CURRICULUM VITAE MARY GLUCK

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1 CURRICULUM VITAE MARY GLUCK Personal Address: 234 President Ave., Apt. 2, Providence, R.I Phone: H. (401) W. (401) Fax: (401) Born: May 1, 1947, Budapest, Hungary Citizenship: American Education 1976, Ph.D., Columbia University, History Department, Dissertation Title: "Endre Ady: An East European Response to the Cultural Crisis of the Turn of the Century" 1970, B.A., University of Toronto, History Department, Honors History and Literature Employment History Professor of History and Judaic Studies Professor of History and Comparative Literature (Brown University) Associate Professor of Comparative Literature, (joint with History) Associate Professor of History (Brown University) Assistant Professor of History, (Brown University) Visiting Assistant Professor of History, (Queen's University, Kingston, Canada) Sir Isaac Kilam Post Doctoral Fellow, (Dalhousie University, Halifax, Canada) Academic Honors 2011 Senior Fellow, Internationales Forschungszentrum Kulturwissenschaften, Vienna, Austria 2009 Fellowship, Memorial Foundation for Jewish Culture 2006 Faculty Fellowship, Cogut Humanities Center, Brown University 2002 Article Prize awarded by the American Association for the Study of Hungarian History for The Modernist as Primitive: The Cultural Role of Endre Ady in Fin-de-Siecle Hungary. Published in Austrian History Yearbook, (2002) Salomon Grant, Brown University Rockefeller Fellow of the National Humanities Center, North Carolina Andrew Mellon Foundation, Award for developing summer graduate seminars on the impact of theory on history and literature McLoughlin Award for Teaching Excellence in the Social Sciences, Brown University William Rice Kimball Fellow, Stanford Humanities Center, Stanford University 1987 Summer NEH Institute for the Study of the Avant-Garde, Harvard University Fellowship, Memorial Foundation for Jewish Culture Fellowship, American Council of Learned Societies Fellowship, American Association of University Women 1977 Canada Council Summer Research Fellowship

2 Canada Council Doctoral Fellowship President's Fellow, Columbia University Fellow of the Institute on East Central Europe, Columbia University Mary H. Beatty Fellowship, University of Toronto Publications a) Books: Georg Lukács and His Generation (Harvard University Press, 1985) Popular Bohemia: Modernism and Urban Culture in Nineteenth-Century Paris (Harvard University Press, 2005) Paperback edition of Popular Bohemia (Harvard University Press, 2008) Chinese translation of Popular Bohemia (Anhui Educational Press, China, 2008) The Invisible Jewish Budapest: Metropolitan Culture at the Fin de Siecle (Forthcoming University of Wisconsin Press, 2016) Hungarian translation of The Invisible Jewish Budapest (Forthcoming Múlt és Jövő Kiadó) b) Chapters: "The Intellectual and Cultural Background of Bartók's and Kodály's Work," in Bartók and Kodály Revisited ed. György Ránki, (Budapest: Gondolat, 1986), Afterthoughts about Fin-de-Siècle Vienna : The Problem of Aesthetic Culture in Central Europe, in Rethinking Vienna 1900 ed. Steven Beller, (New York and Oxford: Berghahn Publisher, 2000), A Wahrmann-Istóczy párbaj [Hungarian translation of A Problem Seeking a Frame: An Aesthetic Reading of the Jewish Question in Turn of the Century Hungary ] in Honszeretet és felekezeti hűség: Wahrmann Mór [Love of country and religion: Mór Wahrmann ] ed. Tibor Frank, (Budapest: Argumentum, 2006) Dressing Up: Bohemia, Commerce and the Creation of the Artist s Life in Fashion and Art eds. Adam Geczy and Vicki Karaminas, (Oxford, UK: Berg Publishers, 2011) With Lajos Csaszi, The Budapest Cow Parade, in Comparative Hungarian Cultural Studies, eds. Steven Totossy de Zepetnik and Louise Vasvari, eds. (West Lafayette, Indiana: Perdue University Press, 2011) c) Refereed Journals "Politics vs Culture: Radicalism and the Lukács Circle in Turn of the Century Hungary," East European Quarterly, vol. XIV, No. 2, (1981), "Toward a Historical Definition of Modernism: Georg Lukács and the Avant-Garde," Journal of Modern History, 58 (December, 1986), "In Search of 'That Semi-Mythical Waif: Hungarian Liberalism': The Culture of Political Radicalism in

3 ," Austrian History Yearbook Vol. XXII, (1991), "A Problem Seeking a Frame: An Aesthetic Reading of the 'Jewish Question' in Turn of the Century Hungary," Austrian History Yearbook XXIII (1992), Review Essay of Anthony Giddens' Modernity and Self-Identity: Self and Modernity in the Late Modern Age, History and Theory, vol. 32, No. 2, (1993), "Beyond Vienna 1900: Rethinking Culture in Central Europe," Austrian History Yearbook XXVIII (1997), "Interpreting Primitivism, Mass Culture and Modernism: The Making of Wilhelm Worringer's Abstraction and Empathy, The New German Critique, 80, (Spring-Summer, 2000), Theorizing the Cultural Roots of the Bohemian Artist, Modernism/Modernity, Vol. VII, No. 3, (September 2000), The Modernist as Primitive: The Cultural Role of Endre Ady in Fin-de-Siècle Hungary, Austrian History Yearbook 33 (2002), (Winner of the article prize awarded by the American Association for the Study of Hungarian History) The Flâneur and the Aesthetic Appropriation of Urban Culture in Mid Nineteenth-Century Paris, Theory, Culture and Society Vol. 20, No. 5, (October 2003), The Budapest Flâneur: Urban Modernity, Popular Culture and the Jewish Question in Fin-de-Siècle Hungary, Jewish Social Studies, Jewish Social Studies, Vol. 10, No. 3, (Spring/Summer 2004): Reimagining the Flâneur: The Hero of the Novel in Lukács, Bakhtin, and Girard, Modernism/Modernity Vol. 13, No. 1 (January 2006): Jewish Humor and Popular Culture in Fin-de-Siecle Budapest Austrian History Yearbook, Vol. XXXIX (2008): Georg Lukács and Adolf Agai Jews in Eastern Europe: The YIVO Encyclopedia for Jews in Eastern Europe, ed. Gerson David Hundert (New Haven & London: Yale University Press, 2008): I, 1101, I,9 Flâneur Encyclopedia of Urban Studies (Sage, September, 2009): A bohém művész kulturális gökereiről [Hungarian translation of Theorizing the Cultural Roots of the Bohemian Artist ] in Korunk Vol III, Nol 5, (May 2010): A budapesti zsidó flâneur (The Jewish Flâneur in Budapest) (trans. Into Hungarian) Múlt és Jövő Vol. XXIII, No. 4 (2012): The Budapest Coffee House and the Making of Jewish Modernity, Journal of the History of Ideas Vol. 74, No. 2, (April 2013) Decadence as Historical Myth and Cultural Theory, European Review of History/Revue européenne

4 4 d histoire Vol. 21, No. 3, (2014), Performing Jewish Identity in Fin-de-Siecle Hungary: Mór Wahrmann as Jewish Ambassador to Budapest, The Hungarian Historical Review Vol. 3, No. 4, (2014), d) Non-Refereed Journals Bohemia before La Bohème Opera Program to Puccini s La Bohème, GoteborgsOperan, Premier 22 November 2008 (trans. Into Swedish) d) Book Reviews: Péter Hanák, Ungarn in der Donaumonarchie: Probleme der bürgerlichen Umgestaltung eines Vielvölkerstaates in Journal of Modern History, Vol. 58, No. 4, (December 1986), Michael P. Steinberg, The Meaning of the Salzburg Festival: Austria as Theater and Ideology, in American Historical Review, (April 1991), Randolph L. Braham and Béla Vágó, eds. The Holocaust in Hungary: Forty Years Later and Asher Cohen, The Halutz Resistance in Hungary in Canadian-American Slavic Studies (1988), William R. Everdell, The First Moderns: Profiles in the Origins of Twentieth-Century Thought in American Historical Review, Vol. 103, No. 4, (October, 1998), Carl E. Schorske, Thinking with History: Explorations in the Passage to Modernism in Austrian History Yearbook, Vol. XXXII, (2001), Scott Spector, Prague Territories: National Conflict and Cultural Innovation in Franz Kafka s Fin de Siècle in Journal of Modern History, Vol. 74, No. 1, (March 2002), Robert Nemes, The Once and Future Budapest in American Historical Review December 2006: Deborah R. Coen, Vienna in the Age of Uncertainty: Science, Liberalism and Private Life in American Historical Review, December 2008: Paul Reitter, The Anti-Journalist: Karl Kraus and Jewish Self-Fashioning in Fin-de-Siecle Europe in Journal of Modern History, Vol. 82, No. 1, Markian Prokopovych, In the Public Eye: The Budapest Opera House, the Audience and the Press, , forthcoming in Austrian History Yearbook Work in Progress Decadence and Symbolism, in Cambridge History of Modern European Thought, Vol, 1. Eds. Warren Breckman and Peter Gordon

5 5 Recent Lectures "Jewish Assimilation and Dissimilation in Late-Nineteenth Century Hungary," Center for European Studies, Harvard University, October 1987 "Political Anti-Semitism and the Blood Libel Case at Tiszaeszlár, 1882" St. Anthony's College, Oxford, May 1988 "The Hungarian Revolutionary Tradition, " American Association for the Advancement of Slavic Studies, Honolulu, Hawaii, November 1988 "The Cultural Construction of the Jewish Question in Fin-de-Siècle Hungary" University of California, Berkeley, March 1989 "Budapest Humor and the Jewish Question," May 1989, Stanford University "Wilhelm Worringer and the 'Generation of 1905'" Worringer Symposium, Hofstra University, April 1991 "Paradigms of Modernism," Yale University, October 1991 "Neo-Primitivism in Pre-World War I Aesthetic Manifestoes," American Historical Association, January 1994 "Cultural and Intellectual History in Central Europe: Theoretical Problems and Challenges," International Symposium, "Beyond Vienna 1900," Center for Austrian Studies, University of Minnesota, October 1995 Primitivism as a Cultural Trope in Late Nineteenth-Century Urban Discourse, The Triangle Intellectual History Seminar, April, 1999 Endre Ady: The Cultural Origins of the Modernist Imagination in Fin-de-Siècle Hungary, American Historical Association, January 2000 Modernism and National Identity in Fin-de-Siècle Hungary, in Symposium Honoring István Deák, Columbia University, March 2000 The Flâneur as Cultural Hero, Seminar presented at the Harvard Humanities Center, October 2000 Modernism and the City, Seminar coordinator at annual meeting of the Modernist Studies Association, Philadelphia, October 12-15, 2000 Urban Modernity, Popular Culture and the Jewish Question in Fin-de-Siècle Hungary The Fifth Rosenfeld Conference on Hungarian Jewry, Jerusalem, May, 2001 Chair, Knowledge in Action: Reflections on New Intellectual Histories, AHA (Jan. 2004)

6 6 Bohemia, Walter Benjamin, and the Concept of Modernity, 32 nd Annual Nineteenth-Century French Studies Colloquium, Indiana University, Oct Chair, Masculin/Feminin: The Gendering of Thought and Culture in Twentieth-Century East-Central Europe, AAASS (Nov. 2006) The Jewish Joke and Popular Culture in Fin-de-Siecle Budapest Cosmopolitanism, Nationalism and the Jews of East Central Europe, Central European University, Budapest, May 27-29, Popular Culture in the Habsburg Monarchy Kann Memorial Lecture, Center for Austrian Studies, University of Minnesota, September 20, Rethinking East European Regional Identities after 1989 Panel on: Eastern Europe: Myths or Uneven Development, AHA, January 3, Jewish Self-Fashioning through Popular Culture in Fin-de-Siecle Budapest 4 th Lavy Colloquium, Nationhood and the Jews, Johns Hopkins University, November 6 and 7, Jewish Commercial Entertainment in Fin-de-Siecle Budapest Conference on Jews, Commerce and Culture at the Herbert D. Katz Center for Advanced Judaic Studies, the University of Pennsylvania, April 27-29, Public Culture in Judapest, Panel on Germans, Ideas, and the City: Reconsidering the Urban Model for Cultural and Intellectual History at the German Studies Conference, October 10, The Uses of Popular Culture for the Study of Jewish Assimilation in Central European Jewish Culture: Revisions and Revisualizaitons The University of Michigan, Ann Arbor, October 22 and 23, The Mosse Lectures, University of Wisconsin-Madison, Sept , 2010 ( Public Spaces, Private Selves: Jewish Flaneurs in Fin-de-Siecle Budapest, Jewish Humor: Self-Parody or Therapy, Parvenus and Pariahs: The Scandal of the Budapest Orpheum) The Captive Mind Conference, Yale University, March The Invisible Jewish Budapest, University of Vienna, October 20, The Scandal of the Budapest Orpheum IFK (Internationales Forschungszentrum Kulturwissenschaften), Vienna, December 12, Jewish Humor in Fin-de-Siecle Budapest, Center for Jewish Studies, University of Graz, January 10, The Jewish Ambassador Joke: Mor Wahrmann and the Performance of Jewish Identity in Fin-de-Siecle Budapest, Central European University, Budapest, March 20, The Discourse of Decadence as Historical Metaphor and Cultural Criticism in the European Fin de Siecle, Keynote lecture at conference on Declines and Falls: Perspectives in European History and Historiography: Twenty Years of the European Review of History/Revue européenne d histoire Central European University, Budapest, May 15-17, 2013.

7 7 The Jewish Music-Hall Skit in Budapest and Vienna, Colloquium on Jews in German Popular Culture, Center for Jewish Studies, University of Graz, May 18-19, Budapest Commercial Entertainment at the Fin de Siecle, Center for Russian, East European, & Eurasian Studies, University of Michigan, Ann Arbor, October 16, Interpreting Eine Klabriaspartei : Jewish Music Hall Culture in Pre-World War I Central Europe, Avant-Garde Interest Group Workshop, University of Michigan, Ann Arbor, October 16, The Cultural Significance of World War I in Central Europe, Symposium on Viennese Modernity, The Austrian Cultural Forum, New York, March 2, The Invisibility of Jewish Budapest, Institute of History, ELTE, Budapest, June 16, The Budapest Orpheum, Paper presented at the Association for Slavic, East European, and Eurasian Studies, Philadelphia, Nov. 20, 2015 Teaching Three upper level lecture courses in Modern European Intellectual History: Encountering the Modern, ; Exploring the Modern, ; Transforming the Modern, 1914 to the present Survey of modern European history, primarily for freshmen Undergraduate Seminars: The European Fin de Siècle; The Culture of Modern Eastern Europe; The Novel of Education; The Autobiography and Modern Identity; Twentieth-Century Marxism; Constructing the Modernist Artist: Bohemian, Flâneur, Decadent and Primitive; High and Low Culture: The Long Debate; Paris as Modernity; Modernity, Jews and Urban Identity in Central Europe; Jewish Humor and Popular Entertainment in Early Twentieth-Century Europe and America Graduate Seminars: Modernism and the Avant-Garde; Theories of Popular Culture and Commodity Culture; European History Work Shop; The Theory and Practice of Everyday Life Interdisciplinary summer graduate seminars on The Impact of Theory on the Disciplines of History and Literature, Funded by the Andrew Mellon Foundation, Professional Service Advisory Board, Austrian History Yearbook (2000 to present) Screening Committee, Charlotte Newcombe Doctoral Fellowship (1995 to present)

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