Professor s Contact Information Office Phone x2982 Other Phone (972) Office Location AS Address

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1 Course ARTS , Black and White Photography Professor Laura Barth Turner Term Spring 2011 Meetings Wednesday, 12:30-3:15 pm Professor s Contact Information Office Phone x2982 Other Phone (972) Office Location AS Address lbt091000@utdallas.edu, lbturnerphoto@gmail.com (please cc both when ing) Office Hours Wednesday by appt. Please both addresses above for ALL communication with Other Information me. That will assure timely response. Do not use WEB CT for . Please call only as a last resort or in an emergency. General Course Information Pre-requisites, Corequisites, & other 1301 does not satisfy this requirement.) Prior completion of a 2000 level studio arts course is required. (ARTS restrictions Course Description In this 35mm black and white photography course, students will investigate how a sequence or series of photographs builds meaning. Common examples in everyday life, such as comics, the advertising product catalog, photomontage, and the photo essay, all utilize more than one image to communicate an idea or message. Similarly, the photographer locates correspondences among individual frames exposed in succession when shooting roll film. By moving from an emphasis on the single photograph to a combination of images, different methods for printing and for image presentation, including mounting, bookmaking and sculpture/installation, can be explored. This course combines an investigation of the process of black and white photography with a study of serial imagery. Operation of the camera involves an awareness of its mechanical limitations in order to facilitate the recording of light and fosters an understanding of optics. Students will learn camera operation for proper film exposure and darkroom techniques for film development and print enlargement. Assigned reading and class discussion will address contemporary issues in art and photography. Learning Outcomes Students will interpret photographic concepts and apply photographic methods to create artworks, with an emphasis on black and white processes. They will assess and evaluate the creative work of their peers through both written and verbal critique. Students will discuss and write about both historical and contemporary examples of visual art, and they will choose and develop a proposal for an individual photography portfolio, which they will create.

2 MATERIALS: **Each student should have an automatic (with manual override) or manual 35mm FILM camera. Costs for the course will vary somewhat depending upon the scope of individual student projects. Supplies estimate: $ $200 to include photographic film and paper, developing tank and reels. See supply list posted on elearning and distributed in class. Photography chemicals are provided. Students with questions regarding cameras and supplies are encouraged to contact the instructor and refer to information reviewed and distributed in class, and posted on elearning. AS THERE IS NO REQUIRED TEXT FOR THIS CLASS, ACCOMODATIONS WILL NOT BE MADE DUE TO THE EXPENSE OF THESE CLASS MATERIALS. IF THE MATERIALS ARE TOO EXPENSIVE PLEASE CONTACT ME TO DISCUSS SOLUTIONS. NO LATE ASSIGNMENTS OR MISSED CLASSES WILL BE EXCUSED FOR THIS PURPOSE. SLR cameras are sold at some retailers and on ebay. See camera suggestions list posted on elearning. Vendors include: B&H Photo (NYC) Adorama (NYC) Calumet Photo (Illinois) Freestyle Photographic (CA) Required Texts & Materials Film Depot Richardson, DARKROOM SUPPLIES! 1002 N. Central Expwy # 589-C Richardson, TX (the northeast corner of I-75 & Arapaho) Competitive Camera 2025 Irving Blvd. Dallas (b/t Wycliff and Manufacturing) camera/equipment sales Wolf Camera - Also see other locations such as Belt Line and Coit Road. Suggested Course Materials See supply list posted on elearning and distributed in class. ADDITIONAL RESOURCES/TUTORIALS PROVIDED TO STUDENTS: 1) technical handout (online) via utdphoto webpage, noted below 2) links available to students through elearning and faculty webpage PHOTOGRAPHY CLASS RESOURCES (cameras, lighting, darkroom)

3 USER ID: photo 2010 PASSWORD: shutter (use all lowercase letters) Select: Find Electronic Reserve materials Open pdf files using a current version of Adobe PDF Reader Open ppt. files using Power Point--available as part of the MIcrosoft Office Suite, specially discounted for UT-Dallas students and faculty, at the UT-Dallas Technology Store. RESEARCH ARTISTS via McDermott library Ejournal links ( see instructions below and use Comet Card off-campus). UTD has subscriptions to : Art in America, Leonardo, Art Journal, Afterimage EJOURNALS. Go to the UTD library link from the main webpage. Select Collections/eJournals ONLY. To gain access to the journals from off-campus you will need to enter your ID number, which can be found on your Comet Card. Under the Journals heading select a letter of the alphabet to take you to the journal needed, which is in UTD s collection (for example: A). Select the link for the specified journal (for example: Art in America). Be sure to select the link for current issues. Select the Search within this publication link on the right side of the webpage. In the second line of the FIND dialogue box, enter the title of the article and the appropriate pulldown menu to initiate your search.(for example: Adams and Stieglitz: A Friendship ; and select TI Title) Click on the PDF icon to download the PDF Full Text of the article for electronic review or printing. In some cases you can also view the HTML version of the article. You will need the Adobe Acrobat plug-in to view the PDF version of the article, which can be obtained from Suggested Texts, Readings, & Materials HIGHLY SUGGESTED: Black and White Photography, a manual, by Henry Horenstein. * Barbara London, Jim Stone, or any of their Photography, the essential way Barbara London, Jim Stone books. helpful for those new to photography, technical advice and explanations. Many copies

4 available online used and new. *The Nature of Photographs, By Stephen Shore Assignments & Academic Calendar [Topics, Reading Assignments, Due Dates, Exam Dates] Week 1 1/12 Introduction to 35mm camera operation Assignment #1: walking the camera, noticing, using design elements. introduction. Reading: Henry Horenstein, Chapters 1 &2 Week 2 1/19 BRING CAMERA AND FILM. In class: practice loading a reel, film development demo. In class shooting. READ: Chapter 3 and Chapter 9, Film Week 3 1/26 ALL MATERIALS MUST BE PURCHASED BY THIS CLASS. DEMO: FILM DEVELOPMENT IN CLASS. Bring: SHOT film, reels, tank, towel, negative preservers, scissors. READ: Chapters 4, 5, and 6 Week 4 2/1 QUIZ on film processing before given darkroom code and access. Review processed negatives in class. DEMO: Photograms, contact printing(contact sheets), vs. making the enlargement. Darkroom work session: CONTACT SHEETS. Bring negatives in neg sheet, towel, notebook. READ: Chapter 10 SIGN UP FOR MEETINGS for 2/15 Week 5 2/8 Darkroom work day: MAKING PRINTS- demo and work day. BRING: negatives, dust brush/canned air, notebook, photo paper for enlargements. Week 6 2/15 1Quiz on making prints, darkroom cleanup.

5 Intro to Artist Research Presentation, paper and presentation due 3/9 INDIVIDUAL MEETINGS- REQUIRED. Bring work to date on first projectat least two contact sheets and four prints. Sign up for a meeting time on 2/8 Darkroom work day, PRINTS. READ: Chapter 8, lighting Week 7 2/22 Critique #1- Walking the Camera. Week 8 3/2 Assignment #2: landscape and document- dealing with what s in front of you. DEMO: Introduction to flattening and dry mounting using hot press. Week 9 3/9 Student presentations and papers on Historical Black and White photographers DUE. SIGN UP FOR INDIVIDUAL MEETINGS, 3/23. READ: Chapter 12 Week 10 3/16 spring break Week 11 3/23 INDIVIDUAL MEETING DAY to look at work in progress. sign up for times on 3/9, work day Week 12 3/30 Lecture: Assignment#3 narrative and sequence, constructing the narrative, controlling the sequence- for final project, bound in an artists book. Introduction to bookmaking techniques- WORK DAY after lecture. Week 13 4/6 Assignment #2 CRITIQUE

6 Week 14 4/13 Lecture: discussion of book making techniques and presentation optionsbring prints in progress. Darkroom Work day after lecture. Week 15 4/20 Darkroom work day- Week 16 4/27 Darkroom work day- REQUIRED individual meetings during class- sign up for a time on 4/13. Please bring ½ of completed contact sheets and ½ of work prints for an in- progress review grade. Week 17 5/4 Darkroom work day- Week 18 5/11 Assignment #3: FINAL CRITIQUE ATTENDANCE REQUIRED- bring final project in book or portfolio form, and final essay. _ Course Policies Grading (credit) Criteria Requirements include attendance and participation, student presentation, class assignments, written and verbal critiques. Attendance is required and the final grade for class participation will be lowered due to absenteeism. This includes work days. Arriving at class late or leaving early is disruptive, and should be avoided. Students, who are absent from class when assignments are announced, need to check with other students regarding the parameters of the exercise. The instructor will only clarify specific points. Students will need to work outside of class time in order to finish assignments in a timely manner. Work submitted for evaluation must be generated by the individual student and must represent the product of activity from the current semester and class.

7 elearning ( will be your source for the assignments, listings of any updates to assignments or the syllabus, especially as they relate to field trips, and evaluations of assignments. Locate your user ID and password: Grading Policy Portfolio and Class Assignments: Class assignments are designed to encourage experimentation with the photographic process and with the possibilities for working with serial imagery. The final portfolio will be based on a topic or theme selected by the student, perhaps representing an extension of one of the class assignments. The final form of the portfolio may consist of one ( or a variation) of the following : 1-a photographic book consisting of about ten (printed 8" x 10" ) to sixteen pages (printed smaller than 8" x 10". 2-a group of up to ten prints, printed 8" x 10" or larger, that are designed to be viewed as a single unit --as in an installation, sculptural object, or larger two-dimensional work designed to be hung on a wall. REQUIREMENTS class attendance and participation 20% --active participation in critique and discussion, including individual presentation on artist --preparation for class including materials needed for developing film or printing and for group critique --attend exhibition opening or write a 250 word exhibition review: Stranger than Fiction photography/video exhibition opening reception: Friday, January 21, 6:30-8:30 pm. Artist Talks: Stephan Hillerbrand, Thursday, January 20, 7:30 pm, AS Susan kae Grant, Thursday, January 27, 7:30 pm, AS 1.105, UTD Fine Arts Building, Main & Mezzanine Gallery, or other off campus fine art venue. Due at mid-term. contact sheet/work print review: 10% --review of individual progress toward each project --review of negatives (minimum six contact sheets), sample prints from work completed on each assignment, and typed one paragraph proposal statement class assignments: 30% Two assignments will provide a general framework for exploring issues in contemporary photography, each is weighted 15%. Historical Photographer presentation 10%: 5 minute talk and bio with

8 images over an important historical B/W photographer. final portfolio and short essay: 30% The final portfolio (Project #3) will be based on a topic or theme selected by the student, with advance approval from the instructor through submission of a written proposal short essay: A final essay written by the student should include a discussion of student s working process and the student s reflection on the appropriateness of the working method to their concept. The length of the essay should be one typed, double-spaced page and submitted via webct. Grading Criteria for Creative Work 1. Concept: what s the idea? Does it solve the problem posed in the assignment? 2. Relationship between content and form: how does the idea for the image influence the selection of the image s content and process of execution? 3. Experimentation: has this image been seen before? What risks with materials, conventions, content, design, or execution have been taken? 4. Presentation: given the limitation of the workshops, what kind of effort, care, and attention has been devoted to the creation of the images? Extra Credit Late Work Class Attendance Classroom Citizenship Extra Credit will be given at the instructor s discretion, and will generally involve writing an essay. Late work will be lowered from original grade one full letter grade per class day late. ATTENDANCE AT ALL CRITIQUES IS REQUIRED, AND EQUIVALENT TO AN EXAM GRADE. DO NOT MISS A CLASS UNLESS ABSOLUTELY NECESSARY, AS WE ONLY MEET ONCE A WEEK, YOU WILL MISS A LOT OF INFORMATION. Attendance is required and the final grade for class participation will be lowered due to absenteeism. Arriving at class late or leaving early is disruptive, and should be avoided. Students, who are absent from class when assignments are announced, need to check with other students regarding the parameters of the exercise. The instructor will only clarify specific points. Students will need to work outside of class time in order to finish assignments in a timely manner. Work submitted for evaluation must be generated by the individual student and must represent the product of activity from the current semester and class. Any student with a severe illness or with other problems that hinder their attendance should contact the instructor at or lbturnerphoto@gmail.com. Students have the responsibility to obtain a written medical excuse from a doctor and to submit it to the instructor if absences are due to medical problems. Students with special needs that relate to physical challenges should consult with the instructor as early as possible during the semester. Proper academic conduct during class is expected. Enrolled students are

9 responsible for maintaining a cooperative environment (i.e. Do not type messages/chat or engage in cell phone calls during lectures and critiques) Field Trip Policies Off-Campus Instruction & Course Activities Technical Support Off-campus, out-of-state, and foreign instruction and activities are subject to state law and University policies and procedures regarding travel and risk-related activities. Information regarding these rules and regulations may be found at the website address Additional information is available from the office of the school dean. Below is a description of any travel and/or risk-related activity associated with this course. If you experience any problems with your UTD account you may send an to: assist@utdallas.edu or call the UTD Computer Helpdesk at The University of Texas System and The University of Texas at Dallas have rules and regulations for the orderly and efficient conduct of their business. It is the responsibility of each student and each student organization to be knowledgeable about the rules and regulations which govern student conduct and activities. General information on student conduct and discipline is contained in the UTD printed publication, A to Z Guide, which is provided to all registered students each academic year. Student Conduct and Discipline The University of Texas at Dallas administers student discipline within the procedures of recognized and established due process. Procedures are defined and described in the Rules and Regulations, Series 50000, Board of Regents, The University of Texas System, and in Title V, Rules on Student Services and Activities of the university s Handbook of Operating Procedures. Copies of these rules and regulations are available to students in the Office of the Dean of Students, where staff members are available to assist students in interpreting the rules and regulations (SU 1.602, 972/ ) and online at A student at the university neither loses the rights nor escapes the responsibilities of citizenship. He or she is expected to obey federal, state, and local laws as well as the Regents Rules, university regulations, and administrative rules. Students are subject to discipline for violating the standards of conduct whether such conduct takes place on or off campus, or whether civil or criminal penalties are also imposed for such conduct. The faculty expects from its students a high level of responsibility and academic honesty. Because the value of an academic degree depends upon the absolute integrity of the work done by the student for that degree, it is imperative that a student demonstrate a high standard of individual honor in his or her scholastic work. Academic Integrity Scholastic Dishonesty, any student who commits an act of scholastic dishonesty is subject to discipline. Scholastic dishonesty includes but is not limited to cheating, plagiarism, collusion, the submission for credit of any work or materials that are attributable in whole or in part to another person, taking an examination for another person, any act designed to give unfair advantage to a student or the attempt to commit such acts. Plagiarism, especially from the web, from portions of papers for other classes, and from any other source is unacceptable and will be dealt with under the university s policy on plagiarism (see general catalog for details). This course will use the resources of turnitin.com, which searches the web for possible plagiarism and is over 90% effective.

10 Copyright Notice Use Withdrawal from Class The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials, including music and software. Copying, displaying, reproducing, or distributing copyrighted works may infringe the copyright owner s rights and such infringement is subject to appropriate disciplinary action as well as criminal penalties provided by federal law. Usage of such material is only appropriate when that usage constitutes fair use under the Copyright Act. As a UT Dallas student, you are required to follow the institution s copyright policy (Policy Memorandum 84-I.3-46). For more information about the fair use exemption, see The University of Texas at Dallas recognizes the value and efficiency of communication between faculty/staff and students through electronic mail. At the same time, raises some issues concerning security and the identity of each individual in an exchange. The university encourages all official student correspondence be sent only to a student s U.T. Dallas address and that faculty and staff consider from students official only if it originates from a UTD student account. This allows the university to maintain a high degree of confidence in the identity of all individual corresponding and the security of the transmitted information. UTD furnishes each student with a free account that is to be used in all communication with university personnel. The Department of Information Resources at U.T. Dallas provides a method for students to have their U.T. Dallas mail forwarded to other accounts. The administration of this institution has set deadlines for withdrawal of any collegelevel courses. These dates and times are published in that semester's course catalog. Administration procedures must be followed. It is the student's responsibility to handle withdrawal requirements from any class. In other words, I cannot drop or withdraw any student. You must do the proper paperwork to ensure that you will not receive a final grade of "F" in a course if you choose not to attend the class once you are enrolled. Procedures for student grievances are found in Title V, Rules on Student Services and Activities, of the university s Handbook of Operating Procedures. Student Grievance Procedures Incomplete Grades In attempting to resolve any student grievance regarding grades, evaluations, or other fulfillments of academic responsibility, it is the obligation of the student first to make a serious effort to resolve the matter with the instructor, supervisor, administrator, or committee with whom the grievance originates (hereafter called the respondent ). Individual faculty members retain primary responsibility for assigning grades and evaluations. If the matter cannot be resolved at that level, the grievance must be submitted in writing to the respondent with a copy of the respondent s School Dean. If the matter is not resolved by the written response provided by the respondent, the student may submit a written appeal to the School Dean. If the grievance is not resolved by the School Dean s decision, the student may make a written appeal to the Dean of Graduate or Undergraduate Education, and the deal will appoint and convene an Academic Appeals Panel. The decision of the Academic Appeals Panel is final. The results of the academic appeals process will be distributed to all involved parties. Copies of these rules and regulations are available to students in the Office of the Dean of Students, where staff members are available to assist students in interpreting the rules and regulations. As per university policy, incomplete grades will be granted only for work unavoidably missed at the semester s end and only if 70% of the course work has

11 been completed. An incomplete grade must be resolved within eight (8) weeks from the first day of the subsequent long semester. If the required work to complete the course and to remove the incomplete grade is not submitted by the specified deadline, the incomplete grade is changed automatically to a grade of F. Disability Services The goal of Disability Services is to provide students with disabilities equal educational opportunities. Disability Services provides students with a documented letter to present to the faculty members to verify that the student has a disability and needs accommodations. This letter should be presented to the instructor in each course at the beginning of the semester and accommodations needed should be discussed at that time. It is the student s responsibility to notify his or her professors of the need for accommodation. If accommodations are granted for testing accommodations, the student should remind the instructor five days before the exam of any testing accommodations that will be needed. Disability Services is located in Room in the Student Union. Office hours are Monday Thursday, 8:30 a.m. to 6:30 p.m., and Friday 8:30 a.m. to 5:00 p.m. You may reach Disability Services at (972) Guidelines for documentation are located on the Disability Services website at The University of Texas at Dallas will excuse a student from class or other required activities for the travel to and observance of a religious holy day for a religion whose places of worship are exempt from property tax under Section 11.20, Tax Code, Texas Code Annotated. Religious Holy Days The student is encouraged to notify the instructor or activity sponsor as soon as possible regarding the absence, preferably in advance of the assignment. The student, so excused, will be allowed to take the exam or complete the assignment within a reasonable time after the absence: a period equal to the length of the absence, up to a maximum of one week. A student who notifies the instructor and completes any missed exam or assignment may not be penalized for the absence. A student who fails to complete the exam or assignment within the prescribed period may receive a failing grade for that exam or assignment. If a student or an instructor disagrees about the nature of the absence [i.e., for the purpose of observing a religious holy day] or if there is similar disagreement about whether the student has been given a reasonable time to complete any missed assignments or examinations, either the student or the instructor may request a ruling from the chief executive officer of the institution, or his or her designee. The chief executive officer or designee must take into account the legislative intent of TEC (b), and the student and instructor will abide by the decision of the chief executive officer or designee. These descriptions and timelines are subject to change at the discretion of the Professor.