write a proposal that describes project objectives, existing relevant technology, engineering
More informationHow To Take Control In Your Classroom And Put An End To Constant Fights And Arguments
How To Take Control In Your Classroom And Put An End To Constant Fights And Arguments Free Report Marjan Glavac How To Take Control In Your Classroom And Put An End To Constant Fights And Arguments A Difficult
More informationUDL AND LANGUAGE ARTS LESSON OVERVIEW
UDL AND LANGUAGE ARTS LESSON OVERVIEW Title: Reading Comprehension Author: Carol Sue Englert Subject: Language Arts Grade Level 3 rd grade Duration 60 minutes Unit Description Focusing on the students
More informationFaculty Schedule Preference Survey Results
Faculty Schedule Preference Survey Results Surveys were distributed to all 199 faculty mailboxes with information about moving to a 16 week calendar followed by asking their calendar schedule. Objective
More informationCo-Professors: Cylor Spaulding, Ph.D. & Brigitte Johnson, APR Office Hours: By Appointment
GEORGETOWN UNIVERSITY, MPS PR/CC Spring 2017 MPPR-950-01, MPPR-950-02: PR/CC Capstone Class Meets: Mondays, 5:20-7:50 p.m. Class Location: 640 Mass Ave Washington, DC 20001 Room: C103A/B Co-Professors:
More informationRed Flags of Conflict
CONFLICT MANAGEMENT Introduction Webster s Dictionary defines conflict as a battle, contest of opposing forces, discord, antagonism existing between primitive desires, instincts and moral, religious, or
More informationHelping your child succeed: The SSIS elementary curriculum
Helping your child succeed: The SSIS elementary curriculum A workshop for parents Thursday, September 1st, 2016, 8:15-9:30, B-310, Elementary Flex Room Presenter: Daniel J. Keller, PhD, Elementary School
More informationVisual Arts International. ECTS files
Visual Arts International ECTS Files 2016-2017 For whom? PXL-MAD offers a fixed compilation of bachelor courses for exchange students in visual arts: graphic design, object and jewellery, fine arts. Students
More informationWhat s in Your Communication Toolbox? COMMUNICATION TOOLBOX. verse clinical scenarios to bolster clinical outcomes: 1
COMMUNICATION TOOLBOX Lisa Hunter, LSW, and Jane R. Shaw, DVM, PhD www.argusinstitute.colostate.edu What s in Your Communication Toolbox? Throughout this communication series, we have built a toolbox of
More informationCAFE ESSENTIAL ELEMENTS O S E P P C E A. 1 Framework 2 CAFE Menu. 3 Classroom Design 4 Materials 5 Record Keeping
CAFE RE P SU C 3 Classroom Design 4 Materials 5 Record Keeping P H ND 1 Framework 2 CAFE Menu R E P 6 Assessment 7 Choice 8 Whole-Group Instruction 9 Small-Group Instruction 10 One-on-one Instruction 11
More informationPersonal Project. IB Guide: Project Aims and Objectives 2 Project Components... 3 Assessment Criteria.. 4 External Moderation.. 5
Table of Contents: Personal Project IB Guide: Project Aims and Objectives 2 Project Components..... 3 Assessment Criteria.. 4 External Moderation.. 5 General Guidelines: Process Journal. 5 Product 7 Personal
More informationCourse Syllabus Art History I ARTS 1303
Course Syllabus Art History I ARTS 1303 Semester with Course Reference Number (CRN) Instructor contact information (phone number and email address) Spring 2011, CRN 76084 Kristi Wilson Office Location
More informationFaculty Meetings. From Dissemination. To Engagement. Jessica Lyons MaryBeth Scullion Rachel Wagner City of Tonawanda School District, NY
Faculty Meetings From Dissemination To Engagement Jessica Lyons MaryBeth Scullion Rachel Wagner City of Tonawanda School District, NY Presentation Overview Traditionally, faculty meetings have been forums
More informationCPS122 Lecture: Identifying Responsibilities; CRC Cards. 1. To show how to use CRC cards to identify objects and find responsibilities
Objectives: CPS122 Lecture: Identifying Responsibilities; CRC Cards last revised March 16, 2015 1. To show how to use CRC cards to identify objects and find responsibilities Materials: 1. ATM System example
More informationOCR LEVEL 3 CAMBRIDGE TECHNICAL
Cambridge TECHNICALS OCR LEVEL 3 CAMBRIDGE TECHNICAL CERTIFICATE/DIPLOMA IN IT SYSTEMS ANALYSIS K/505/5481 LEVEL 3 UNIT 34 GUIDED LEARNING HOURS: 60 UNIT CREDIT VALUE: 10 SYSTEMS ANALYSIS K/505/5481 LEVEL
More informationInternship Program. Application Submission completed form to: Monica Mitry Membership and Volunteer Coordinator
Internship Program The Museum of Arts and Sciences offers a variety of internships on a flexible and ongoing basis. Internships offer the opportunity to gain valuable, practical experience while receiving
More informationA Pumpkin Grows. Written by Linda D. Bullock and illustrated by Debby Fisher
GUIDED READING REPORT A Pumpkin Grows Written by Linda D. Bullock and illustrated by Debby Fisher KEY IDEA This nonfiction text traces the stages a pumpkin goes through as it grows from a seed to become
More informationEvidence-based Practice: A Workshop for Training Adult Basic Education, TANF and One Stop Practitioners and Program Administrators
Evidence-based Practice: A Workshop for Training Adult Basic Education, TANF and One Stop Practitioners and Program Administrators May 2007 Developed by Cristine Smith, Beth Bingman, Lennox McLendon and
More informationPrepared by: Tim Boileau
Formative Evaluation - Lectora Training 1 Running head: FORMATIVE EVALUATION LECTORA TRAINING Training for Rapid Application Development of WBT Using Lectora A Formative Evaluation Prepared by: Tim Boileau
More informationSCHOOL OF ART & ART HISTORY
JAMES MADISON UNIVERSITY College of Visual and Performing Arts SCHOOL OF ART & ART HISTORY GRADUATE STUDIES HANDBOOK 2010 / 2011 Introduction Welcome to the graduate program in art! This Graduate Studies
More informationAbout our academy. Joining our community
Hethersett Academy is part of the Inspiration Trust, a not-for-profit charity whose mission is to transform the lives of young people in Norfolk and Suffolk through education. Led by nationally-recognised
More informationThe Foundations of Interpersonal Communication
L I B R A R Y A R T I C L E The Foundations of Interpersonal Communication By Dennis Emberling, President of Developmental Consulting, Inc. Introduction Mark Twain famously said, Everybody talks about
More informationLeo de Beurs. Pukeoware School. Sabbatical Leave Term 2
Sabbatical Report Leo de Beurs Pukeoware School Sabbatical Leave 2010 Term 2 My name is Leo de Beurs and I am currently the Principal of Pukeoware School, a position I have held for 14 years, previous
More informationCopyright Corwin 2014
When Jane was a high school student, her history class took a field trip to a historical Western town located about 50 miles from her school. At the local museum, she and her classmates followed a docent
More informationUnit Lesson Plan: Native Americans 4th grade (SS and ELA)
Unit Lesson Plan: Native Americans 4th grade (SS and ELA) Angie- comments in red Emily's comments in purple Sue's in orange Kasi Frenton-Comments in green-kas_122@hotmail.com 10/6/09 9:03 PM Unit Lesson
More informationENGL 213: Creative Writing Introduction to Poetry
ENGL 213: Creative Writing Introduction to Poetry Course Description: Meeting: MWF 12:30-1:20 in Armstrong 407 Sec. 001 CRN: 13995 Instructor: Rebecca Doverspike Email: rdoversp@mix.wvu.edu Office: Colson
More informationFall Classes At A Glance
Fall 2017 Fall Classes At A Glance @ Stonegate Elementary WHAT IS THE ACE PROGRAM AND WHAT ARE ACE CLASSES? The ACE Program (Afterschool Classroom Enrichment) is a program sponsored by IPSF (Irvine Public
More informationARTS ADMINISTRATION CAREER GUIDE. Fine Arts Career UTexas.edu/finearts/careers
ARTS ADMINISTRATION CAREER GUIDE Fine Arts Career Services The University of Texas at Austin @UTFACS UTexas.edu/finearts/careers FACS@austin.utexas.edu FINE ARTS CAREER SERVICES OFFERS: ONE-ON-ONE ADVISING
More informationThe Proposal for Textile Design Minor
S17-4 The Proposal for Textile Design Minor 1. Name of the proposed minor. Textile Design 2. Name of the department(s) involved. Art and Visual Culture (AVC) (Integrated Studio Arts program); Apparel,
More informationProfessor Soni Martin Fayetteville State University Performing and Fine Arts (910)
Professor Soni Martin Fayetteville State University Performing and Fine Arts (910) 672-1057 Email: smartin@uncfsu.edu Education MFA, University of North Carolina at Greensboro, 1983. Major: Studio Art
More informationIncreasing Student Engagement
Increasing Student Engagement Description of Student Engagement Student engagement is the continuous involvement of students in the learning. It is a cyclical process, planned and facilitated by the teacher,
More informationStudent-Athlete. Code of Conduct
Student-Athlete Code of Conduct Student-Athlete Code of Conduct The Student-Athlete Code of Conduct explains the responsibilities of student athletes and serves as a guide for their conduct. If there are
More informationCommon Core Exemplar for English Language Arts and Social Studies: GRADE 1
The Common Core State Standards and the Social Studies: Preparing Young Students for College, Career, and Citizenship Common Core Exemplar for English Language Arts and Social Studies: Why We Need Rules
More informationPenn State University - University Park MATH 140 Instructor Syllabus, Calculus with Analytic Geometry I Fall 2010
Penn State University - University Park MATH 140 Instructor Syllabus, Calculus with Analytic Geometry I Fall 2010 There are two ways to live: you can live as if nothing is a miracle; you can live as if
More informationLucy Calkins Units of Study 3-5 Heinemann Books Support Document. Designed to support the implementation of the Lucy Calkins Curriculum
Lucy Calkins Units of Study 3-5 Heinemann Books 2006 Support Document Designed to support the implementation of the Lucy Calkins Curriculum Lesson Plans Written by Browand, Gallagher, Shipman and Shultz-Bartlett
More informationVirtual Seminar Courses: Issues from here to there
1 of 5 Virtual Seminar Courses: Issues from here to there by Sherry Markel, Ph.D. Northern Arizona University Abstract: This article is a brief examination of some of the benefits and concerns of virtual
More informationEssay on importance of good friends. It can cause flooding of the countries or even continents..
Essay on importance of good friends. It can cause flooding of the countries or even continents.. Essay on importance of good friends >>>CLICK HERE
More informationCPS122 Lecture: Identifying Responsibilities; CRC Cards. 1. To show how to use CRC cards to identify objects and find responsibilities
Objectives: CPS122 Lecture: Identifying Responsibilities; CRC Cards last revised February 7, 2012 1. To show how to use CRC cards to identify objects and find responsibilities Materials: 1. ATM System
More informationSAMPLE. PJM410: Assessing and Managing Risk. Course Description and Outcomes. Participation & Attendance. Credit Hours: 3
PJM410: Assessing and Managing Risk Credit Hours: 3 Contact Hours: This is a 3 credit course, offered in accelerated format. This means that 16 weeks of material is covered in 8 weeks. The exact number
More informationONBOARDING NEW TEACHERS: WHAT THEY NEED TO SUCCEED. MSBO Spring 2017
ONBOARDING NEW TEACHERS: WHAT THEY NEED TO SUCCEED MSBO Spring 2017 Objectives Understand onboarding as an integral part of teacher effectiveness and teacher retention Become familiar with effective cultivation
More informationHow to make an A in Physics 101/102. Submitted by students who earned an A in PHYS 101 and PHYS 102.
How to make an A in Physics 101/102. Submitted by students who earned an A in PHYS 101 and PHYS 102. PHYS 102 (Spring 2015) Don t just study the material the day before the test know the material well
More information